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A woman leaves the Raven Croft Mental Facility, which for some reason is filled with only women who do not seem insane, but more like juvenile delinquents (played by women in their 20s and 30s, to be sure). Outside, she's attacked by a short person in a Ronald Reagan mask and pushed through a trapdoor down a very long chute. Mr. Reagan shows up at the bottom of the chute seconds later, suggesting he has his own chute nearby or an express elevator. It was lucky for him her escape route passed by his trapdoor anyway.

The late Reagan is infamous for (among many other things!) being responsible for the closing of federally funded mental institutions, essentially kicking many patients out onto the streets. I wonder if this movie was trying to comment on that, in its own stupid way. The "Ronald Reagan Home for the Mentally Ill" in Airplane II may have been making a jab at the same thing. Anyway, a Reagan mask isn't really scary-looking. Even though it seems to be painted a solid color, suggesting the William Shatner mask in Halloween, it still looks like a caricature of Reagan, and thus, silly.

The next day a young woman shows up at the facility to be a teacher. On the way she has a Psycho moment when a sunglasses-wearing cop (Vosloo, years before the Mummy!) finds her asleep in her car. At the institution, she has some odd hallucinations relating to people falling down the chute (which she's never seen) or being walled up behind bricks.

And about those bricks - the killer walls people up behind a single row of red bricks which he does not appear to cement together. Even though he puts his prisoners in straitjackets, they could still simply push against the wall and have it fall down.

Donald Pleasance has a character that is ridiculous and serves practically no purpose except to be weird. John Carradine shows up for all of about ten seconds. I understand in his later years people would film him doing something, before even having an idea of what to do with it, just so they could put him in their movie. Perhaps this fits in with that.

Robert Vaughn looks, sounds, and dresses the same in this as in everything else I've seen him in. C'mon, an accent, some facial hair, and different haircut, do something to make your character superficially different! Or is it the director's fault?

The movie is definitely not adapted directly from Poe. It suggests The Black Cat, The Premature Burial, The Fall of the House of Usher, The System of Doctor Tarr and Professor Fether among others, without really having much to do with any of them except superficially.

Pleasence, Vaughn, and porn queen Allen are entertaining trying to make sense of a silly script that's like a cross between a cruddy Euro gialli and a made for TV suspenser. Most of the other actors appear to be phoning in their performances from another planet. Some of the cinematography has some thought and care put into it and there's one death scene via hand mixer that's a tad inspired, but it's not enough to make it worth sitting through this again.

This movie is supposedly based on Edgar Allen Poe, but aside from a cat and some people being entombed behind a wall, I'm not so sure. (And it also seems to involve ants, lots and lots of ants). It takes place at some kind of institute for sexy, delinquent, orphaned female mental patients. (I would gladly work as the unpaid janitor at one of these places, but they only seem to exist in the movies). The name actors in this movie are Robert Vaughn, Donald Pleasance, and John Carradine (in what would be his final film). You may question the judgment of these actors in appearing in this film, but when did any of these guys ever show any judgment? I would question the judgment of the producers in their choice of the female cast. The lead is Karen Witter, a former Playboy Playmate. Very few Playmates are known for their acting abilities and Witter is definitely NOT doing what she does best here. You could probably say the same thing about Ginger Lynn Allen, at that time in a hiatus period of her XXX porn career. But at least she has brief nude scenes (well, sort of) and is not very convincing, but still somewhat entertaining as the tough "queen bee" of the institution.

The French director of this, Gerard Kinkoine, is also an interesting choice. He WAS technically a porn director, but he was one of the more talented "softcore" directors like Just Jaeckin, Jean Rollin, Walerian Borozyx, and Max Pecas rather than simply a hardcore hack. Almost all these European directors ended up working in off-Hollywood American co-productions like this at the end of their careers, but it was actually a step down for them (whereas for Ginger Allen it was a definite step-up from "servicing" the likes of Ron Jeremy and Jerry Butler).

This is OK I guess overall. I probably won't sue to get the 90 minutes of my life back. . .

A pedestrian, confusing and inadequately constructed horror, whose only connections to Poe are the theme of premature burial and the arbitrary appearances of a black moggy. Stars Robert Vaughn and Donald Pleasence were hardly noted as being discriminatory in their choice of roles, while Karen Witter's lack of acting experience is all too evident. Ginger Lynn Allen who displays more spirit would have been a better bet for the part. There are probably not quite enough gory murders and sadism for those who relish such carnage, and more than sufficient for the rest of us. John Carradine is glimpsed only fleetingly towards the end.

