In Living Color

In contrast to the previous review, I beg to differ with the comment about Kelly Coffield. In my opinion Kelly Coffield was one of THE most talented actors on the show. I felt she was very passionate and even moving at times. One episode in particular showed off her passion when she played a 1940's or 1950's (I'm really not sure) black & white scene waiting for her Johnny. If you are lucky enough to see this episode, didn't actually air until later seasons (Sorry I forget), you'll understand what I mean about conviction and passion.

As for the vulgarity of later episodes/ seasons, I would have to agree they did push the envelope a bit but I believe America was more than ready for the drastic change in entertainment. I mean Mad TV is basically the same thing but with a quieter roar is all. Let's face it they can only attempt to be what In Living Color was. Thanks to syndication we can all enjoy the sweet past of hilarious comedy.

The Wayans are pioneers of great comedy and truly paved the way for some of the talent we are all seeing today.

If you ask me, I think the show was underrated. "SNL" gets all the credit for being a great sketch comedy show, yet there are certain seasons (like the current one) where the writers seemed to have conjured up the sketches in their sleep. In the case of "In Living Color," the writing was always sharp. There are certain sketches that I don't find funny, like Jim Carrey as the female bodybuilder, but it's hard to make a show where "every" sketch is funny. I remember Tommy Davidson said the reason why the show turned out to be so great was because plain and simple, they worked so damn hard on it. Well, it absolutely shows. Throughout each season, the actors always seemed to give it their all, even if the sketches were weak. In a horribly PC society, it's refreshing to watch a show like this (luckily, I have Seasons 1-5 on DVD). A show like this couldn't be successful nowadays, because we live in a society where you can't say anything about anybody. Doesn't anybody know that political correctness is the enemy of comedy? What made the show so great was the writers' and actors' willingness to break boundaries and make fun of all these ethnic stereotypes, and do it in an intelligent and witty fashion. Though it wasn't one of the more popular sketches, one of my favorites was "The Dysfunctional Home Show" where Jim Carrey would play a drunken father. If you ask me, Carrey was the funniest when he was on this show. As far as his movies go, sometimes he's funny and sometimes he's just plain obnoxious (I can't, for the life of me, sit through either one of the "Ace Ventura" movies). In a sketch comedy show, his in-your-face comic style works. I also loved Damon Wayans as the homeless guy. I crack up so much every time I see that sketch. Of course, everyone on the show was great. I can't think of a weak link in the chain. I think one of the cool things about "ILC" was that despite its predominantly black cast, it was able to reach a universal audience. This isn't like some UPN sitcom. People of all races seem to enjoy it. I think that proves that there's no color when it comes to good comedy.

When this show first premiered it was a runaway success. Not only did it have great writing, but as with Laugh In and Saturday Night Live it proved to be the springboard for several comedians who would make their mark in film and television. Damon Wayans and Jim Carey may have been the most brightest star, but comic talents like Tommy Davidson, David Allen Grier as well as later additions Shawn and Marlin Wayans and Jamie Foxx all got their big breaks by appearing on this show. Unfortunately, like its forerunners when the best talent left, the show lost momentum and went downhill. However, this show will always be fondly remembered as the show that launched so many of the great talents of the 1990's as well as the next century.

This show was guaranteed to make you laugh from beginning to end. Though I feel I may have outgrew this type of humor, it was nonetheless the funniest thing ever to watch for me, as a 10-year old!

Who could forget Carrey as the Firemarshall, a female bodybuilder, or the dorky schoolkid named Parnell; Damon Wayans as Homie the Clown, Men on Film, 'Mo Money(the thieves w/their own TV show), and the homeless dude who carries a pickle jar as a toilet and uses big words to sound smart! What about the gossip queen, who always ends with something like..."so you 'aint heard nothing from me."

The 3 best: Firemarshall Bill, Men on Film, and Homie the Clown.

Not sure what happened to Keenan, but I thought Scary Movie sucked. The material has gotten more crude(to get shock value) than anything else.OK, I'm not saying I don't like crude humor (I loved Kingpin and Mary), but somehow either its timing was off or there was too much of it, almost like it was forced. Either way, it made a lot of money.

"In Living Color" has always been great to watch.

"In Living Color" was a training ground and launching pad for many young people, and with good reason - it was a terrific show. Jim Carrey, Jamie Foxx, David Alan Grier, Jennifer Lopez, Carrie Ann Inaba, Rosie Perez, Chris Rock, Molly Shannon, Alexandra Wentworth, Kelly Coffield, not to mention the Wayans family, all had early starts here. Most of the people who participated in this show are still working as actors, writers, directors, and/or producers.

"In Living Color" was a series of skits with no boundaries. How could there be, with a restaurant called Chez Whitey, a physically challenged superhero, Handiman, and two gay reviewers, Blane Edwards (Damon Wayans) and Anton Merriwether (David Alan Grier) who covered film, TV, and vacations where they kept returning to Greece. There was absolutely nothing sacred, including Martin Luther King Day and bonfires on black people's lawns in Arizona.

Hands down, my favorite characters were Homey the Clown ("Homey don't play dat") and Anton and Blane as reviewers (who were disappointed in "Die Hard" because the title suggested a love story). The episode where Blane is hit on the head and becomes straight was hilarious. Kelly Coffield did the old film heroines a la Bette Davis beautifully. And Jim Carrey showed the brilliance that would make a film star.

Not all of the skits were successful, but the ones that were more than made up for them.

Two snaps up for this one.