AVALIAÇÃO DA IMDb
7,2/10
3,6 mil
SUA AVALIAÇÃO
Como a Vanya, no último filme de Malle, a Milou nunca deixou a propriedade da família. Sua mãe morre durante a revolta estudantil de maio de 1968 em Paris.Como a Vanya, no último filme de Malle, a Milou nunca deixou a propriedade da família. Sua mãe morre durante a revolta estudantil de maio de 1968 em Paris.Como a Vanya, no último filme de Malle, a Milou nunca deixou a propriedade da família. Sua mãe morre durante a revolta estudantil de maio de 1968 em Paris.
- Direção
- Roteiristas
- Artistas
- Indicado para 1 prêmio BAFTA
- 2 vitórias e 7 indicações no total
Jeanne Herry
- Françoise
- (as Jeanne Herry-Leclerc)
François Berléand
- Daniel
- (as François Berleand)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
French cities are in tatters as students and workers unite against capitalism and consumerism. Meanwhile, a bourgeois family in Provence bickers over inheritance before its deceased matriarch has even been put in the ground. Milou en mai is rather like a Luis Buñuel film but with the surrealism dialled all the way down. Surprisingly fun.
This is a movie about the romantic awakening of an open-minded, freckle-faced ingénue named ... hold on, Milou turns out to be a gentle and wizened giant of a man, played by Michel Piccoli, who has apparently learned to live with an inappropriately cute nickname. He is living on his mother's country estate, and generally enjoying the decelerated life of landed gentry. Then his mother dies and his siblings descend on the mansion, threatening his casual existence (or maybe just questioning Milou's privilege of doing FA for a living). At the same time, the riots of 1968 are unfolding in far-away Paris.
The small group represent the different attitudes of French society at the time, we have the idealistic student who is overly anxious to see the arrival of a new world order, alongside the bourgeois reactionary who is somewhat less enthusiastic about horde of bearded baba cools putting up barricades, a housemaid who just wants to get her share of the inheritance, as well as a woman who feels impelled to take her top off for some reason. At one point, the group flee into the woods, and return the next morning. Somehow, the biggest bourgeois of all, Milou, is untouched by the quarrels around him and ends up continuing to live his placid mansion life, seemingly because he is so quaint and affable.
This movie had a few good ideas and moments, but it kind of runs out of ideas and plot after the family is assembled and their individual positions are established. In the end it's more or less a showcase for Michel Piccoli.
The small group represent the different attitudes of French society at the time, we have the idealistic student who is overly anxious to see the arrival of a new world order, alongside the bourgeois reactionary who is somewhat less enthusiastic about horde of bearded baba cools putting up barricades, a housemaid who just wants to get her share of the inheritance, as well as a woman who feels impelled to take her top off for some reason. At one point, the group flee into the woods, and return the next morning. Somehow, the biggest bourgeois of all, Milou, is untouched by the quarrels around him and ends up continuing to live his placid mansion life, seemingly because he is so quaint and affable.
This movie had a few good ideas and moments, but it kind of runs out of ideas and plot after the family is assembled and their individual positions are established. In the end it's more or less a showcase for Michel Piccoli.
Erm... I feel a little embarrassed; I can't join in the praise for this film, which I found too long and too unfocused. Louis Malle seems to have thought that just following Michel Piccoli around the estate as he tends to the bees and catches crabs, among other duties, while Stéphane Grappelli plays his winsome harmonica was enough to keep us engrossed. The real story is what was going on in Paris and other large cities in May 1968 (it was quite dramatic, as I recall from my safe haven in North America).
The story is flimsy: Milou and his brother Georges along with Milou's daughter Camille and Georges's children Claire and Pierre-Alain gather to attend the funeral of Mme. Vieuzac and distribute the family goods. Claire and Camille have a lively argument about the heritage, which disturbs Milou. His life has been so tranquil up to now...