Compared to some of the other films based on Poe short stories that were made during the late eighties - Alan Birkinshaw's "The House of Usher" and Fred Olen Ray's "Haunting Fear" to name a couple - former porn director Gerard Kikoine's "Buried Alive" isn't all that bad ... but then again, that's not saying much. In fact, it is extremely difficult to make sense of it, and I for one couldn't help being annoyed by Donald Pleasance's character Dr. Scheffer. He has the obligatory German accent and a fake looking wig to boot, and for some reason he is presented in closeups most of the time. A real pity that this turned out to be horror legend John Carradine's last picture. I don't know whether he died during filming or after the film had been made, but for his sake I hope that he left before he got a chance to see it. Watch Stuart Gordon's "The Pit and the Pendulum" - or even better, Dario Argento's contribution to 1991's "Two Evil Eyes" - instead.

This film is awful. I rented it because at our store it was $0.99 Thursday rental. The movie was very slow paced and did not keep one's attention. Robert Vaughn has got to be one of the worst actors. Has he ever done anything other than B movies. No. He is that bad. Donald Pleasence was casted, but had such a small role that one could not judge his abilities. The only part I did like was the brick work which is movie is loosely based on. 2/10

Is this Poe or a sequel to "Reform School Girls"?! The plot has something to do with a young teacher who arrives at a girls' mental facility (or is it a home for delinquent girls?) to discover that some of them are disappearing without a trace. It turns out they're being sucked through the ground into little tubes for whatever ominous reason. My favorite scene is when a teen girl (who looks 35) is curling her hair in the kitchen with a mixer (!) and ends up getting scalped with it. There's something fabulously trashy about this movie, but it has no right to carry the Edgar Allen Poe moniker before it's title. It has about as much to do with Poe as it does with Shakespeare.

The movie boasts a fine cast, with Robert Vaughn, Donald Pleasence, and John Carradine (in his final film appearance). Playboy Playmate Karen Witter is very beautiful, and might make a passable supporting character. However, she is not a good enough actress play a teacher convincingly, not to mention being the main character in this film. On the other hand, adult movie star Ginger Lynn Allen does a very good job of playing the rebellious student Debbie. Robert Vaughn chews the scenery, Donald Pleasence acts goofy, and poor John Carradine is in a wheelchair, and looking every bit as old as he was. The story is only slightly connected to Edgar Allan Poe's writings at most. The DVD has no theatrical trailer or bonus features of any kind. All in all, it's a little disappointing, but watchable.

Janet (Karen Witter) is the new biology teacher at Ravenscroft, a school for troubled young girls (including former porn star Ginger Lynn Allen and debuting Nia Long) run by Gary (Robert Vaughn). This odd, isolated place seems to bring out the worst in Janet as she keeps having hallucinations about hordes of ants, a pulsating brick wall, and a arm that keeps grabbing her. Staff quack Dr. Schaeffer (Donald Pleasence) tells her she just might be seeing different layers of reality (!?!). To make matters worse, the student population keeps dwindling as girls are offed by some guy in a mask. You know you are in for some true class when the opening credits misspell Poe's name (as "Edgar Allen Poe"). Another of Towers' South African lensed Poe "adaptations," this has about as much to do with his short story "Buried Alive" as Fred Olen Ray's THE HAUNTING FEAR does. I'd probably rate this one above USHER just because director Gerard Kikoine (EDGE OF SANITY) manages to pull off some interesting camera moves. He isn't concerned with such trickery in terms of plot though as the villain is exactly who you think it is. Oddly enough, the T&A factor is limited to one scene and former X-rated queen Ginger Lynn does not get nude. Arnold Vosloo and Bill Butler have small supporting roles. John Carradine has 30 seconds of screen time and this was to be his last film. The end credits dedicate it to his memory. Poor John.

I love this movie to death. Its b-grade schlock of the highest caliber. My mother rented it around '95 or somewhere around that time, thinking it was a made-for-TV movie with the same title. I would've sworn it had been made in the early '80s for its pure b-movie quality. I honestly can't say if the overall effect was intended, but it succeeds effortlessly to capture the last days of the slasher film (cum Poe inspired imagery) genre. Long story short, a new teacher arrives at the Ravenscroft Institute, a girl-school staffed with lunatics. Not surprisingly she begins having hallucinations/nightmares as her pupils disappear one by one--in laughingly inventive ways. The only complaint I have is with Robert Vaughn who I absolutely can't stand. But even so I wouldn't have changed a thing. Get some friends (or develop multiple personalities) together, get a pizza and watch this movie. Its the essence of life.

