Avaliações de usuários

If you aren't a fan of Cantonese gunplay/gangster movies, you won't like this as much as I did. If you are, however, and you haven't seen "The Big Heat", prepare to thoroughly enjoy yourself. Having been a fan of HK flicks for years, I've reached the stage where I feel like I've seen it all. I've even taken to renting videotapes at 4 bucks a pop, 2 tapes per film, at my local Chinese-language movie store(I live in Phoenix, AZ, so if you're anywhere remotely metropolitan, you probably have one in your town as well). Now, I scour the aisles, hoping to see something even remotely on par with the works of Woo, Lam, and Hark. Most times, I come up disappointed, sitting hopefully through a sluggish, poorly plotted film with one or two halfway decent action sequences. So I was pleasantly surprised by this one. An early entry into the HK cop action genre, this little number was directed by Johnny To and Andrew Kam, both of whom were reportedly fired by producer Tsui Hark, who helmed some of it himself. The story has been described by others here already, so I'll just mention that this thing kicks ass! It moves along at a fair clip, never gets dull, and the fight scenes, while more akin to Ringo Lam's close-quarters real-time shootouts than John Woo's orgiastic slo-mo duels, are consistently inventive and exciting. A couple of motifs here ended up in later films, like "The Killer" and "Hard Boiled". And, I swear, the "shoot the hostage" bit from "Speed" was lifted directly from this film. If you've watched all of the better-known HK movies(and some of the lesser-known ones), and are jonesing for a fix of Asian action, check this one out. And, yes, it really is gruesomely violent for a HK film.

One of Johnnie To's earlier films, this tale is more akin to the hard crime thriller of Martin Scorsese rather than To's recent "tongue-in- cheek" style. What we have here is brutal storytelling of blackmail, espionage, corruption, and violence all facing one struggling Hong Kong detective. Even by today's standards the violence is both shocking and disturbing to see. Some sequences may be over the top, and while out of place they are vastly entertaining. The plot of "a washed-up cop pulled back in for one last job" had been done to death even back in 1988, however Johnnie To added in some twists plus heavy suspense to make the material fresh. In my opinion the faults are the editing and lack of charisma from Waise Lee's character. The protagonist could have been more likable to better engage the audience, and the editing is dated with some awkward cuts and sped up/slowed down moments which don't blend well with the drama. Other than that the material hit home with me, and the all-out conclusion left me in awe. Keep in mind this is filled with winding clues and bloody confrontations, not an easy watch. -7/10

THE BIG HEAT is an impressive crime thriller, shot in the streets and urban spaces of Hong Kong and filled with chases, shootouts and fistfights right up until the final action climax. While it doesn't have the sheer spectacle of John Woo's HK crime films (THE KILLER, HARD-BOILED), it is consistently gripping and suspenseful and generally more believable than Woo's films (at least until the final over-the-top battle). Simple one-line-plot: four cops go after a businessman in league with smugglers after the lead cop's former partner is brutally murdered.

The romantic interests are expertly interspersed into the story so that they never detract from the action, but become a part of it. This is a no-nonsense film from beginning to end, with no fat and no waste. There are numerous set-pieces, such as a face-off in a hospital elevator shaft, that are so tightly shot and edited as to rank with similar scenes in the best Hollywood urban crime thrillers.

The stars include Waise Lee (A BULLET IN THE HEAD), as the lead cop on the case, and Joey Wang (A CHINESE GHOST STORY), as a nurse who is romanced by one of the cops. The actor playing Lee's partner is none other than Philip Kwok, a one-time kung fu star (one of the Five Venoms), who, in line with the film's more authentic action, doesn't get to do any kung fu, but instead gets to shoot, run, chase, brawl, and drive at high speeds.

I should point out that the film includes much brutal violence, including beatings, mutilation and gruesome deaths. It's not for the squeamish, but if you're a fan of gritty, down-and-dirty crime thrillers, this DVD is for you.

...it's that the Hong Kong police are dangerously incompetent. Also, the tone of this movie is all over the place. In one moment a cop's fiancé is brutally murdered and a few seconds later another cop is running through the streets carrying a bomb like Adam West in The Batman Movie.

