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6,3/10
1,9 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA young woman deals in her own personal way with the trials of adolescence and young adulthood in early 1900s England.A young woman deals in her own personal way with the trials of adolescence and young adulthood in early 1900s England.A young woman deals in her own personal way with the trials of adolescence and young adulthood in early 1900s England.
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Kenneth Colley
- Mr. Brunt
- (as Ken Colley)
- Direção
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Avaliações em destaque
The Rainbow (1989) was a film Ken Russell made based upon the writings of the legendary Victorian era author D.H. Lawrence, but with a Ken Russell twist. The story is a bout a young woman (Sammi Davis) who wants to live her life but she has to do it during the repressive Victorian age of England. But she meets a mentor (Amanda Donohoe) who shows her the many ways she can escape her button up lifestyle (if only for a few hours at a time). At many times it feels like a stuffy D.H. Lawrence novel (with the occasional highly charged eroticism). Ken Russell gets the chance to show the beauty of Amanda and Sammi in various stages. Too bad it was never released in the United States on D.V.D. If you love Victorian romance films, D.H. Lawrence or the films of Ken Russell then you appreciate more than the average viewer.
Recommended for Ken Russell fans.
Recommended for Ken Russell fans.
I loved this film. I went through a big DH Lawrence phase in my late teens and early 20's, and Ursula and Gudrun from Women In Love and The Rainbow were characters I loved and related to, despite and because of their flaws.
This is a beautifully written and filmed story of a young woman who just wants more than her ugly industrial town has to offer. She is influenced by a couple of unconventional older people in her life. I thought it was a sensual portrait of bisexuality and creative freedom
This is a beautifully written and filmed story of a young woman who just wants more than her ugly industrial town has to offer. She is influenced by a couple of unconventional older people in her life. I thought it was a sensual portrait of bisexuality and creative freedom
Despite the film's many flaws- it is loosely based on only a section of DH Lawrence's Northern saga, the lead actress is fairly wooden and the style of the film screams eighties cheese- I think it's a great little film. It's one of those few films that not simply inspire you to follow your dreams but actually insists that you do so, whether those dreams come to fruition or not.
It's set in a mining town in the 1910's. Ursula Brangwen (Sammi Davis- no, not THAT one) is a rebellious teenager and persistent dreamer, constantly striving for 'the rainbow' that symbolises fulfilment. She pursues it in two different ways; one through trying to gain work as a schoolteacher, thereby becoming financially independent, and because this is DH Lawrence directed by Ken Russell, sexual fulfilment.
Though she shares a naughty kiss in the local church with family friend and dashing soldier Anton Skrebensky (Paul McGann), it is Ursula's female swimming instructor Winifred Inger (Amanda Donohoe) that gives her her first sexual experience. Ursula is devoted to her but Inger's experience outweighs Ursula's innocence. There is nudity here but no big love scene. It's actually fairly restrained for Russell, and for once it actually feels appropriate for the film.
Ursula moves back to sexy soldier Skrebensky (try saying that out loud) and experiences true Freudian bliss against a tree with a gushing waterfall behind it. Now that's more like Russell, isn't it? It's not pornographic but it's a bit raunchier than Colin Firth's wet shirt. Perhaps not the best viewing for teatime with the family. Still, Paul McGann is a suitable substitute for eye candy; it's very much a film for the women.
The love scenes are shot in an interesting way. Ursula never seems to fully connect as part of the couple- or if she does, the camera doesn't care. The focus is on Ursula's reactions so Russell uses techniques like jump cuts- although this makes one love scene unintentionally hilarious.
Acting-wise, I'm glad that they didn't cast a star. Yes, Davis was not going to be the next Elizabeth Taylor but her inexperience works perfectly for the film. Ursula has not fully worked out her character yet but only that she has a drive to do something different with her life and make more of herself. Because the film is very condensed, the actors have less to work with, which is why Donohoe's character comes off more as a type. Still, I think she conveys an interesting image of a very masculine woman. McGann is a brilliant actor and despite being the obvious eye candy (indeed,a shot of Skrebensky and Ursula by the waterfall graces the film's poster), he manages to show that Skrebensky is also a slave to convention. As Ursula tells him, "I'd rather be swept off my feet by a half-naked robber than a soldier defending my honour". Sassy! Yes, it's not perfect but I think that it's well worth a watch. This is period drama that has genuine relevance to modern life and modern concerns, and is a great coming-of-age story with a brave and life-inspiring message.
It's set in a mining town in the 1910's. Ursula Brangwen (Sammi Davis- no, not THAT one) is a rebellious teenager and persistent dreamer, constantly striving for 'the rainbow' that symbolises fulfilment. She pursues it in two different ways; one through trying to gain work as a schoolteacher, thereby becoming financially independent, and because this is DH Lawrence directed by Ken Russell, sexual fulfilment.
