Cop Rock

if ever there was a show that went whimsical on you, it was this one. one gets in the mood to watch another Steven b. "real" cop show and wham! a full blown Broadway musical production begins and the giggling starts and then on to the guffaw and the laughing won't stop! it is a joy that won't let you stop smiling. i have most of these episodes on vcr tape...i am missing 2 of the last ones. if anyone has them, i would like to get a copy, please? every time i have a friend over and i put this on...it starts "as what the heck is this?" and goes on to "i've never seen this before, when was it on?" and finally, "how come it went off the air? this is great!" i guess some of us just see the world with just a tilt of the funny bone and can enjoy life a little on the slanted side of humor! kasvstar

I thought this was a series, finally that had depth and was made to entertain and move one emotionally, without so many talking heads but through music. Every song was approbate and expressed so much of the true human emotion.

I will never forget the scene with the girl on the bus bench when she sells her baby for dope. Alone she sings an amazing song. I had seen so many depictions of dopers and horrible mothers but never had I felt the depth of emotion that this scene brought me.

I think our general public was just not mature enough to realize what was really going on with this show! I only saw each episode once but they were so compelling that to this day I well remember much of them.

I would really like to get my hands on the VHS and/or (if made) DVDof any or all of this series.

I remember Cop Rock fondly. It was an attempt to deliver the Broadway musical style to the popular police story genre. Now, I'm not one of those "Aren't we so cosmopolitan" self-congratulatory Broadway mavens, but I can appreciate a storyline interrupted by a soliloquy, even if it's musical - even if it's rock music! I distinctly remember an excellent opening scene of one episode, where the police are busting a crowd purchasing pot, loading the customers on a bus, as one detainee sings heartily about his civil rights being trampled. The cast was truly exceptional for a TV show, but the producers did not have proper respect for the amount of time and polishing necessary to deliver Broadway style entertainment. There was a lot of good stuff, but such material cannot be extruded at the rate needed for the voracious TV box. The general public could not forgive the uneven quality. I can't blame them, but there were payoffs for the patient. Live audiences collude with the performers, but TV viewers want to be entertained NOW, or they will click to the other 120 channels.

There was a clever end tacked on the final episode. It opens up with Ronny Cox and Curtis Vonde-Hall talking, and you quickly realize that they are not playing their characters. They are playing themselves discussing the impending cancellation. It's over when the fat lady sings, so the final pullaway has the entire cast onstage, with a Wagnerian Valkyrie, singing goodbye. Cool.

This program was a well-written and sensitively acted police drama. If you have a chance to see any or all of the four episodes that actually aired you will no doubt be as puzzled as viewers were in 1990 as to why this excellent show brought out such spiteful and cruel reactions in television critics. Steven Bochco had assembled some of the most talented people working in television at the time. He was simply offering viewers something "different"--a thing they'd been saying they wanted since television started. Musical theater has historically been a legitimate and compelling way to tell a story. Steven Bochco did this with flair. "Cop Rock" was a last, lonely, courageous attempt to break away from the formula of cookie cutter television programming.

"Cop Rock" was a typical police drama, except for the fact that it was also a MUSICAL. Everybody sang: the cops, the criminals, even the judge and jury in the courtroom during trials. With its many lavish song-and-dance routines and catchy tunes, "Cop Rock" was almost like a Broadway musical adaptation of "Hill Street Blues".

"Cop Rock" was heavily promoted by ABC in the weeks before its premiere in the fall of 1990. Apparently, ABC thought that they had a huge hit on their hands, even though it was the first-ever cop show/musical on TV. Not surprisingly, the show was savaged by critics and ignored by audiences. Despite the large amounts of publicity and money invested in the series (which was one of the most-expensive TV shows ever made up to that point, at a cost of nearly $2 million an episode), it was canceled after only three months.

In my opinion, "Cop Rock" was a very unique show. Although the singing wasn't always that great, the songs were usually decent. Randy Newman wrote a number of good songs for this series (including the opening theme, "Under The Gun", which he also performed). The problem with "Cop Rock" was that it combined two genres that do not go well with each other. I can understand why "Cop Rock" was not able to catch on with TV audiences: not only was it a musical series with fictional characters and weekly storylines (something never seen before on American network television), but it was also a police show. Also, with the exception of the Broadway-style musical numbers, the show was average at best.

VH1 reran an all-day marathon "Cop Rock" a few years ago, but the series is not currently on cable (as far as I know). I think this original (but strange) series would be perfectly suited for a network like Court TV.

"Cop Rock" was a show that was far from perfect, but it was definitely very memorable.