Conta as desventuras do neurótico humorista Jerry Seinfeld e seus amigos em Nova Iorque.Conta as desventuras do neurótico humorista Jerry Seinfeld e seus amigos em Nova Iorque.Conta as desventuras do neurótico humorista Jerry Seinfeld e seus amigos em Nova Iorque.
- Ganhou 10 Primetime Emmys
- 79 vitórias e 197 indicações no total
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Resumo
Reviewers say 'Seinfeld' is celebrated for its unique humor, quirky characters, and witty dialogue, finding comedy in everyday life. Its innovative narrative and themes of relationships and social commentary stand out. The ensemble cast, led by Jerry Seinfeld, Jason Alexander, Julia Louis-Dreyfus, and Michael Richards, delivered memorable performances. The show introduced many catchphrases and cultural references. Despite criticism for character flaws and moral indifference, its clever writing and fearless humor have made it a comedy classic.
Avaliações em destaque
I caught a few episodes of Seinfeld over it's final two seasons run on public channel, and made it a point to catch a lot more of Jerry and friends during it's reruns. I found it very amusing on first viewings, but as time wore on, I began to like it more and more, and to eagerly borrow taped episodes from friends, and to hunt for re-runs on syndicated channels.
Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".
Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.
Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".
Surely, we won't find something like this again, for many more years to come.
Of the two comedy TV series in the history of television, I would choose both Seinfeld and Monty Python as the cultural landmarks of the medium. In Seinfeld, there is not a trace of sentimentality and glib moralizing that plagues the American sitcom genre. Characters do not hug each other on Christmas, fall in love, wax on and on about family and friends, there is no faux-cathartic season ender so favoured by the writers of, say, "Friends".
Instead, we have the narcissistic Jerry, constantly mining the minutiae of everyday detail for every bit of situational comedy; we have the hyper-aggressive Elaine, whose strings of breakups with boyfriends are as impressive as her petty neuroses leading up to the breakups themselves; the ultimate schlub-loser George, who lies to every single woman he dates, sells faulty equipment to the handicapped and muscles off women and children when fleeing an apartment fire; and the impossibly inventive physical comedy of the entrepreneur cum schmooze Kramer.
Over and over again, week in and week out, the quartet discuss trivialities with unbridled zeal, as the non-descript narrative pings from one mundane setting to another. Seldom has such wit been generated by such gargantually pointless human endeavours. That is where the brilliance of Seinfeld lies, in the ability to go to the most bizarre ends to fulfill the potential of a less than hopeful comedic premise; and the endless, pointlessly smug and nihilistic banter that almost invariably escalates into some of TV's classic lines, such as when George shouts triumphantly after winning an argument that "there is no bigger loser than me!".
Surely, we won't find something like this again, for many more years to come.
This show was totally unique. Nothing has been done like it before, or since (with the possible exception of the Simpsons, which does mimic some of the "nothing" plots a little). While it was about nothing, it was really about everything--but the little things that no one thinks about, like giving your bank code to your fiancé. I also liked how this show was the last of the "non-fashion" shows.
You always saw Kramer wear the same ridiculous jacket, pants, and shirt. George always had those too-small plaid shirts and even Jerry had the black-and-gray striped shirt we saw him wear in the one where he and George make "The Pact". Even Elaine had many of the same clothes, even after her "make-over". I mean, I LOVE the show Friends but every time the guys have a new turtleneck or sweater, and the girls always have a new dress or a new pair of pants, which is totally unrealistic (for the guys anyway).
This show had consistent humour all the way up to the last season, which is unusual for many shows. I LOVED George styling his hair to look like the bald guy from NYPD Blue, Elaine buying the JuJubes on the way to the hospital, Uncle Leo yelling "STOP THE SHOW" on the PBS special--these were just some of the great moments! This show is the best on televison, and if you haven't seen it, go and watch now!
You always saw Kramer wear the same ridiculous jacket, pants, and shirt. George always had those too-small plaid shirts and even Jerry had the black-and-gray striped shirt we saw him wear in the one where he and George make "The Pact". Even Elaine had many of the same clothes, even after her "make-over". I mean, I LOVE the show Friends but every time the guys have a new turtleneck or sweater, and the girls always have a new dress or a new pair of pants, which is totally unrealistic (for the guys anyway).
This show had consistent humour all the way up to the last season, which is unusual for many shows. I LOVED George styling his hair to look like the bald guy from NYPD Blue, Elaine buying the JuJubes on the way to the hospital, Uncle Leo yelling "STOP THE SHOW" on the PBS special--these were just some of the great moments! This show is the best on televison, and if you haven't seen it, go and watch now!
I cannot, through any stretch of my imagination, grasp how anyone can't find the humor in this series. Perhaps they have succumb to a similar problem I have in writing this review. I find that I cannot accurately describe just why exactly this sitcom should be held so far above the others. It's Kramer's awkward movements and border-line insanity; it's Jerry and Elaine's never-rekindled romance; it's George's terrible luck and inadequacy issues; it's all of those and so much more. I do find, however, that the show can be described with one word: irreplaceable.