This film, The Big Heat (Hong Kong, 1988) is outstanding, and it shows exactly what differs these movies from others. This is directed by Johnnie To and Andrew Kam and the story involves a little bunch of police officers (including Waise Lee, the smooth actor from Better Tomorrow and Bullet in the Head) who are on the trail of a criminal league which is also responsible for one of the cops' partner's death. What follows is non-stop action and never before seen cinematic mayhem.

I'm mostly attracted by the apocalyptic tone the film has. In many Hong Kong films from that period, the main theme is that what will happen to Hong Kong in 1997..? It is a subject matter that scares and really concerns people in these films. But the infernal visions of The Big Heat can also be seen universally and as a statement of the whole globe's future and attitudes which destroy it. The apocalyptic element is maintained by the action and gory mayhem, which never actually stops during the film. There are no chances to have a break and be in peace. The whole system is collapsing and everybody has to fight for life all the time or the "stronger will get you."

The action scenes and gun battles are incredible (sorry for using these adjectives so much). When I first saw this, I watched it on VHS tape, dubbed in English and fullscreen, but still that tape was uncut. When I first saw it, the film didn't have any particular effect on me, although one extremely brutal car scene stayed in my mind, but the film as a whole didn't "blow me away" back then. Then I purchased the DVD which is subtitled in English and letterboxed and after that second viewing, I was kicked in the head. This is the case usually with HK movies: they have to be seen many times, before you really can see through them and appreciate them. The Big Heat showed its real face for me during that second time and now I've ranked the film among the most outrageous, fast paced and also savagely violent action films ever. And I think that people with open minds will come to that conclusion too.

If we talk about the violence in HK films, the violent Woo movies are not too hard to take because they are so beautiful and full of more or less mysterious elements (white birds/doves, crushing statues, and so on..) but the violence in Big Heat is very different. It comes pretty close to violence in Ringo Lam's masterful Full Contact which is also pretty savage and not "beautifully" violent and symbolic as John Woo's films. I really love Woo's artistic work too, but the attitudes in his films are very different than Big Heat's.

A local collector has told me that he has tried to show Big Heat to some of his colleagues at work, and no one has managed to sit through it! That really tells something about what are chances for mainstream audiences to understand these kinds of films which DON'T intend to entertain stupid masses.

In its own masterful genre, The Big Heat is a 10 out of 10 points experience and it can be recommended only for fanatics of the challenging Far East cinema.

Written by Gordon Chan, director of Fist Of Legend and Thunderbolt, The Big Heat may be a little rough-around-the-edges, but it still stands strong as a fantastically gritty, violent, and fast-paced action thriller. Directed by Andrew Kam and Johnnie To, with the great Tsui Hark getting behind some scenes, uncredited, the film is brilliantly shot, in a way that only compliments the dark revenge plot, with its brutal tale of cops and robbers, screaming the style of a certain Ringo Lam, with only hints of light breaking through this raw, gore-filled, dark and exciting Hong Kong gem!

For me, the great Philip Kwok steals the show. Playing a cop on Lee's team, he could have carried this as the lead, bringing an explosive energy to his role and delivering one of the better performances in the film. After watching him in so may Shaw Brothers films recently, it was good to see him in a modern setting. But for Waise Lee, who had made an impression with his breakout role in the classic, A Better Tomorrow, only 2 years prior, The Big Heat helped take him to another level. Playing a cop with a spinal injury that affects his gun hand, Lee is advised to resign early. But when he gets word about the murder of his ex-partner, Lee delays his plans until he finds out who was behind the brutal killing. I would like to say that, if Chow Yun Fat had been in Lee's place, this film would be in everyone's collection much like his classics with Woo and Lam...

When I watch The Big Heat, I see Tsui Hark giving us a project inspired by his time on A Better Tomorrow 1 & 2. With John Woo taking a different approach to his stylised action thrillers, this gave Hark the chance to darken the tone even more, blending his dark humour with more ultra-violent, kinetic action. Working with Andrew Kam, the man behind Swordsman, Fatal Termination, and High Voltage with Donnie Yen - as well as the great Johnnie To who was still fresh as a film director (although had already been assisted on films such as Royal Warriors and Magnificent Warriors with Michelle Yeoh), producer and director Tsui Hark delivers an underrated classic that I say, deserves a place beside the legendary John Woo flicks.