Although the overall plot is obvious, the details are baffling; characters have dreams/visions/hallucinations that are never explained; most exposition parts seem to have been cut out; the film moves from one warped scene to another instead of trying to build some atmosphere. Robert Vaughn is utterly unconvincing in the first half of the film (though he improves later on), and Donald Pleasence is irritating as the doctor/possible suspect who mostly comes across as just a senile old man. (*1/2)

Brought to you by the makers of rape culture comes this miserable movie. Buried Alive is about men who should not have been allowed to make a movie. It features women but only because the script said so. I don't know it wasn't fun to watch the movie, no character mattered and no one says anything cool, y'know how the movie Casablanca has memorable scenes unforgettable characters and super quotable dialogue- yeah, in Buried Alive remembering anything is actually a bad thing, forgetting this movie is great I try to do it all the time. If you have access to money, cast, script and director, may I recommend not making a movie like this.

The taglines that were sprawled across the colourful cover of this movie would lead you to believe that it was some sort of a bizarre zombie flick! ‘Some secrets are best left buried. But will they stay there?' and ‘The dead return!' make this sound as if it's yet another attempt at a DAWN OF THE DEAD rip-off! I bought it anyway, as it was one of those titles, which I had seen many times on my travels, and I often wondered what it was like. (Stalk and slash films aren't my only vice, you know!) I was pleasantly surprised to find that it's pure slasher/whodunit right down to a masked killer preying on young female students in an all girl reform school! Another point that also first attracted me was the fact that it claims to be adapted from the works of Edgar Allan Poe. By that I'm sure they must mean his short story ‘The premature burial'. There's a TV movie with exactly the same name, that funnily enough was also released in the same year (although this was made two years earlier) that also ‘based itself' on that novel! To be thoroughly honest, apart from the odd black cat popping up here and there, it looks as if director Gerard Kikoine – who started out in the business filming porn – had only added the homage to that renowned horror author as a smart publicity stunt to put bums on seats! I couldn't have seen Poe writing a script for a silly slasher, no matter how insane he was!

It opens with some gloomy shots of an eerie looking building silhouetted by the foggy night sky. The sign outside reads ‘Ravenscroft Reform School' and Inside we see a group of teenage girls all deeply sleeping, except for one dark-haired youngster who looks as if she's packing her things to make a daring escape. She puts her rucksack on her back and heads towards the exit. Just before she leaves, her friend calls her back and gives her a leaving present - a blue switchblade – and then she says her goodbyes and heads out into the misty night sky. (Cushty security for a reform school don't ya think!) She hotfoots it through the woods, until she spots a car driving along a road in the distance. She takes a break for just a second, and all of a sudden a masked assailant jumps out from within the bushes and violently knocks her on to the floor. He picks her up and drops her into a man made pothole and she falls into a corrugated steel tube that leads into a dank and spooky underground chamber. She awakes to see the grisly psycho standing menacingly above her. He injects her with a sedative, puts her in a straight jacket and then drags her by the feat to a cramped cell-like room. Once inside the assassin begins to brick and cement up the doorway, effectively leaving her ‘Buried Alive'…(Hence the title!) Next we meet a young science teacher named Janet Pendleton (Karen Witter) who has just got a job teaching at the college. We also see the head doctor Gary Julian (Robert Vaughn), his twitchy assistant Dr. Schaeffer (Donald Pleasence) and a group of bitchy female co-eds who enjoy nothing more than pulling each others hair out! (Literally!) When another girl goes missing from the campus, Janet becomes suspicious and investigates the history of Ravenscroft, only to find a sincere and shocking secret. But who is it that is violently killing the young helpless girls?

With a cast including Robert Vaughn, Donald Pleasence, John Carradine as well as porn star Ginger Allen, and plot that pits a group of saucy female co-eds against a vicious psychopath, BURIED ALIVE seemed like a dead cert for a decent splatter flick. Director Kikoine attempts to seduce you with his claim that it's adapted from the twisted mind of Edgar Allan Poe, but sadly he fails to deliver on most accounts. For a start, what the hell was wrong with Donald Pleasence here? He plays arguably the most obnoxious character ever set to the silver screen, - a million miles away from his legendary Sam Loomis - complete with phoney looking toupee and an overly dodgy German accent! The dialogue is also laughable. In one scene Miss Pendleton has another of her strange nightmares, which begin plaguing her as soon as she arrives on campus. She ends up lying on the floor, panting, sweating and chillingly screaming. Dr Julian witnesses her strange ‘fit' and instead of rushing to her aid, calmly asks ‘is something wrong?' I expected her to say sarcastically ‘nah, I'm just hysterical for the fun of it' (!) but instead she quickly recovers and mutters ‘I'm fine'…Hmmm! Also at one point the doctor asks the shaky ‘scream queen' if she'll marry him. The funny thing is, the two of them only met a couple of days earlier and haven't even shared so much as a date yet? I kept wondering if I missed something when I blinked or sipped on my warm cup of tea!

