AVALIAÇÃO DA IMDb
6,4/10
49 mil
SUA AVALIAÇÃO
Apenas seis meses após sua sentença, o preso Frank Leone é transferido para uma prisão de segurança máxima.Apenas seis meses após sua sentença, o preso Frank Leone é transferido para uma prisão de segurança máxima.Apenas seis meses após sua sentença, o preso Frank Leone é transferido para uma prisão de segurança máxima.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 3 indicações no total
Dean Rader-Duval
- Ernie
- (as Dean Duval)
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Avaliações em destaque
Great
just look at the cast who director John Flynn gets us locked up with. Sylvester Stallone plays the ideal prisoner - a rock, Tom Sizemore an edgy inmate, Larry Romano the naïve kid, Frank McRae the friendly man mountain, Sonny Landham dominates with a snake-like turn, John Amos a hardened prison officer captain and finally Donald Sutherland looking down on them as the menacing prison warden using his inmates like chess pieces "That's no game man. It's a lesson". You'll love to hate him, as Sutherland is picture-perfect in his delivery. The cast are outstanding, as the performances of all simply engage. Also making the cut is Darlanne Fluegal, William Allen Young, Jordan Lund and Danny Trejo makes a brief appearance here or there. The story follows that of Frank Leone having only 6 months of his sentence to serve, but then one night he's whisked away and he finds himself in a high security penitentiary with a warden Drumgoole (who he shares a past with) that tends to break his spirit within that time by using brutality, intimidation and humiliation. However despite Drumgoole's grudge to see Leone's spirit smothered, he'll find out it won't come too easy. Habitual structure, but quite a tense, grim and barbaric prison-yard story with director Flynn's durably taut handling rising above the predictability. It does seem to move from one sadistic act to another (as the warden tries about anything to break his man), but the plot installs some genuine companionship's between the characters and provides a mind-set of how these inmates truly get through the days so to keep from sinking in to insanity. Unpleasant, but also affecting. Bill Conti strings together an effective music score.
"You won't break me."
"You won't break me."
This is a definite must for anyone following Stallone's movies! It is great in its storyline, its atmosphere, its characters and its ending! If you let it, it'll really grip you and hold you in tight suspense till the very end of the drama. I'd say this is one of the most underrated movies ever. If someone knows why, please write me a note.
Have to say right off that I can't believe the low rating for this one here, because it delivers everything that a Stallone fan would want, if one is loading this into the player then surely they know what to expect?
Frank Leone (Sylvester Stallone) only has a few weeks to go before being released from prison, he is no hard core offender, he is a loving man and is ready for a new life with his gorgeous girlfriend Melissa (Darlanne Fluegel). During the night he is whisked away to a maximum security prison on the orders of a sadistic warden out for revenge because Leone was the only man to have ever escaped from his prison, thus setting in motion the wheels of revenge.
We then follow Leone as he is pushed to the limits by crazy warden Drumgoole (Donald Sutherland) and all the sadistic guards under his command. He also enlists the help of resident inmate beefcake Chink Weber (Sonny Landham), and they all in turn try to break Leone at all costs to ensure that he never leaves prison again. There certainly is nothing here that hasn't been done before in the prison film genre, and only an idiot would expect anything other than the ending we get, but this is a Stallone movie and it's full of guts, testo macho action, and it should be noted that Sly here puts some depth to the character of Leone. He garners our sympathy quite quickly, and considering the bloke is built like the proverbial brick outhouse, it's quite an achievement.
The supporting players are a mixed bunch, this is Tom Sizemore's first motion picture and he does really well with the character of Dallas, Sonny Landham is his usual scary menacing self, whilst Frank McRae as Eclipse does just enough right to make his mark. So it's something of a surprise to me that the best actor on show is actually the film's weak link. Donald Sutherland does overplay it to the point that he goes beyond pantomime villain, it's a real teeth itching performance that he would only outdo with the dreadful Jamie Lee Curtis starrer, Virus, 10 years later, but in a film with such primal fun/action intentions, it doesn't ruin the film and leaves it all told as a fine genre piece.
No awards here for sure, but when I watch a film about a man played by Sly Stallone in prison then I think I know what to expect, and it delivers all that I hoped for, so hooray for the beefcake I say. 7/10
Frank Leone (Sylvester Stallone) only has a few weeks to go before being released from prison, he is no hard core offender, he is a loving man and is ready for a new life with his gorgeous girlfriend Melissa (Darlanne Fluegel). During the night he is whisked away to a maximum security prison on the orders of a sadistic warden out for revenge because Leone was the only man to have ever escaped from his prison, thus setting in motion the wheels of revenge.
We then follow Leone as he is pushed to the limits by crazy warden Drumgoole (Donald Sutherland) and all the sadistic guards under his command. He also enlists the help of resident inmate beefcake Chink Weber (Sonny Landham), and they all in turn try to break Leone at all costs to ensure that he never leaves prison again. There certainly is nothing here that hasn't been done before in the prison film genre, and only an idiot would expect anything other than the ending we get, but this is a Stallone movie and it's full of guts, testo macho action, and it should be noted that Sly here puts some depth to the character of Leone. He garners our sympathy quite quickly, and considering the bloke is built like the proverbial brick outhouse, it's quite an achievement.