Although leaning more towards that of a Ringo Lam film than the work of Woo, The Big Heat is packed with stunning cinematography that pulls you into the action, making for a tense viewing experience full of graphic gun fights and action, where limbs and heads are blown-off, and kids and innocent people get abused, backed by that stunning, night-time Hong Kong movie lighting, tight editing and great soundtrack. As the plot moves along, emotions run high with each of the cast members giving memorable performances - even Waise Lee, with a great collection of names, some just starting off in their career. Keep an eye out for the likes of Crime Story director Kirk Wong, Wong Hin Mung, Joey Wong, Paul Chu Kong, Ong Sai Kit, Michael Chow, Robin Shou, Roy Cheung, and the aforementioned Philip Kwok, who also doubles up as the action choreographer alongside Joe Chu and Paul Wong. Strangely enough, Kwok takes part in a fantastic hospital shoot-out, something that may just have inspired a certain scene in the amazing Hardboiled, where Kwok plays Mad Dog against Chow Yun Fat's gun-toting Tequila...

Brutal and fast-paced from the get-go, there's no denying its pace in the heroic bloodshed genre of Hong Kong cinema. I love The Big Heat and hope to see it resurrected with a 4K restoration one day soon. Unapologetic in its shock value and violence, the film stands as one of the most brooding and brutal crime films I have ever seen!

Overall: Powerful and memorable, The Big Heat is one of Hong Kong cinema's darkest and greatest action-thrillers that deserves to be seen!

Tsui Hark produces and Johnnie To directs this classic tale of hard-boiled cops and powerful criminals who might be above the law, but aren't above justice (Hong Kong style).

Waise Lee plays the detective who wants to crack the proverbial 'one last case' before retirement, with Wong Hin-Mung as the rookie with a weak stomach and admirable support from Phillip Kwok and Lo Ging-Wa as the ice-cool action cops with an unspoken respect and affection under the competitive appearance of their relationship. Paul Chu Kong is truly fearsome as the ruthless villain, and Joey Wang is... cute as a chipmunk (sorry, but she really does look like one - she must never have babies with Donnie Yen!).

The film opens with a shocking image of a power drill piercing a hand, in quite convincing detail. It's just a nightmare/metaphor for Waise Lee's nerve condition, but it sets the tone for the film effectively - one of the most violent and cynical films Hong Kong has produced. It's reminiscent in more ways than one of the recent SPL, and the appropriation of the name from Fritz Lang's at-the-time-shocking noir is... appropriate. The film is quite openly influenced by Robocop too, with several moments of violence essentially stolen from Verhoeven's still-shocking work. This is mostly at the start of the film... as it progresses it shifts more towards Hong Kong style gunplay action in the John Woo style, but never gives up on its mission to up the ante for violence. There is some fantastic gunplay in the film, grittier and less stylised than Woo's, but just as 'ballistic'.

The film is just as intense in its narrative and atmosphere as in the action, genuinely 'thrilling' and dark as it sucks you into the characters' situation, making you care for the relatively-good guys and despise the undeniably-bad guys. There's very little 'fluff' or wasted screen time (Tsui Hark's tacked on cameo at the end being the major exception!).

I first saw the film years ago - one of the first DVDs I imported when I joined the digital world, as it happens. I wasn't all that impressed at the time, though the level of violence/gore definitely stuck in my head. After an overdue rewatch on the new/improved HK DVD, Waise Lee is still a terrible actor, even in this (one of his best efforts), but the film is so intense and uncompromising that he can't destroy it. If Chow Yun-Fat had been free (and affordable) there is no doubt in my mind that this would be held up as one of the all-time classics of HK Cinema's 'Golden Age'. My new evaluation is that it comes pretty darn close anyway.

Big Heat is no masterpiece, the editing is sometimes sloppy, the music score is stolen fragments thrown together, there are a few seconds unnecessary comic relief here and there (but only seconds), the acting is often mediocre (even though Waise Lee is okay), the camerawork is not very impressive, the dialogue is nothing special and the story is nothing new.

But despite the obvious flaws, if you like your movies violent you will be entertained.

