De Volta Para Casa

Adam Horowitz a.k.a. King AdRock of the Beastie Boys puts in a surprisingly good performance as a troubled teen here, but overall the film is pretty unremarkable. King AdRock and Donald Sutherland? That lineup has cult classic written all over it, but unfortunately, there really ain't a whole lot going on here. There are some great scenes where Adrock gets mad, gets in fights or complains about things, but they are the only high points. Worth watching if you're a Beasties fan, if only to see that Adrock is actually a good actor, but that's it. The film is slow moving and very serious and not even Adrock and Donald Sutherland can save it. Adrock should get back into acting, he's funny as hell, too.

My mom worked in a mental ward for teenagers, and this movie captures that environment very well (the writer either worked in one or did his research). Amy Locaine is so sweet and screwed up at the same time. Mr. Beasty Boy does a good job as the confused protag, and I especially like how the story and filmmarkers don't judge these kids with speeches about morals from the adult characters -- but instead ask hard questions like: "What do you want [in your life]?" Sutherland is great in his role and totally believable. Worth a rent or watching on cable. Too bad this movie didn't get more attention.

Really a sweet movie - yes, VERY formulaic, but that does not disqualify any film. Plot - OK, crap. But Sutherland and Horowitz (yes, the guy from Beastie Boys and son of the famous playwright) do well by the roles they are given.

It is the gentle attention that the director give to the characters that makes the movie for me. The two main characters are cast in a very typical ("Ordinary People") situation, but they transcend it with their performances. Sutherland could easily have coasted through this movie for the paycheck, but doesn't. Adam Horowitz could have just posed and postured - but doesn't.

Or I'm nuts - could be. There is no harm, however, in a feel-good story that doesn't cheat on the difficulties of the characters' situations or their needs. This plot may speed past them, but the performances give them depth.

Honest sentiment is no crime - and I would claim that Sutherland and Horowitz give nuanced performances (not exactly typical for either).

I only watched this movie because Adam Horovitz of the Beastie Boys was in this movie. What I found is a very realistic (until the end) movie about suburban teenage angst. Horovitz plays the lead, who ends up getting institutionalized because his parents are too busy. Horovitz surprised me by his acting skills as his anger was shown strongly. He is in need of fitting in, and that's where his step-brother comes in and influences him to get out of the institution and wreak havoc with him. His love interest is institutionalized too, but when she is free, she is stuck at home drugged out, with her mom not caring for her. Donald Sutherland plays the institution's only caring person. He says "Yeah, they care. They care for a couple hours because they're paid to care." That's another conflict in this movie is his caring for his patients, but it strains his relationship with his real family. This movie is very strong, and shows the pain of being a rich teen in suburban L.A. with no support of the family. I just feel the ending was a cheap cop out to a very good movie.

"Lost Angels" is a movie whose sum of the parts is pretty poor...though there are some excellent parts and the film isn't to be totally dismissed.

Tim (Adam Horovitz of 'The Beastie Boys') is a teen with a lot going for him. He has a nice home and his family is middle class. But he also has divorced parents who are idiots...and as a result of this and some very dumb choices, he's running amok and is in legal trouble. Instead of going through the legal system, however, his mother arranges for him to be treated at an expensive teen psychiatric facility. Tim does NOT take to this well despite the efforts of his psychiatrist (Donald Sutherland) and the boy keeps running away and doing incredibly self-destructive things.

Horovitz and Sutherland both act very well in the film...and this is the best thing about the movie. But the script doesn't seem to know where to go with all this and by the end of the film, it's obvious there are no clear answers and the story is left dangling. Does Tim adjust to society or does he continue towards oblivion.... I have no idea nor did the film. A bit frustrating to watch as a result.