The supporting players are a mixed bunch, this is Tom Sizemore's first motion picture and he does really well with the character of Dallas, Sonny Landham is his usual scary menacing self, whilst Frank McRae as Eclipse does just enough right to make his mark. So it's something of a surprise to me that the best actor on show is actually the film's weak link. Donald Sutherland does overplay it to the point that he goes beyond pantomime villain, it's a real teeth itching performance that he would only outdo with the dreadful Jamie Lee Curtis starrer, Virus, 10 years later, but in a film with such primal fun/action intentions, it doesn't ruin the film and leaves it all told as a fine genre piece.
No awards here for sure, but when I watch a film about a man played by Sly Stallone in prison then I think I know what to expect, and it delivers all that I hoped for, so hooray for the beefcake I say. 7/10
This is probably Sylvester Stallone's best performance that wasn't in Copland or a Rocky / Rambo film.
While the muscle dudes of the 80s did a lot of character-free action, this one is an action film with some character and drama.
I was surprised that the average rating was only 5.8. I would rank it among the best action films of Stallone's resume and also among the best action films of the 80s.
The supporting performances are quite good all around. Donald Sutherland is solid as always, and you get easily the best performance of Sonny Landham's career and Tom Sizemore showing why he became a bigger star about 5 years down the road.
This is the only big movie where Larry Romano got more than a few lines and he does a good job as "First Base." I was a little surprised he didn't go much further and generally only appeared in the future when the casting director needed someone to "look and sound Italian." I recommend this one even if you aren't a big Stallone fan. If any lesser known film will change your mind about him, it's probably either Copland or this one.
While the muscle dudes of the 80s did a lot of character-free action, this one is an action film with some character and drama.
I was surprised that the average rating was only 5.8. I would rank it among the best action films of Stallone's resume and also among the best action films of the 80s.
The supporting performances are quite good all around. Donald Sutherland is solid as always, and you get easily the best performance of Sonny Landham's career and Tom Sizemore showing why he became a bigger star about 5 years down the road.
This is the only big movie where Larry Romano got more than a few lines and he does a good job as "First Base." I was a little surprised he didn't go much further and generally only appeared in the future when the casting director needed someone to "look and sound Italian." I recommend this one even if you aren't a big Stallone fan. If any lesser known film will change your mind about him, it's probably either Copland or this one.
Lock Up I feel is one of Stallone's better movie's. The storyline seems to fit the acting character of Stallone very well. Sutherland's depiction as the Warden "Drumgroole" also was excellent. As always, Stallone seems to epitomize struggle in movies very well. In the movie Stallone is a convict just trying to ride his time out, but the warden makes it very hard on him. John Amos also depicts the caring but hard as nails Prison guard "Micon" very well. In my opinion Lock Up is a Top Level Stallone film, and didn't get nearly the credit it deserved. I certainly would recommend this film. One word that can describe this film would be "EMOTIONAL" If you like a tough, gritty prison movie, then you will certainly like Lockup.
Você sabia?
- CuriosidadesDirector John Flynn has said of this movie, in a 2005 interview with Harvey F. Chartrand for Shock Cinema: "Condenação Brutal (1989) is a strange lesson in how Hollywood movies are made. Stallone had a 'window' which means the guy was available for a certain window of time. Larry Gordon [Lawrence Gordon] had a terrible script set in a prison. Stallone calls James Woods and asks if I'm any good as a director. Woods says yeah, he's a good director and you ought to work with him. So we have a director and a star, but no script. All we have is a theme - a guy escaping from prison. So we hire Jeb Stuart, who was then one of the hottest writers in Hollywood, to rewrite the script and we go off looking for prison locations. Now we have a star, a theme, a shooting date, a budget, a studio, but we still have no script. So we all go back to New York City, and move into a hotel where Larry 'tortures' Jeb and Henry Rosenbaum into writing a script in record time. Meanwhile, I'm going around scouting prisons. We finally found one in Rahway, New Jersey. Jeb and Henry were writing the script as we were making the movie. New pages would come in every day. There was one day when I was on the third tier of a cell-block in Rahway Penitentiary and I had nothing to shoot. I had my movie star, all these extras and a great location - and the pages were on their way. So we sat around and bullshitted with the prisoners. Stallone is a smart guy and a very underrated actor. If I ever needed a better line, he'd come up with one. Stallone is a really hard worker. I had no problem whatsoever with him".
- Erros de gravaçãoWhen Frank Leone is quickly forced out of his tiny jail cell his pants are not on, but as he appears out of the cell his pants are on.
- Citações
Eclipse, Dallas, others: [after the re-building of the Mustang] When we're in a sober mood, we worry, work and think. When we're in a drunken mood, we gamble, play and drink. But when our moods are over, when our time is come to pass, we hope they bury us upside down, so the warden can kiss our ass!
Dallas: Amen!
- ConexõesFeatured in Chuck Norris Contra o Comunismo (2015)
- Trilhas sonorasVEHICLE
Written by Jim Peterik
Performed by The Ides of March
Courtesy of Warner Bros. Records, Inc.
by arrangement with Warner Special Products
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- How long is Lock Up?Fornecido pela Alexa
Detalhes
Bilheteria
- Orçamento
- US$ 24.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 22.099.847
- Fim de semana de estreia nos EUA e Canadá
- US$ 6.025.520
- 6 de ago. de 1989
- Faturamento bruto mundial
- US$ 22.099.847
- Tempo de duração
- 1 h 49 min(109 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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