This is one brutal movie. You will see people get massacred and torn to pieces, you will see gunshots to the head, gunshots with beautiful bloodsquibs and much more extreme violence well scattered from the shock beginning to the brutal ending. I can assure you that the incredible death by car scene is the most violent you have ever seen. The other reviewer Brian Camp has already mentioned the exciting and of course extremely violent elevator shaft scene. Not even the children are safe in this movie, unlike Hollywood movies were they don't even dare to get a dog killed. The pacing is good so you will not be bored and the story is no masterpiece but it works. It is about revenge and those stories seem to work no matter how many revenge movies you have seen. We need bloody revenge. If you do not like brutality do not see this movie. 8 / 10.

This is my second review on this incredible action film, The Big Heat (Hong Kong, 1988) by film makers Andrew Kam and Johnnie To. More detailed review by me can be found by reading user comments on this film or alternatively clicking my IMDb nick and searching there the first review of mine. I feel a need to write more about this film now that I watched the film again tonight.

The atmosphere and tune of the film is so incredibly infernal and non-stop ominous that I'm even more impressed than what I was when I watched this previously, and that is only one proof of the fact that most Hong Kong/Asian films are revealed more and more with each viewing and they cannot be fully understood after first viewing. The cinematography is very convincing and there are couple of scenes involving brightly red smoke and dangerously misty blue which really create an atmosphere of mayhem and violence, which is present whole the time in this movie, and also in World the film depicts collapsing. Blue smoke and atmosphere created by blue is very usual element among greatest Hong Kong thrillers, and most memorable use of that element can be found in finale of Ringo Lam's City on Fire, and also in many films made by Billy Tang, like Red to Kill and Dr. Lamb (which he directed with actor turned director Danny Lee.) The music in The Big Heat is also very effective and adds to the tension very greatly.

The blood and guts carnage and ultra violent action is very graphic and over-the-top to say the least, and will definitely make more squeamish viewer think twice whether or not continue watching the film. One death scene involving a multi level highway is perhaps the most brutal death scene I've seen in any film, and that is really saying something about the power and punch of this unique film, and that "highway scene" is just one pretty brief scene in this film. The shootout at the hospital is very dark and savage and no one is safe from angry bullets, including little children and nurses. The editing is very important element in these action scenes and there's absolutely nothing worth blaming about editing and cinematography in this film. This film is far grittier and bleaker than most John Woo films, and this is pretty close to Ringo Lam's films full of rage. I love also John Woo's films, but they are very different compared to The Big Heat and other rougher rides of Hong Kong mayhem/action cinema.

The Big Heat may have some negative points like unbelievable plot turns and other usual flaws usually found in action films, but it fortunately lacks all the stupid humor elements found irritatingly too often in Hong Kong action films. The Big Heat is serious all the time and tries not to entertain its audience by making it laugh. The plot is again very confusing, but that is another thing that is often present in these films and seems perhaps more confusing seen through Western eyes, but all these little negative things in the film are so easy to forgive since the film as a whole is so full of positive things and cinematic achievements that really make this film among the greatest Eastern action films ever. I think one has to be pretty keen on Hong Kong and Asian cinema in general in order to appreciate The Big Heat as much as I do, and I know many people wouldn't like films like The Big Heat by various reasons, perhaps most notably because it (fortunately) lacks all the efforts to entertain and make feel safe. I love this film very much and in its own genre full of rage, this film ranks among the most powerful and memorable films ever made. 10/10

The Big Heat (1988) was a violent and brutal police drama that is still shocking and disturbing. A police inspector(Waise Lee) is partially crippled in his quick draw hand. He's haunted by the fact that he'll never be able to use it like he did ever again. Meanwhile a brutal crime lord (Chu Kong) is making all kinds of trouble amongst the Hong Kong Police department. Corruption is at an all time high and no one is innocent. Inspector Lee and his partner (Philip Kwok) are assigned a new partner (Matthew Wong) and a foreign fellow officer, the four of them make a very unlikely group of officers. Their job is to take out and apprehend the crime lord (or is it?). The hot Joey Wong is the love interest of the novice officer.

If you like no holds barred action films, then look no further. Violent deaths, brutal fist fights and hardcore action is the rule in this movie. I haven't seen anything like this in a long time and neither will you. Maybe some day a true uncut version of this movie will appear. But don't worry about it because I doubt it'll be any more bloodier than it already is.

