Cowboys de Lenigrado Vão Para a América

This is not so much a movie as it is a test of your campiness quotient. The CQ has a mean of 100. If you fall below 85, you live in a really sad world and as you advance above 100 you are able to extract the comical and farcical aspects of life with increasing ingenuity. After auditioning for a Russian apparatchick (who listens stony-faced to their music, then says "no good - try the US" and departs) the band departs for the US. As they travel from New York to the South, the music changes through a range of pop/rock genres. As another reviewer noted, the music is far more enjoyable than it has a right to be and the dead-pan stoicism of the characters is a hoot. From Steppenwolf to Mariachi music, you will hear and see it all. Try the movie again a year later and it will be even more enjoyable because now you can attend to the hilarious detail which you have missed first time around.

My wife Irene, and myself, (Robert Morris) owned "The Lonesome Bar" in Memphis where part of the movie was shot. This is where they performed "Rock And Roll Is Here To Stay" and my buddy, George Kunkle played the banjo and sang one of his songs. The barber was Bill Robertson, who was a real barber next door to the bar. He passed away shortly after the film came out, but it allowed him to sing in a international film.

The whole cast and crew was wonderful! We played pool and got drunk every night after shooting. One night we sat on the curb out front and took turns picking and singing our favorite songs. That was a experience I will never forget.

We hope you like the movie, as we will never forget it.

Colonel Robert morris

This is without question one of the greatest rock and roll movies ever made. It's sort of THE BLUES BROTHERS meets STROSZEK with some MOSCOW ON THE HUDSON thrown in. Aki Kaurismaki has to be admired for making this gutsy and crazy film. There is not much of the European "art film" here, nor is there any real serious social commentary or aesthetic stunts underneath the comedy here either. There is also no condescension toward America or Americans. In fact there is a wide-eyed, dreamy fondness for America, especially its messy landscapes that hug the interstates and its simple, likable working-classes (but definitely not its prick cops). Here we get to meet the immensely likable dreams, music and attire of the Leningrad Cowboys, the misunderstood, maligned, salt of the earth band that comes to America to live out its rock and roll dream. Personally, I simply admire the actors for driving around the American South wearing those fantastic mullet pompadour quiffs and pointy shoes. That takes guts.

Kaurismaki has a special fondness for characters with big dreams but little or misunderstood talent, who can scrape up just enough cash just get by. Here, as in his another of his great comedies, LA VIE DE BOHEME, there are some characters who are unambiguously untalented (in LENINGRAD COWBOYS: the singers; in LA VIE DE BOHEME: the composer) and there are some characters who have some or much, but quirky, or misunderstood talent (in LENINGRAD COWBOYS: the band; in LA VIE DE BOHEME: the painter). All of the performers and artists are immensely likable and amusing and their patrons and audience are just as suspect as they are in their taste, but great to be around nonetheless. Moreover, their detractors are cold, a-hole jerks.

Jim Jarmusch makes a funny cameo as a used car salesman. Matti Pellonpää, probably Kaurismaki's favorite actor, is hilarious as Vladimir, the band's beer slugging, tyrannical manager. I love the scene early in the film where he meets with the New York "cousin" of the Finnish talent scout (who also, by the way, has a "cousin" in Mexico). When the New York band booker tells Vladimir that he needs to hear the band play, Vladimir says, "Is that necessary?"

Anyone who loves rock and roll comedies, weird hairstyles and movies about little people with big dreams need to see this film. If you like Kaurismaki films then you may or may not like this film, depending on how square you are. I say check it out. I think it's one of the funniest films I've ever seen. But then again I have had some crazy hairstyles too.

I just saw Leningrad Cowboys for the third time and think it is a perfect film. Whatever else it may be about, it is a quest into the heart of rock and roll. The Cowboys start in New York playing their soulful/klezmerish immigrant blues on a seedy rooftop, then reel back through the roots of the genre--Memphis, Natchez, New Orleans, Honky Tonk and Biker Bars, road house and funeral...to their destination in Mexico where their Finnish filtered rock returns to its original sound, converging on the joyous soulful wedding as they back up a singer whose classic Indian features are not that different from some of the singers'... The esthetic is stylish and dead pan. The cinematography is actually quite beautiful, lyric of industrial decay. If you like Jarmusch (who does a spot as a car salesman) you'll like this movie. The pacing did not seem slow to me at all--but that may just be a sign of my age. The form is a series of theatrical skits and blackouts, and the tension of many scenes owes more to mime or comedia than MTV. I think my favorite is one involving the village idiot and a shoe that is not the one he wants. Poignant and hysterical at the same time. Oh, and maybe his treck with what looks to be a 50lb catfish... If you have a chance to see it, go. It is hilarious and sweet and utterly unlike anything else you've ever seen.

The most politically inclined and intellectual viewer would analyze this movie as a political satire, and they would be right. However, this movie is more enjoyable if seen as a road movie and a look at America through the eyes of a foreigner. Funny and poignant.