AVALIAÇÃO DA IMDb
6,2/10
12 mil
SUA AVALIAÇÃO
Um jovem delicado e hesitante está em perigo quando tenta romper relações tóxicas com um estranho misterioso que afirma ser seu amigo.Um jovem delicado e hesitante está em perigo quando tenta romper relações tóxicas com um estranho misterioso que afirma ser seu amigo.Um jovem delicado e hesitante está em perigo quando tenta romper relações tóxicas com um estranho misterioso que afirma ser seu amigo.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória e 1 indicação no total
Jet Freedom
- Band in Club
- (as jet freedom)
Avaliações em destaque
When you encounter a bad movie, the tendency is to just blow it off. After all, most folks are largely incompetent at what they do. But if you check the credentials of the people involved, you have to think again.
The writer has written successful movies as well as fine ones. "Snake Eyes" is great until the end, a fine examination or watching for us to watch. And "Panic Room" is an experiment in making a building a character.
The director has written and directed films that show he understands the mechanics of noir, the very thing being tinkered with here. Spader has been involved in several noir-bending adventures, always as a contributor.
What went wrong? The pitch certainly would have been "noir personified," specifically by mixing in the "visitor that changes lives" genre. Noir is when a man or couple get accidentally caught up in mischievous fate, fate that seems to actively play with their lives.
A well established derivative is the "omniscient serial killer" genre, which to some extent puts a face on fate. "Funny Games" is a similar experiment in building calmly human dervishes. But it is an entirely different matter to make fate a friend. That's what's attempted here. It may be possible, but not the simple way that's tried.
The minor fold here is that fate uses film (video) in the two events around which the story turns.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
The writer has written successful movies as well as fine ones. "Snake Eyes" is great until the end, a fine examination or watching for us to watch. And "Panic Room" is an experiment in making a building a character.
The director has written and directed films that show he understands the mechanics of noir, the very thing being tinkered with here. Spader has been involved in several noir-bending adventures, always as a contributor.
What went wrong? The pitch certainly would have been "noir personified," specifically by mixing in the "visitor that changes lives" genre. Noir is when a man or couple get accidentally caught up in mischievous fate, fate that seems to actively play with their lives.
A well established derivative is the "omniscient serial killer" genre, which to some extent puts a face on fate. "Funny Games" is a similar experiment in building calmly human dervishes. But it is an entirely different matter to make fate a friend. That's what's attempted here. It may be possible, but not the simple way that's tried.
The minor fold here is that fate uses film (video) in the two events around which the story turns.
Ted's Evaluation -- 2 of 3: Has some interesting elements.
This is the most textbook demonstration of Nietzsche I've ever seen. Rob Lowe is the gifted liar prepared to go all the way to get whatever he wants and keep himself entertained. Spader is the timid, uptight yuppie who doesn't understand just how much he's in for when Lowe's "will to power" rubs off on him. What ensues would bring anybody back to good old fashioned organized religion. A morality play taken to extremes that nonetheless works as a thriller, too. Worth seeing. 8.
"Bad Influeince:" Yup, that's a good title for one of the main characters in this movie: "Alex," played by Rob Lowe. His grin alone is pure evil! In fact, Lowe's character is one of the lowest I've encountered in these modern-day thrillers. This also could be called a modern "noir," because it has a lot of that genre's qualities. This also is different from the normal cops-vs.- crooks film.
As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.
An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.
I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.
As bad as "Alex" was, I couldn't root for the other main character, either: "Michael Boll" (James Spader). Spader is one of these actors that seems to play very snotty, unlikeable people. Maybe he's just good at play annoying characters.
An odd character, and one that added to this film, was the guy (Christian Clemenson) who played Spader's older, stoned-out brother "Pismo." What a loser.....but an interesting person.
I really was intrigued by this film the first time I saw it but less so in the next two viewings, finally trading this in for something else. But for one viewing, it's recommended for crime fans, or people who just plain like evil characters.
Rob Lowe stars as a drifter who takes yuppie James Spader under his wing and starts to turn Spader's life inside out. The acting is pretty good, but the writting and the direction will knock you out. Clever, and very stylish plus it is filled with exciting moments that will have you on the edge of your seat. One of my favorite films of all time. Rating: 9.5 / 10
To me this movie was about a lifestyle. The music in this movie was very underground and featured Skinny Puppy tracks ('Who's Laughing Now?')along with a host of other interesting songs. The main dance-floor scene was very well done and gave a glimpse into the underworld of recreation drugs. Rob Lowe and James Spader delivered convincing roles and were a perfect fit for this cult classic. I'm still looking for the song featured on this movie with the lyrics "I wanna take you down"... It was cool. The movie was cool. Guess you have to appreciate the music at one point in your life to appreciate this type of movie...
regards...
regards...
Você sabia?
- CuriosidadesJames Spader and Christian Clemenson play brothers in this film. They would star together again in Justiça Sem Limites (2004), this time playing colleagues who become good friends.
- Erros de gravaçãoEarly in the movie when Michael is in the bar drinking a beer the glass is nearly empty. When it cuts to Michael getting his head slammed against the table the glass is suddenly almost full.
- Citações
Pismo Boll: It's only a matter of time... get in bed with the devil... sooner or later you have to fuck!
- Versões alternativasUK version is cut by 28 sec. to remove "dangerous imitable technique" during the scene where Alex attempts to kill Michael by connecting the car lights to the petrol tank.
- Trilhas sonorasSpiritual Healing
Written by Toots Hibbert (as F. Hibbert)
Performed by Toots Hibbert (as Toots)
Produced by Chris Blackwell and Lowell 'Sly' Dunbar (as Sly Dunbar)
Courtesy of Mango Records, an Island Records company
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Bad Influence
- Locações de filme
- La Brea Tar Pits - 5801 Wilshire Blvd, Los Angeles, Califórnia, EUA(Multiple scenes: Alex and Michael meet at tar pits. Body is found in pits.)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 7.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 12.626.043
- Fim de semana de estreia nos EUA e Canadá
- US$ 3.822.019
- 11 de mar. de 1990
- Faturamento bruto mundial
- US$ 12.626.043
- Tempo de duração1 hora 39 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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By what name was Sob a Sombra do Mal (1990) officially released in India in Hindi?
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