Emoldurado por seu implacável arqui-inimigo, uma dupla de combate ao crime que não combina tem que deixar de lado suas diferenças para igualar a pontuação com o rei do mal que as colocou atr... Ler tudoEmoldurado por seu implacável arqui-inimigo, uma dupla de combate ao crime que não combina tem que deixar de lado suas diferenças para igualar a pontuação com o rei do mal que as colocou atrás das grades de uma vez por todas.Emoldurado por seu implacável arqui-inimigo, uma dupla de combate ao crime que não combina tem que deixar de lado suas diferenças para igualar a pontuação com o rei do mal que as colocou atrás das grades de uma vez por todas.
- Prêmios
- 3 indicações no total
Marc Alaimo
- Lopez
- (as Mark Alaimo)
Philip Tan
- Gunman
- (as Phillip Tan)
- …
Edward Bunker
- Capt. Holmes
- (as Eddie Bunker)
Avaliações em destaque
Okay, so this isn't the greatest film ever made. In fact, it isn't even remotely the best buddy-buddy flick ever made. But surprisingly enough, this is actually quite a winner, and succeeds far more in being a parody of the Lethal-Weapon style films than say... Loaded Weapon does. This is for several reasons.
Firstly, Stallone is the star of the show here, turning in a self-mocking parody of his own screen persona. He is flash and indestructable, yet the film acknowledges and exploits this to comedic ends. Secondly, Palance is excellent as a sneering and menacing bad guy, plotting the two cops downfall. He deserved more screen time than he actually got, and actually did a good job of being the obligatory stereotypical bad-guy.
However, the best thing of all about this film is the snappy dialogue. There is so much good banter between the two-cops that no matter how bizarre the film's scenario's get, the dialogue rescues it.
The first time I saw this, I enjoyed it and was only really let down by the ending, which feels hollow and unsatisfying in comparison to the first two reels of the film. However, this nagging problem alone, I have no hesitation in recommending this to any fan of the action-genre.
Overall: 6 1/2 out of 10.
Firstly, Stallone is the star of the show here, turning in a self-mocking parody of his own screen persona. He is flash and indestructable, yet the film acknowledges and exploits this to comedic ends. Secondly, Palance is excellent as a sneering and menacing bad guy, plotting the two cops downfall. He deserved more screen time than he actually got, and actually did a good job of being the obligatory stereotypical bad-guy.
However, the best thing of all about this film is the snappy dialogue. There is so much good banter between the two-cops that no matter how bizarre the film's scenario's get, the dialogue rescues it.
The first time I saw this, I enjoyed it and was only really let down by the ending, which feels hollow and unsatisfying in comparison to the first two reels of the film. However, this nagging problem alone, I have no hesitation in recommending this to any fan of the action-genre.
Overall: 6 1/2 out of 10.
Kurt Russell and Sylvester Stallone are the reason why this run-of-the-mill action flick actually works. There's nothing innovative or special about the film, it's nothing we haven't seen before (maybe just Russell in drag) but the film is entertaining as hell thanks to it's two stars.
Stallone is Tango and Russell is Cash, two cops who get set up and sent to jail. They break out and go after the bad guys to clear their names.
The film has got some excellent action scenes, particularly inside the prison and during the break out. It's got some nice eye candy courtesy of one Teri Hatcher. The script also delivers some very funny lines now and then. Couple that with the fact that I actually do like Stallone do comedy and Russell has always been somewhat of a mini favourite; Tango and Cash is very worthy of my time every once in a while.
Downsides; Excellent actor Jack Palance is horrible in the cliché ridden bad guy role (I can't figure out if he's trying too hard or not at all) and the film has a really silly final 10 minutes where the action goes from cool to basically slapstick. Still, early 90's action fans should enjoy this flick.
Stallone is Tango and Russell is Cash, two cops who get set up and sent to jail. They break out and go after the bad guys to clear their names.
The film has got some excellent action scenes, particularly inside the prison and during the break out. It's got some nice eye candy courtesy of one Teri Hatcher. The script also delivers some very funny lines now and then. Couple that with the fact that I actually do like Stallone do comedy and Russell has always been somewhat of a mini favourite; Tango and Cash is very worthy of my time every once in a while.
Downsides; Excellent actor Jack Palance is horrible in the cliché ridden bad guy role (I can't figure out if he's trying too hard or not at all) and the film has a really silly final 10 minutes where the action goes from cool to basically slapstick. Still, early 90's action fans should enjoy this flick.
Back in the 80's, kitsch cinema had two main sections - gory horror movies and daft action films, of which this film obviously fits into the latter. While the gory horror movies of the eighties often lacked credibility, that section of kitsch movies beats the daft action films because of the much higher content of inventiveness; but more often than not, the daft action movies make for good entertainment, even if they're somewhat less than brilliant. Tango and Cash is a notable action movie because it stars two of the eighties most popular action stars - Sylvester Stallone and Kurt Russell, whose antagonistic partnership makes up the core of this movie. The plot device to get the maverick cops to work together is hardly important, but nevertheless it follows the two as a corrupt state buys into a plot by a criminal kingpin to land them both in jail, which promptly sees our hero's in with the masses of criminals they themselves have sent to the clink. As you can imagine, they're not the most well liked of inmates. Especially not by 'Maniac Cop' himself, Robert Z'Dar...