There are some creative ways to kill of the cast on offer here. These include a painful looking electrocution; a trough in the side of the head and a young girl gets buried up to her waste in wet cement! When she screams for help, she gets a mouthful of the soggy muck to shut her up! There are also those victims who get bricked up in a cold room and effectively ‘buried alive', which are the main ingredients of the feature. The director at least shows promise with a couple of decent ideas. There are some morbid shots of each rotten corridor of the creepy chamber accompanied by victim's screams as they get dragged to their demise. Each unlucky individual spots a black cat before they are dispatched, which is clearly the only real noticeable element lifted from Poe. There's also at least one pretty gory scene to liven you up if you're nodding off. A female teen is curling her hair on a food mixer (?) when she's scared by an unseen menace (presumably the masked killer), and ends up drilling into her head and pulling her hair completely off…Ouch!

This was the last film that John Carradine worked on before his unfortunate death in 1988, which sadly wasn't the greatest flick to finish off a 5-decade career in the movies with. It's not that it doesn't try; it's just that it never really manages to go anywhere. It's occasionally interesting but mostly dull and un-atmospheric. To be honest, you're better of taking a look at the other made for TV flick with the same moniker…it's a much stronger effort!

This film adapt the short story of "the premature burial" of Edgar Allan Poe tackling about fear of being buried alive, but the film took a different route to settled this short story on a correctional high school (morelike an institution for mischievous girls). Although i see one essence of the short story because Janet suffers a cataleptic trances, just how the narrator of "the premature burial" short story stated, however, not from being buried alive on this film, but by being dragged on by an unknown hand, and along with these black ants crawling on Janet's stockings. They change the thoughts of being buried alive, and instead trapping victims and sealed them through the walls, which im gonna thought now, is that, this is morelike an Edgar Allan Poe's short story, "the black cat". I think if you're gonna weigh which of these truly adapted in 'someway' the short story of this film, they really took a lot of elements from, "the black cat" instead of "the premature burial", because we're talking about being buried alive, not being sealed through a wall and died from suffocation, hunger, thirst & fear. I think this would be a great adaptation if the focal point is moreon the psychological, instead of a mask killer, killing girls who wants to get out.. it would be better, just saying. But above all, i still like the film. Its also nice and unexpected to see Nia Long's performance in here though, it does not totally showcases throughout the film, the cut scene is not my favorite, and the killer reveal is not my thing to.

My review was written in October 1990 after watching the movie on RCA/Columbia video cassette.

Lensed in South Africa, this horror pic runs through several themes fro Edgar Allan Poe (his name misspelled in the credits) stories with dull results.

As with three other Harry Alan Towers productions ina Poe vein, it's a direct-to-video release in the U.s. (Item should not be confused with last year's USA Network pic "Buried Alive", starring Jennifer Jason Leigh, Tim Matheson and William Atherton).

Though of historical footnote as John Carradine's final assignment, film disappoints because there's only a few seconds of blurry Carradine footage. He plays evil doctor Robert Vaughn's dad, holed up in his mansion/asylum for wayward girls.

Carradine supposedly experimented on his son, resulting in the nutcase who now preys on the young women who live in at his asylum Ravens Croft.

Karen Witter narrated the tale as the beautiful new teacher who suffers from hallucinations. Psychological horror mixes elements from Poe's "Cask of Amontillado" and "The Black Cat" among other tales. Overall, pic resembles an earlier South African effort "The Stay Awake", especially when the girls have an after-hours party in the basement with some boys.

Witter's fans will probably be disappointed because she remains clothed throughout this one, unlike "Midnight", a pic she also made in 1988. Former porn star Ginger Lynn Allen has one of her best mainstream jobs as a tough-talking inmate who proves to be an excellent screamer.

There's plenty of gore on display. Former porn director Gerard Kikoine keeps the sex content down, even having the gals' requisite shower scene stage with their bikini bottoms on.

They've got a lot of nerve to call that "Edgar Allan Poe's buried alive".It does not look like the writer's works to the slightest extent -unless the presence of a black cat counts-Located in a luxury reform school for girls (?) ,this piece of garbage casts Robert Vaughn as the director and D.PLeasance as a doctor(?)A young female teacher arrives:she is to teach here-but we never see her working or so little.In the basements ,a man with a Ronald Reagan mask(??) is burying alive the girls who try to escape.

This is a completely failed horror film,borrowing now from"shining",now from Dario Argento's "suspiria" and "phenomena".This is a cock-and -bull story with the obligatory final trick:it's not over when you think it is,now roll on "Buried alive 2" :but the movie,proving that sometimes there's justice in the universe ,was a flop,preserving the spectators from it.It's the movie scenarists that should be buried alive.