Um grupo de paranormais vai a um hotel quando seu proprietário morre. Eles acreditam que no local está o segredo egípcio que concede a vida a objetos inanimados. Mas os bonecos querem proteg... Ler tudoUm grupo de paranormais vai a um hotel quando seu proprietário morre. Eles acreditam que no local está o segredo egípcio que concede a vida a objetos inanimados. Mas os bonecos querem proteger o segredo e seu mestre.Um grupo de paranormais vai a um hotel quando seu proprietário morre. Eles acreditam que no local está o segredo egípcio que concede a vida a objetos inanimados. Mas os bonecos querem proteger o segredo e seu mestre.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 indicação no total
- Theresa
- (as Merrya Small)
- Leech Woman
- (narração)
- Tunneler
- (narração)
- Blade
- (narração)
- Jester
- (narração)
Avaliações em destaque
During World War II, a secret group of Nazis were sent to Bodega Bay, California, to capture puppet maker Andre Toulon (William Hickey), a mysterious old man who had the secret of giving life to inanimate objects. He commits suicide before being caught and so his secret goes with him to the grave. Until nearly 50 years later, a group of psychics lead by Alex Whitaker (Paul Le Mat) are contacted by Neil Gallagher (Jimmie F. Skaggs), a former colleague who apparently made a big discovery in Bodega Bay before committing suicide under mysterious circumstances.
Directed by the tragically underrated David Schmoeller, "Puppet Master" is a very different films that its sequels. Schmoeller plays with the suspense and atmosphere of classic goth films, and successfully mixes those elements with the more graphic shock and gore that was the rule for horror films of its time. With a great eye for the visuals Schmoeller makes great use of his Gothic locations and the terrific camera-work enhances the carefully crafted suspense. The special effects wizards create very good looking effects for the budget and together create what could be called a "gothic slasher".
Schmoeller gives life to Band's story and this mix of fantasy and horror ends up as one of the best screenplays developed at Full Moon. Each puppet has a personality of its own and that is what gives the movie life; the human characters are also very well-defined and for the most part well-acted. Despite the silly premise of a killer toy (already explored in "Child's Play" and "Dolls"), Scmoeller and Band make the work and craft set-pieces of haunting atmospheres. Richard Band's eerie score perfectly showcase the mix of horror and fantasy of the film and it's probably his most famous work. It quickly became the trademark of the series.
As written above, the acting is for the most part good for a movie like this, and while no one really stands out, they all make an efficient job. Paul Le Mat is quite good as the lead character, although the rest of the team soon prove to be more interesting characters. Despite his limited screen time, William Hickey makes a small but charming job as Toulon, and look out for a Barbara Crampton small cameo. As a side-note, it was refreshing to watch a movie where the main characters are middle-aged adults instead of young teenagers.
The movie's main problem (and one that marked the series since its conception) is that the puppets quickly became the focus of everything. This lessen the importance not only of the final villain, but also of the heroes of the movie. While this problem didn't affect that much this movie, it became more notorious as the series started to grow and eventually, the puppets would become the main characters of the movies.
"Puppet Master" may not be everyone's cup of tea, as its premise and the mix of fantasy with horror may turn off some movie goers. However, it is a quality film that proves the talents of both Band and Schmoeller, in a film that has become a cult-classic. 8/10
It's a little slow to start with, but once the puppets begin their attack story gets interesting, concluding with a gruesome ending. William Hickey gets decent billing in here but he's only in the film for a short time in the beginning. After that, it's just Paul LeMat and a bunch of unknown actors.
In all, not super but more-than-decent entertainment for an hour-and-a-half.
Still reading? Good. My brother picked this movie up for me on DVD, because he knows of my love of horror movies. My first thoughts as I inserted the disc was that it'd be a cheesy, laughable pile of 80's horror rubbish. So I was in for a pleasant surprise. If you can get past the initial presentation of the movie (it feels every bit as low-budget as it is), you'll find it to be creepy, intriguing, and above all, great fun. The puppets themselves could have been a whole lot worse. The effects are hardly Lord Of The Rings, but through a strange combination of live-action and extremely well-animated stop-motion, the puppets don't make you cringe every time they show up on screen. They're probably better actors than some of the live actors even, it's difficult to tell who's more wooden. But it's hardly a character-driven story. It's an unusual story nontheless, and it definitely interested me enough to watch it right through - and then pick up the first sequel!
If you ever saw the movie Child's Play, with which comparisons are inevitable, you'll know already whether you can suspend your disbelief enough to enjoy a movie about killer puppets. If you can, and don't mind horrific 80's haircuts, I'd strongly suggest giving this one a rental, you could do a lot worse.
We get: #1- Blade with his knife / hook combo! #2- Leech Woman and her mouth full of bloodsuckers! #3- Tunneler's drill-head! #4- Pinhead with his super strength and mega-fists!
As absurd as this all sounds, it works!
Alex (Le Mat) and a group of fellow psychics have their collective hands full against these tiny terrors. Director David Schmoeller makes the best of the material. Yes, it's fairly silly, but it's also enjoyable and different...
Você sabia?
- CuriosidadesPinhead's fists during the punching scenes are actually the fists of dwarf stunt woman Cindy Sorensen, who had to wear the same fingerless gloves and sweater sleeve to make it appear that it's the fist of Pinhead. Cindy cited the most difficult part of those scenes was to keep her head ducked the whole time while holding the Pinhead puppet on her shoulders and give off false punches at the same time.
- Erros de gravação(at around 10 mins) When Toulon puts Blade in the trunk, the hook is his right hand, while every other time it is his left, the knife being right. This shows that this shot was flipped.
- Citações
Frank Forrester: Just a little bit of sauce and Dana can become quite the cynic.
Dana Hadley: I am not a cynic, Frank! I like to think of myself as a nasty bitch.
- Versões alternativasThe 1989 UK video version was cut by 3 secs by the BBFC to remove brief shots of a woman's breasts during the fantasy assault scene in the elevator. The shots were also missing from the Film 2000 DVD which featured the R-rated print.
- ConexõesEdited into When Puppets and Dolls Attack! (2004)
- Trilhas sonorasLa Chorrito
by Pechula Chuppa
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Puppet Master
- Locações de filme
- Castle Green Apartments - 99 S. Raymond, Pasadena, Califórnia, EUA(then Castle Green Hotel was the "Bodega Bay Inn" in the film)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 600.000 (estimativa)
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 1.78 : 1