The action in the movie comes thick and fast and this, when combined with the one-liner packed script make the movie feel more like a parody than a serious take on the genre. This is all good, however, as this movie is pure entertainment, and seeing two of the 80's hottest action stars fire off silly dialogue at one another is a treat to say the least. The action is over the top, and we get to watch our hero's do such things as slide down electrical cables and drive a souped up SUV around an explosion packed warehouse, and it makes for great entertainment. Of course, what the movie packs in action and snappy dialogue, it lacks in other areas such as credibility and depth; but nobody tunes into a kitschy 80's action movie for plot depth and sophistication, so blaming the movie for not offering these things is ridiculous. On the whole, if you're after a good two hours of solid action fare, you could certainly do a lot worse than Tango and Cash. This movie packs a lot of punch, delivered by two strong leading men. Thumbs up!
The action in the movie comes thick and fast and this, when combined with the one-liner packed script make the movie feel more like a parody than a serious take on the genre. This is all good, however, as this movie is pure entertainment, and seeing two of the 80's hottest action stars fire off silly dialogue at one another is a treat to say the least. The action is over the top, and we get to watch our hero's do such things as slide down electrical cables and drive a souped up SUV around an explosion packed warehouse, and it makes for great entertainment. Of course, what the movie packs in action and snappy dialogue, it lacks in other areas such as credibility and depth; but nobody tunes into a kitschy 80's action movie for plot depth and sophistication, so blaming the movie for not offering these things is ridiculous. On the whole, if you're after a good two hours of solid action fare, you could certainly do a lot worse than Tango and Cash. This movie packs a lot of punch, delivered by two strong leading men. Thumbs up!
It looks to me like everyone was having one rollicking good time making Tango&Cash. This is the kind of film that you have to take as seriously as an Indiana Jones adventure. After all their can be only one Indy.
But in this case we've a pair of cowboy cops who work in different parts of Los Angeles. Sylvester Stallone as Ray Tango and Kurt Russell as Gabe Cash are certainly known to each other however due to the headlines they've gathered smashing various criminal enterprises. They're also known to master criminal Jack Palance the Professor Moriarty of the film and he's rigged one elaborate plan for their disgrace and downfall and death.
As much as Stallone and Russell are enjoying spoofing their own action images, this film is absolutely stolen by Jack Palance. With tongue firmly in cheeking and hands twirling some imaginary mustache ends in the best Snidely Whiplash tradition, Palance is having a ball with his part.
Of course even when they're in the worst of trouble there's still that oneupsmanship that Russell and Stallone can't shake. And when Russell shows an interest in Teri Hatcher whom he later finds out is Stallone's sister, things could really have gotten interesting if it weren't for the joint problems they both were having.
When you watch this film, do not for one instant take it seriously and I guarantee a real hoot.
But in this case we've a pair of cowboy cops who work in different parts of Los Angeles. Sylvester Stallone as Ray Tango and Kurt Russell as Gabe Cash are certainly known to each other however due to the headlines they've gathered smashing various criminal enterprises. They're also known to master criminal Jack Palance the Professor Moriarty of the film and he's rigged one elaborate plan for their disgrace and downfall and death.
As much as Stallone and Russell are enjoying spoofing their own action images, this film is absolutely stolen by Jack Palance. With tongue firmly in cheeking and hands twirling some imaginary mustache ends in the best Snidely Whiplash tradition, Palance is having a ball with his part.
Of course even when they're in the worst of trouble there's still that oneupsmanship that Russell and Stallone can't shake. And when Russell shows an interest in Teri Hatcher whom he later finds out is Stallone's sister, things could really have gotten interesting if it weren't for the joint problems they both were having.
When you watch this film, do not for one instant take it seriously and I guarantee a real hoot.
The only reason this film is worth watching, is named Sylvester Stallion and Kurt Russell. The movie is an average, Cop fighting bad guy film; nothing special. But the chemistry and humor between Sylvester and Kurt was extremely entertaining to see. They work great together adding so much humor and fun to the show as they flex their beautiful muscles and fight off the bad guys.
Você sabia?
- CuriosidadesWhen Brion James was originally hired to play Requin, it was a very small role with only two lines. In an effort to give the character something that would make him stand out, James decided to speak in a horrible "cockney" accent. Sylvester Stallone loved it, and re-wrote the script to give Requin a much bigger role. The same thing happened with Face, played by Robert Z'Dar, who was originally not meant to appear after the opening scene but Sylvester Stallone and Andrei Konchalovsky took a liking to Z'Dar and thought his appearance was so striking he deserved a larger role in the film.
- Erros de gravaçãoAt the beginning of the movie when the truck is bearing down on Tango and he fires at the truck, the windshield "spiderwebs", as it should, since it would be safety glass. However, when the two men fly through the windshield after the truck is stopped, there are no bullet holes in it and it is clearly a plate glass windshield (due to how it shatters).
- Versões alternativasThe film's distributor actually self-censored the British theatrical version before submitting it to the BBFC. In addition to the footage the BBFC demanded cut, the UK theatrical release also tones down the electrocution of a villain, edited footage of visible bloodletting during the finale, omits some footage of Lopez being riddled with bullets, another head-butt, a throat chop, a villain pushing his fingers into Cash's blood wound, and Cash putting a grenade down a villain's trousers. All footage was reinstated for video.
- Trilhas sonorasBest Of What I Got
Performed by Bad English
Courtesy of CBS Records, Music Licensing Department
Produced by Richie Zito
Written by John Waite, Jonathan Cain and Neal Schon
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Sylvester Stallone's Most Iconic Roles
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Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Tango y Cash
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 55.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 63.408.614
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.628.918
- 25 de dez. de 1989
- Faturamento bruto mundial
- US$ 63.408.614
- Tempo de duração1 hora 44 minutos
- Cor
- Proporção
- 2.39 : 1
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What is the streaming release date of Tango e Cash: Os Vingadores (1989) in Canada?
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