Natal Sangrento 3: Noite do Silêncio

I consider Silent Night, Deadly Night 1 & 2 to be underwhelming but passable slasher flicks, this third part however is a different creature altogether.

So Ricky Caldwell found himself in a coma after the final events of the last film, somehow he's formed a psychic connection with a blind girl and when he predictably awakens and goes on a killing spree she is his target.

This time he's mute, no more yelling "Naughty" or "Punish" in fact he's near enough braindead. He resembles more of a Frankensteins monster rather than the serial killer we're used to seeing.

This could have worked but alas doesn't. The story is a mess, the whole thing is incredibly boring, the kills are uninspired and not one part of it works.

To make matters worse Ricky has been recast! Taking the role is horror legend Bill Moseley which you'd think would be a great thing but a mute role like this is one he could do little with. This is certainly not Moseleys finest hour.

Not on par with the first two, this is a mindless cash grab.

The Good:

Not a sausage

The Bad:

Recasting

Incredibly boring

Things I Learnt From This Movie:

"She'll come back and she'll let me go as deep as I want, she likes it, loves it" The writer was horny when he was writing this film, this above line was not even remotely meant to be sexual.

This is a very bad movie - dry, boring, lame, technically inept. The script is very poor. I can't believe Monte Hellman actually directed it - or anyone, for that matter. The ONLY good thing about this film is Robert Culp, who rises far above everything else in his role as the detective. He's great.

There is a strange connection between some of the actors/actresses in this film; director David Lynch. How did such a typical slasher/B-movie happen to have 3 individuals who all went to work with the intriguing director David Lynch, on various projects. Eric DaRe from SNDN 3 portrayed shady brute "Leo Johnson" in Lynch's TV series "Twin Peaks". Richard Beymer also ended up in the strange town of "Twin Peaks", having played rich and devious "Benjamin Horne". And then certainly, the lovely and mysterious Laura Harring makes her appearance in David Lynch's "Mulholland Drive". Perhaps some of the supernatural entities that exist in Lynch's various works, seeped into the world of reality, and pulled these three actors/actresses into the world of David Lynch at an unforeseen future point in their careers... or, maybe David Lynch is just a really big fan of "Silent Night, Deadly Night 3". You be the judge.

You know things aren't going so well, when you start to think that you rather be watching 'Silent Night, Deadly Night Part 2' again and this indeed was running through my head during the very plodding part 3. Sure it's competently produced and slicker than the first two (way ahead in those stakes), but what a total snooze fest with a bunch of niggling characters. I know the shoddy second film has a bad wrap, but at least it was brainlessly cheesy fun, which this entry completely fumbled. Gone is the wicked dark humor (well it does try with less than flattering results) and forcefully graphic carnage, replaced with a leadenly talkative script (which does on to meander in many scenes), uninterestedly indifferent performances (does Robert Culp know what the movie's about?) and plenty of flat build-ups that lead to off-screen kills with a spurt of blood. Lame!

This straight to video effort (which the next two would follow path) pretty much continues on from 'Part 2', but trying to get away from the randomly standard stalk and slash angle where it adds another idea involving the unusual connection between the comatose Ricky (who survived the head shot with his exposed brain being protected by a Plexiglas cap) and a clairvoyant blind girl Laura, which her doctor was using those physic abilities to get into the mind of Ricky (although unknown to her). However in doing so she gets nightmarish images she rather no talk about, but through these experiments Ricky actually awakens from the coma and because of that attachment he heads after Laura.

Credit for trying some different, but it got completely daft and spineless leading to something routine. At the beginning it started using scenes from the first film in what Laura's character was seeing in her visions and I was thinking… "Here we go again?". Gladly it wasn't the case. The only thing that achieved some sort of energy was the hysterical screaming by Samantha Scully as the stubbornly unlikeable blind heroine, but again that wasn't entirely convincing. Moments within the plot actually reminded me of John Carl Buechler's 'Friday the 13th Part 7: New Blood' (1988). Now that one was better. Popping up as the maniac Ricky is Bill Moseley as his robotic manner goes through it with that plastic bowl on top of his head getting most of the attention. Robert Culp gives a batty performance, while Richard Beymer goes for stiltedly serious temperament. Laura Harring and Eric DaRe also appear. The busily echoing score punches out the electronic cues. The man in the director's chair Monte Hellman ('The Shooting', 'Cockfighter' and 'Two-lane Blacktop') does a stylish, but lethargic job which lacked a sinister bite. Bit of atmosphere in some dreamy parts and camera placement showed some inventiveness, but it triggers no tension, no jolts and no fun.

I enjoyed the original Silent Night, Deadly Night. To the dismay of other internet film critics, i also enjoyed Silent Night, Deadly Night part 2. But when i sat down to watch the 3rd installment in the series, even at the age of 15 i knew the end was near.

My Biggest issue with this film has little to do with the low rent acting. It is the blatant disregard for the previous film that irritates me the most.

Ricky has no need for the science fictional fishbowl on his head in this film, other than to draw attention away from the lack of plot, and place all eyes on a sad gimmick. In the end of Silent Night, Deadly Night 2, Ricky is shot three times, yes – But he was never shot in the head – nor did he have his head blown off as another commentator included in his/her IMDb review of the film. There is No Need for the Fishbowl!