Highly recommended for the sheer carnage alone.

Co-Director Johnnie To who has also created other classic Chinese crime flicks, Fulltime Killer 2001, Drug War 2012, The Mission 1999 and Exiled 2006 and co-director Wah Yeung have created another gem in The Big Heat.

Starring Waise Lee who has also been in another classic flick, Bullet in the Head 1990 and another classic Chinese Crime flick, A Better Tomorrow 1986.

Also starring Joey Wang.

Also starring Philip Kwok who has also been in other classic flicks, Tomorrow Never Dies 1997, Crippled Avengers 1978, Riki-Oh: The Story of Ricky 1991, Shaolin Temple 1976, Master of the Flying Guillotine 1976 and another classic Chinese crime flick, Hard-Boiled 1992.

Also starring Matthew Wong.

I enjoyed the violence and non-stop action.

If you enjoyed this as much as I did then check out other classic Chinese crime flicks, Above the Law 1986, Beast Cops 1998, A Better Tomorrow II 1987, Crime Story 1993, Ebola Syndrome 1996, Flash Point 2007, Full Contact 1992, Gen-X Cops 1999, Invisible Target 2007, SPL: Kill Zone 2005, The Killer 1989, On the Run 1988, In the Line of Duty 1986, White Tiger 1996, Burning Ambition 1989, Safe 2012, Fatal Move 2008, The Viral Factor 2012, SPL 2: A Time for Consequences 2015, Dog Bite Dog 2006, Big Bullet 1996, Firestorm 2013, The White Storm 2013, Paradox 2017 and Year of the Dragon 1985.

Gloomy apocalyptic testament of Hong Kong's capitalism. Homosexuality, drug-dealing, and street-showdown between the police and a psychic criminal show that Chinese views of value have been already raped by 100 year-domain of westernization regardless of their UNWANTED retro-annexation to main China.

Rookie cop, Kwok-Keung Lun (Mathew Wong) is assigned to work with his veteran cohorts lead by Chief Inspector Wong (Waise Lee). Exposing the eventual corruption by Ching Han (Kong Chu) . There's another backstory involving Inspector Wong's shooting hand. One of the obstacles is the fact that Chief inspector is unable to use his gun hand, to which the pain was so bad, that to him gripping onto a gun felt to him like a drill was going through it.

One of the stepping stones for Woo's 1989 movie "The Killer" and "Hard-Boiled" as there is no slow motion used here, but there are still plenty of exciting action scenarios, such as shooting at the shotgun's barrow as well as some grisly scenes that cannot be described here, director Gordon Chan or the writers may have read from newspapers. The movie is excellent photographed which the some of the action still looks dangerous as there is no CGI used here a movie made in 1988. The final scene after his gun hand was shot and revolver becomes tangled with Waise Lee's necklace was a classic.

A fierce and fatalistic Hong Kong policier. As produced by Tsui Hark and co-directed by the great Johnny To, this gore-drenched neo noir is as far removed from a John Woo bullet ballet as possible. Unlike Woo's romantic notions of honor and loyalty in a morally bankrupt world, the vision here is bleaker, more unsparing. There are no beautifully choreographed dances of deaths, no heroic displays of bloodshed and brotherhood. The filmmakers pummel our violence-jaded sensibilities, rubbing our noses in the sundry ways a human being can be physically mangled or emotionally savaged. They're determined to make us feel the pain, and they succeed in spades. This one fricken hurts to watch.

The film is a Hong Kong travel agent's worst nightmare, a portrait of the city as a neon-lit charnel house. The protagonist is a stolid, world-weary police detective (Waise Lee), whose nerve-impaired shooting hand serves as the perfect symbol of this pitiless urban jungle-- it's beyond repair, as out of control as the landscape he inhabits. In a rare star turn, Lee (the memorable villain of Woo's "A Better Tomorrow" and "Bullet in the Head") is coolly persuasive at suggesting bottled torment; he makes reticence seem like a powerful emotion.

The crime story involving the pursuit of a Malaysian drug cartel is routine stuff, as is the inclusion of a clumsy rookie cop assigned as partner to Lee. But Hark and To invest these familiar tropes with a profoundly unsettling despair that gets under your skin and stays there.

The Big Heat doesn't just burn -- it scalds.