Though she shares a naughty kiss in the local church with family friend and dashing soldier Anton Skrebensky (Paul McGann), it is Ursula's female swimming instructor Winifred Inger (Amanda Donohoe) that gives her her first sexual experience. Ursula is devoted to her but Inger's experience outweighs Ursula's innocence. There is nudity here but no big love scene. It's actually fairly restrained for Russell, and for once it actually feels appropriate for the film.
Ursula moves back to sexy soldier Skrebensky (try saying that out loud) and experiences true Freudian bliss against a tree with a gushing waterfall behind it. Now that's more like Russell, isn't it? It's not pornographic but it's a bit raunchier than Colin Firth's wet shirt. Perhaps not the best viewing for teatime with the family. Still, Paul McGann is a suitable substitute for eye candy; it's very much a film for the women.
The love scenes are shot in an interesting way. Ursula never seems to fully connect as part of the couple- or if she does, the camera doesn't care. The focus is on Ursula's reactions so Russell uses techniques like jump cuts- although this makes one love scene unintentionally hilarious.
Acting-wise, I'm glad that they didn't cast a star. Yes, Davis was not going to be the next Elizabeth Taylor but her inexperience works perfectly for the film. Ursula has not fully worked out her character yet but only that she has a drive to do something different with her life and make more of herself. Because the film is very condensed, the actors have less to work with, which is why Donohoe's character comes off more as a type. Still, I think she conveys an interesting image of a very masculine woman. McGann is a brilliant actor and despite being the obvious eye candy (indeed,a shot of Skrebensky and Ursula by the waterfall graces the film's poster), he manages to show that Skrebensky is also a slave to convention. As Ursula tells him, "I'd rather be swept off my feet by a half-naked robber than a soldier defending my honour". Sassy! Yes, it's not perfect but I think that it's well worth a watch. This is period drama that has genuine relevance to modern life and modern concerns, and is a great coming-of-age story with a brave and life-inspiring message.
Pretty saucy material, considering it was written in 1915, in England. although in many ways, England is less shocked by some subjects then the U.S. Sammi Davis (the other one) is Ursula Brangwen, young lady from the country, who has experiences with both men and women. nudity. activism. sexual acts, almost shown. body parts tastefully hidden during the sex scenes. She moves to the big city, and lives the rough,gritty life there, working as a teacher. she is so naive at the start. everyone takes advantage of her softness and easy going nature. co-stars well known brit actors David Hemmings and Glenda Jackson, who was SO amazing in Hopscotch. story by David Lawrence, better known as DH Lawrence. Lawrence had also written Lady Chatterly's Lover and Women in Love. Rainbow contains much some of the same cast from Women in Love. also directed by Ken Russell. sadly, Lawrence died of TB at age 44, but left us a bounty of literature, which is constantly being remade into film. ironic, since several of his books were banned as obscenity. showing on the roku channel. some commentary on the pros and cons of war. womens' rights. industrialism. moves slowly but steadily. ok for a period piece.
Why do some reviewers think this is a bad movie? There is nothing bad about it at all; unless you are some exceptional prude. Both Sammi Davis and Amanda Donahoe give outstanding performances. The chemistry between the two that was just glimpsed in "The Lair of the White Worm" comes to a beautiful frutation in this movie. That said, it should be noted that females have the primary roles in this movie unlike in "Lair" where Hugh Grant upstaged Amanda and drove Sammi into a virtually insignificant role. Perhaps that is the reason; movies that have women as leads are boycotted by the male audience.
Regardless of why, this movie got a lot less credit than it deserved. I hope it comes out on DVD in the near future.
Regardless of why, this movie got a lot less credit than it deserved. I hope it comes out on DVD in the near future.
Você sabia?
- CuriosidadesAccording to David Hemmings' autobiography, 'Blow Up and Other Exaggerations', he was first choice for the role of Uncle Henry but Ken Russell had to renege on the offer because the US film distributors did not want him. Bizarrely, Ken then cast Elton John in the role, before the singer got cold feet over wigs, costume and arduous acting lessons and asked to leave the project. The next choice was Alan Bates (who had played Birkin in the sequel, Mulheres Apaixonadas (1969)) but he declined and the role went back to Hemmings.
- ConexõesFeatured in A British Picture (1989)
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- How long is The Rainbow?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 11.987.578 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 444.055
- Faturamento bruto mundial
- US$ 444.055
- Tempo de duração1 hora 53 minutos
- Mixagem de som
- Proporção
- 1.66 : 1
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What is the French language plot outline for O Despertar de Uma Mulher Apaixonada (1989)?
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