The actors are let loose to give us a succession of star moments. Piccoli has his scene with the crabs, Miou-Miou her dalliance with the lawyer (superb François Berléand), Bruno Carette shows up midway as the lusty truck driver, Paulette Dubost is included as a tribute to the generation of Renoir and Carné. Finally Dominique Blanc as Georges's lesbian daughter has the best moments: she plays a Debussy piece ferociously as she watches her girlfriend flirting with Pierre-Alain. You can practically see the smoke pouring out of the piano. She also tantalizes the trucker--and us--with her bare breasts.
I don't know which director did the best account of the events of 68; possibly Wexler with his Medium Cool. Malle has not carried us back to those frenzied days, but has given us a series of vignettes as a way to show off the talents of his cast.
The story is flimsy: Milou and his brother Georges along with Milou's daughter Camille and Georges's children Claire and Pierre-Alain gather to attend the funeral of Mme. Vieuzac and distribute the family goods. Claire and Camille have a lively argument about the heritage, which disturbs Milou. His life has been so tranquil up to now...
The actors are let loose to give us a succession of star moments. Piccoli has his scene with the crabs, Miou-Miou her dalliance with the lawyer (superb François Berléand), Bruno Carette shows up midway as the lusty truck driver, Paulette Dubost is included as a tribute to the generation of Renoir and Carné. Finally Dominique Blanc as Georges's lesbian daughter has the best moments: she plays a Debussy piece ferociously as she watches her girlfriend flirting with Pierre-Alain. You can practically see the smoke pouring out of the piano. She also tantalizes the trucker--and us--with her bare breasts.
I don't know which director did the best account of the events of 68; possibly Wexler with his Medium Cool. Malle has not carried us back to those frenzied days, but has given us a series of vignettes as a way to show off the talents of his cast.
10jonni
Milou en Mai finds the aging Louis Malle at his most wickedly wistful, directing mischievous set pieces and ultimately expressing nervous laughter at his own mortality. Made more in the traditions of British farce than the traditional French 'sophistication', in being set to the background of the 60's union unrest and student riots, the film keeps a subtle check on the ridiculous. Examining death, family relationships, marital relationships, extra-marital relationships and the different ways people perceive their lot in life, Milou en Mai has something for everyone: farcical comedy, beautiful cinematography, perceptive commentary, delightful anecdotes (I'm thinking of the opening bee-keeper scene and crab-catching in the river) and fantastic 'Hot Club de France' bowing and strumming. This film is one of my all time favourites - gentle, intelligent, sensitive fun - highly recommended.
I wonder why it is not better known? You would think it would be, it is a beautiful movie, maybe not among Malle's very best, but certainly very good. There's a bittersweet feeling and it is also quite funny, as when the sisters are fighting over which one the mother wanted to leave her jewelry to.
Michel Piccoli is one of my favorite actors, and all the other parts are well done too.
Plus, the setting and photography are so beautiful. Somewhere in the Gers I think. When Milou is walking through the vines with his elderly foreman, I drool.
Just the sort of small, beautiful, mellow, not too elaborate country house and vineyard I want for myself when I win the Loterie Nationale!
Michel Piccoli is one of my favorite actors, and all the other parts are well done too.
Plus, the setting and photography are so beautiful. Somewhere in the Gers I think. When Milou is walking through the vines with his elderly foreman, I drool.
Just the sort of small, beautiful, mellow, not too elaborate country house and vineyard I want for myself when I win the Loterie Nationale!
Você sabia?
- CuriosidadesJeanne Herry, who plays Françoise (the little girl) is the real-life daughter of Miou-Miou. In 2014 she directed her first feature film, 'Elle l'adore', starring Sandrine Kiberlain and Laurent Lafitte.
- Trilhas sonorasPrélude: 'GENERAL LAVINE' Eccentric
Music by Claude Debussy
Principais escolhas
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- How long is May Fools?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- May Fools
- Locações de filme
- Château du Calaoue, Saint-Lizier-du-Planté, Gers, França(main location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.576.702
- Fim de semana de estreia nos EUA e Canadá
- US$ 20.078
- 24 de jun. de 1990
- Faturamento bruto mundial
- US$ 1.576.702
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