"Friends"? Have you ever noticed that in "Friends" commercials, not even they, the reigning kings and queens of sitcoms, dare tread on the title of "funniest show ever"? Just watch the next commercial you see, and you'll find "the funniest (running) show on television!" I don't know if I would call that perfectly accurate, but it proves my point. Seinfeld was groundbreaking, and it went to places that few comedies (or dramas, for that matter) have since gone, and nothing before nor since has in quite the same way equaled it.
I notice a reoccurring complaint of negative reviews on this site: the opening and occasional ending of Jerry Seinfeld doing standup. I admit, it isn't the funniest thing that I've ever heard, though he is by far the best "have you ever noticed" comedian, but give me a break! That is your complaint? At least some other reviewers go on about characters, and the implausible plotlines (not that I agree in the least with them), but just that reason alone? You obviously don't have the intelligence to grasp the humor of the series, content only with the easy-to-understand slapstick of today's comedy; but nonetheless, in your blatant stupidity, you cannot grasp why it ISN'T funny, either -- so you pick the standup.
Nice.
In any case, despite the negative reviews or even the positive, Seinfeld stands the test of time, and is the greatest sitcom ever made. Even TV Guide's compiled list of the "greatest television series' of all time," not at all exclusive to comedy (20/20, I believe, made the list), put Seinfeld right where it belongs: NUMBER ONE.
The last and greatest juggernaut of comedy, I know I'll be watching the untiring reruns that never seem to get old when I'm old and gray and long since committed to a retirement home.
And do you know what?
The intelligent viewers of humanity's next generation will be doing the same thing.
"Friends"? Have you ever noticed that in "Friends" commercials, not even they, the reigning kings and queens of sitcoms, dare tread on the title of "funniest show ever"? Just watch the next commercial you see, and you'll find "the funniest (running) show on television!" I don't know if I would call that perfectly accurate, but it proves my point. Seinfeld was groundbreaking, and it went to places that few comedies (or dramas, for that matter) have since gone, and nothing before nor since has in quite the same way equaled it.
I notice a reoccurring complaint of negative reviews on this site: the opening and occasional ending of Jerry Seinfeld doing standup. I admit, it isn't the funniest thing that I've ever heard, though he is by far the best "have you ever noticed" comedian, but give me a break! That is your complaint? At least some other reviewers go on about characters, and the implausible plotlines (not that I agree in the least with them), but just that reason alone? You obviously don't have the intelligence to grasp the humor of the series, content only with the easy-to-understand slapstick of today's comedy; but nonetheless, in your blatant stupidity, you cannot grasp why it ISN'T funny, either -- so you pick the standup.
Nice.
In any case, despite the negative reviews or even the positive, Seinfeld stands the test of time, and is the greatest sitcom ever made. Even TV Guide's compiled list of the "greatest television series' of all time," not at all exclusive to comedy (20/20, I believe, made the list), put Seinfeld right where it belongs: NUMBER ONE.
The last and greatest juggernaut of comedy, I know I'll be watching the untiring reruns that never seem to get old when I'm old and gray and long since committed to a retirement home.
And do you know what?
The intelligent viewers of humanity's next generation will be doing the same thing.
It has ended 6 years ago and we still talk about it, i think that this shows us how fantastic this series was. There are some new programmes that are good, but any of them is half as interesting as Seinfeld was. Many of its episodes are really comedy masterpieces. After watching one of them you become an addict. The characters are fantastic, the actors performed so well that you can't think of them like anything but the character they played, maybe this is the reason because they couldn't success in other shows. The writers who could do 8 seasons of a "show about nothing" doing each episode funnier than the last one deserves our respect and admiration. To sum up, Seinfeld rules
10Rob1331
What can I say about Seinfeld that hasn't already been said? It's just flat out hilarious and still holds up about almost 20 years later. I don't know of any sitcom ever (outside of maybe Friends) where all the co-stars are all equally funny! Jerry Seinfeld (Jerry), Jason Alexander (George), Michael Richards (Kramer) and Julia Louis-Dreyfus's (Elaine) are all some of the best sitcoms in the history of television. I mean everyone has there favorites but bottom line is they're all great as is the show! If you read any "best sitcom ever" list ever written you will find Seinfeld near the top on every list for a reason...because it is!
Você sabia?
- CuriosidadesLarry David famously instituted a policy of "no hugging, no learning," meaning that the show must avoid sentimentality and moral lessons, and the characters must never learn or grow from their wrongdoings.
- Erros de gravaçãoJerry and Kramer's apartment building address is said several times to be 129 West 81st Street, but the awning outside of the building has the address 757.
- Citações
Telemarketer: Hi, would you be interested in switching over to TMI long distance service?
Jerry: Oh, gee, I can't talk right now. Why don't you give me your home number and I'll call you later?
Telemarketer: Uh, well I'm sorry, we're not allowed to do that.
Jerry: Oh, I guess you don't want people calling you at home.
Telemarketer: No.
Jerry: Well, now you know how I feel.
[Jerry hangs up phone]
- Versões alternativasGeorge's father was initially played by 'John Randolph' in the episode "The Handicap Spot". In syndication his guest appearance has been replaced by new footage featuring Jerry Stiller who played George's father in the later episodes. The DVD release of this episode featured in the Season 4 box set allows the option to watch either version.
- ConexõesEdited into Where's Larry?: Seinfeld's Secret Guest Star (2006)
- Trilhas sonorasSeinfeld Theme Song
Written by Jonathan Wolff
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