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IMDbPro

O Fantasma da Ópera

Título original: The Phantom of the Opera
  • 1989
  • R
  • 1 h 33 min
AVALIAÇÃO DA IMDb
5,5/10
4,8 mil
SUA AVALIAÇÃO
Robert Englund in O Fantasma da Ópera (1989)
A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.
Reproduzir trailer1:43
1 vídeo
99+ fotos
Drama psicológicoTerror sobrenaturalDramaHorrorMúsicaRomance

Adicionar um enredo no seu idiomaA young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.A young soprano becomes the obsession of a horribly disfigured composer, who has plans for those who oppose him or the young singer.

  • Direção
    • Dwight H. Little
  • Roteiristas
    • Gaston Leroux
    • Gerry O'Hara
    • Duke Sandefur
  • Artistas
    • Robert Englund
    • Jill Schoelen
    • Alex Hyde-White
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    5,5/10
    4,8 mil
    SUA AVALIAÇÃO
    • Direção
      • Dwight H. Little
    • Roteiristas
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Artistas
      • Robert Englund
      • Jill Schoelen
      • Alex Hyde-White
    • 96Avaliações de usuários
    • 80Avaliações da crítica
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 vitória no total

    Vídeos1

    Official Trailer
    Trailer 1:43
    Official Trailer

    Fotos164

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    Elenco principal30

    Editar
    Robert Englund
    Robert Englund
    • Erik Destler…
    Jill Schoelen
    Jill Schoelen
    • Christine Day
    Alex Hyde-White
    Alex Hyde-White
    • Richard Dutton
    Bill Nighy
    Bill Nighy
    • Martin Barton
    Stephanie Lawrence
    • La Carlotta
    Terence Harvey
    Terence Harvey
    • Insp. Hawkins
    Nathan Lewis
    • Davies
    Peter Clapham
    • Harrison
    Molly Shannon
    Molly Shannon
    • Meg (New York)
    Emma Rawson
    • Meg (London)
    Mark Ryan
    Mark Ryan
    • Mott
    Yehuda Efroni
    Yehuda Efroni
    • The Rat Catcher
    Terence Beesley
    Terence Beesley
    • Joseph Buquet
    Ray Jewers
    Ray Jewers
    • Elise
    Robin Hunter
    • Roland
    Virginia Fiol
    • Sarah
    Cathy Murphy
    Cathy Murphy
    • Esther
    Andre Thornton Grimes
    • Bartender
    • Direção
      • Dwight H. Little
    • Roteiristas
      • Gaston Leroux
      • Gerry O'Hara
      • Duke Sandefur
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários96

    5,54.7K
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    Avaliações em destaque

    horror7777

    What You Get When You Try And Entertain Phantom Fans And Slasher Fans At The Same Time

    There is no doubt in my mind that the writers of this film were trying to make an enjoyable slasher film to entertain teenagers and attract fans of "The Phantom of the Opera" at the same time. What gives this away is the casting of Robert Englund. It shows that they wanted to attract teenagers by casting Freddy Krueger. However, at the same time the writers include lots of technical stuff from the novel to try and get fans of "The Phantom of the Opera." The result can be one of two things. You can either have teens screaming saying they were fooled because they thought they were going to see Freddy Krueger kill a lot of people and you can have "Phantom" fans screaming saying they thought they were going to see a real "Phantom" film rather then some stupid teenage slasher film. Personally, I am a slasher film fan and not a "Phantom" fan. Not because I don't like the "Phantom" films, but just because I've never seen any of them. My initial reaction to this film was a positive one. It's stylish, has great acting and directing, and it's something different. It's not your typical slice and dice film but rather an interesting look at the "Phantom" and his life. Die-hard "Phantom" fans probably won't truly enjoy this as I think at the end the makers of the film quit trying to please everyone and the film degraded into the typical slasher genre. I really enjoyed this one and personally I think that it's wrong that die hard "Phantom" fans give this film negative comments. If you were expecting to see the 1925 version all over again with Robert Englund as the "Phantom" then you're way off. Die-hard slasher and horror fans as well as "Phantom" fans should find this at least marginally enjoyable. ***out of****This film is fun and really cool especially when you watch it for the first time and late at night
    LeilaDessler

    A dark, yet good take on the Phantom

    I like this movie. I'm a purist, which may be surprising, but I am and still like this movie. Why? Because it gives Erik his edge back. True, they give him a good bit extra, but in the novel, Erik could have cruel moments, he had an edge, a threat to him. Ever since the Lon Chaney (which is still the closest to the book version), Erik has lost his edge and become a sort of disfigured James Bond. While I don't have much of a problem, this is a nice beak from that. Robert Englund is one of my favorite actors, and this was the first or second movie I saw him in (the first, if it wasn't this one, would have been Urban Legend, decent movie on TV). He plays Erik with a sinister sensuality. His lanky frame and Kruegeresque swagger are fine qualities, he comes of confident. Erik was like that in the book many times, though he did become a lovesick puppy with Christine. Yes, it's a slasher, yes they make Erik quite cruel in it, but it does have many little tidbits from the book. Plus, it has the masked ball scene, which helps it score high with me!! Go in with an open mind and acceptance of a crueler Erik (or a sickness of a lovey-dovey Erik) and you should enjoy it. At least it's better than the Julian Sands version.
    luckyhouse

    A sleeper film with a charming and talented cast snubbed by the academy and golden globes in a deserving production

    I found the premise not only intriging, but the cinematography combined with passionate performances combined with the music make for an entertaining evening. I was so pleased with this film that I went out to buy a copy of the soundtrack to listen to while I went to buy the movie. The leading lady is not only captivating in her role, but resembles Shannon Dougherty facially and gives a Meryl Streep performance. I found the music to be very original and heartfelt although some lip sync was done during production. Robert Englund is wonderful as the Phantom. I found myself wanting to sleep with the lights on. In an alley scene where theives try to rob him, Eric Dessler (The Phantom)cleverly asks what they will trade for his purse. His delivery is strong and clever as a cat which goes well with his final remedy of the situation. We can all guess the theives steal no more.

