A Guerra dos Roses

First off let me say that Michael Douglas and Kathleen Turner were the perfect choices for this movie! They both gave electric powerful performances and really proved themselves as fine artists. They have awesome chemistry too, we first saw that in Romancing the Stone, but their chemistry in The War of the Roses is a very different kind of chemistry. Yeah sure in the first 15 minutes it shows them making passionate love and becoming infatuated with one another, then comes the kiddies, but really this film is not at all about love, this is NOT a romance story. No it's a movie about an extremely bitter married couple going through a divorce. Neither of the two are willing to give up the elegant nice house they live in. So thus the war begins. "The gloves are off" as Douglas's character states at one point in the film. The script is very well written, it doesn't waste any time or drag on, it entertains the entire runtime, there was not a single moment. Danny DeVito is a talented actor and director, he proves that in this film. Both his acting and his directing are both great. The events that happen throughout the film are bitter and full of anger, but it's very interesting to watch. It runs deep in character development, a movie like this would have to in order to be successful. The movie is not one to view for a "feel good" mood or for when you want something sweet and romantic. If you're in the mood for a dramedy starring two fine actors that is interesting and well written, then I suggest The War of the Roses. 8/10.

A very good movie, one that holds up well after repeated viewings. Even if you're familiar with the story, DeVito's methodical and precise direction makes it thoroughly absorbing all over again. This movie has the directorial perfection of a good Alfred Hitchcock thriller, but it's not either a thriller or a comedy; it's a unique mix of elements from several genres, that does contain some laughs and sardonic humor, but also has serious undertones, mostly thanks to Michael Douglas' three-dimensional character and surprisingly sensitive performance. Strongly recommended.

You know a movie is funny when you're by yourself and laughing out loud. This is a hilarious saga of a divorcing couple, both of whom refuse to leave their house.

"The gloves are off," Michael Douglas announces to wife Kathleen Turner, although for the viewer, they had been off for some time. Both stop at nothing to drive the other out.

It's a strange film in a way because it starts out as a love story and slowly builds, as little signs that all is not well in paradise begin to emerge. Once the ugliness starts, there's no stopping it, and the film rapidly becomes a very black comedy.

Turner and Douglas receive able support from a very funny Danny Devito, who also directed, and the wonderful Marianne Sagebrecht, who provides a gentle presence amidst the chaos.

Director Danny Devito and the writers are to be credited for following this story's dark premise straight to its grim conclusion, and not opting for a cop-out 'happy ending'. Maybe that accounts for the movie's relatively low user rating. Whatever. Turner and Douglas are superb here. I saw Douglas on the Carson show after the movie came out, relating how, after a day's shoot, he and Turner would get together to remind each other that they were still friends. Seeing the movie shows why they had to do this.

Note how the movie begins in the openness and light of Nantucket in summer and gets progressively darker, ending in the claustrophobic closeness of the nailed-up house. Note how Kathleen Turner's hair changes from sleek at the start to straw at the end. Note the role the Baccarat crystal plays. Note the frequent emphasis on the chandelier throughout. All masterful touches.

A classic black comedy for grownups. Don't watch this one with your spouse unless you are on really good terms.

A classic feature of Danny DeVito's (far too few) works as a director is that they are utterly evil. Cruel. Wicked. Merciless to their characters and merciless to the viewer. Although this is often combined with slight exaggeration, it is exactly what I love about them.

After seeing The War of the Roses the second time after having grown a little older, I still feel that particular satisfaction. But this time, there are a few more things I think about, a few more questions I ask myself. For instance: who is the bad guy in the film? Who is `to blame'? And although it's clear that the Roses both have extremely unmoveable and stubborn characters, which partly leads to the catastrophe, I came to the conclusion that Barbara is the driving force of the whole divorce story. She announces her wish to divorce upon grounds that are not quite convincing. Maybe people who do not like Michael Douglas can sympathize with her but her reasons are not fair. She invariably follows her instinct without paying any respect to other people. Kathleen Turner portrays her most believably in this insufferable phase.

Oliver Rose, on the other hand, is one of those people who are proud of doing everything in a perfectly correct manner. He is therefore very sensitive and easily confronted if one doesn't acknowledge his correct behavior. He then becomes completely helpless and unable to react properly. That makes him an ideal `victim' to Barbara's striking egoism.

I'm mentioning this only because it is a new aspect I found during second viewing, and I am sure it was also DeVito's intention to develop characters like this, so for him, the turbulent divorce story is not just a parable on how stupid people are in general. He of course reserved the best role in the film for himself – he is the wise man who tells the parable and who emerges victorious in the end.

The War of the Roses with its merciless cruelness remains one of my favourite comedies of all time.