    The end of the film finds an extremely original twist, as Eric is found to be the modern day leader of the group who is putting on the broadway play in New York. Love enduring is made so clear when certain death is avoided again, which in itself is expected but executed with dynamic acting.

    Yes, I loved this film and feel those who don't lack the training and intelligence to appreciate the story to begin with...Go buy the movie. You'll be glad you did.
    eddy-28

    Not bad remake

    Often forgotten after it's release because it was critized as being a takeoff of Andrew Lloyd Webber's then current Broadway musical version of the same title. Actually, Dwight H. Little's film version isn't bad and Duke Sandefur's script actually has more originality than some of the earlier versions. Robert Englund is probably the most terrifying phantom yet, he probably can't pull it off like Lon Chaney did in the 1925 film version, but he certainly did a terrific job at playing a more darker and scarier phantom. Jill Schoelen also did a pretty amazing job playing Christine, as she is taken from present day New York to 1881 London were she is the star of the opera and stalked by the phantom and he kills anyone who gets in his way. My favorite death scene is probably were the phantom takes on three thieves and also kills an opera critic in a sauna. In addition to the originality, the phantom is cursed by the devil and his face mutilated in a Faust tradition. He is then forced to sew on pieces of skin to save his face. The production is luxurious and the costumes are authentic. But the most greatest thing about this 1989 remake is the music. This is probably the best music I have ever heard for any Phantom film. It's more malvolent and suspensful and also at the same time magicial. Misha Segal certainly did an amazing job at creating a difficult score, and it's a shame that I don't hear his music in today's films. I guess the film could have been a little better if it had a little less gore and a good falling chandlier scene, but even though this is the only Phantom film without a chandlier it was still an amazing picture. Also look for Saturday Night Live star Molly Shannon in a small role in the New York City sequences.
    moonknight2010

    Good Phantom movie and Great Horror film!

    I am a huge horror movie fan and also a big Phantom of the Opera fan. I remember this film when it came out in 1989 but did not get the chance to see it until years later. I love the 1943 version and also love this one as well. Robert Englund proves in this film that he is a great actor and has moved far beyond his Freddy Kreuger days. This film is also very haunting as a horror film where the 1943 re-make is more of a drama/horror film. Robert is also very haunting as Erik Desller / The Phantom. Tha main thing i loved about this film is the dark and frightening atmosphere that it set out for the viewers. well the rank this film from 1-10 i give it a 8 for sure... Great film for both Horror movie fans and Phantom of the Opera fans.

    Highly recomended!!!!!!!!!!!!!!!!!

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      During a scene with fire, hot wax fell on Jill Schoelen, and burned her arm and shoulder. Despite this incident, director Dwight H. Little convinced Schoelen to do two more takes in the fire.
    • Erros de gravação
      When Christine first starts singing to the phantom in front of the fireplace near the beginning, her voice doesn't match her lip movement.
    • Citações

      Christine Day: [back in the present] You're him, aren't you?

      Erik Destler: [gives a sarcastic gasp] Had you expected someone else? Christine, you have always been my inspiration. You. And now, it's only a question of what you want: Love or music.

      Erik Destler: [after she rips his fake skin off while he screams]

      [seething in discomfort]

      Erik Destler: I have waited a very long time for you to come back to me my dear

      [coughing]

      Erik Destler: We had a bargain you and I

      [barks]

      Erik Destler: FOREVER!

      [now quietly]

      Erik Destler: Forever!

      Christine Day: [snatches up one of his surgical tools] NOT...

      [and stabs him with it]

      Christine Day: ... FOREVER!

    • Cenas durante ou pós-créditos
      This Motion Picture is not associated with any current or prior stage play or motion picture of the same title.
    • Versões alternativas
      Several scenes of extreme graphic violence had to be trimmed/deleted in order to get an R-rating in America.
    • Conexões
      Featured in Behind the Mask: The Making of The Phantom of the Opera (2015)
    • Trilhas sonoras
      Don Juan Triumphant
      Composed and Conducted by Misha Segal

    Principais escolhas

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    Perguntas frequentes20

    • How long is The Phantom of the Opera?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 13 de agosto de 1991 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Reino Unido
      • Hungria
    • Idioma
      • Inglês
    • Também conhecido como
      • El fantasma de la ópera
    • Locações de filme
      • Londres, Inglaterra, Reino Unido
    • Empresas de produção
      • 21st Century Film Corporation
      • Breton Film Productions
      • Columbia Pictures
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 3.953.745
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 2.050.000
      • 5 de nov. de 1989
    • Faturamento bruto mundial
      • US$ 3.954.044
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 33 min(93 min)
    • Cor
      • Color
    • Mixagem de som
      • Ultra Stereo
    • Proporção
      • 1.85 : 1

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