O Calendário da Morte

A serial killer is being chased by a detective (Kevin Kline). Along the way he has 2 romantic affairs and a quarrel with his brother. That's about it. And that's not a lot, story-wise speaking.

Great actors are the ONLY thing keeping this silly romantic detective afloat. But only just... However great these actors normally are, they dont act well in this movie, but since they are all great actors anyway their famous names suckered me into watching it. Wish I hadnt...sigh...

Basically all the actors are miscast in this movie. I really cant believe in any of the characters. The story is fluffy and the dialogues are mediocre. There is NO true suspense, which is kind of annoying, since it is a detective. There are few good jokes. The romantic scenes are many and they all are quite ridiculous, because they are not believable.

What's there left to like? Well it has got the promise of becoming great, because all these actors are terrific in OTHER movies. Unfortunately they aint terrific in this one. Skip it. Or watch it with the same feeling of promise and hope that it still might turn out to be okay, only to find out that it wont...sigh...

"The January Man" bombed both with critics and the box office when it was released to theaters. It doesn't take long watching it to figure out why. The script, for starters, is a real mess. It takes deadly serious elements and mixes them with broadly comedic elements. It might have been possible to balance them properly when it came to filming them, but the cast doesn't seem capable of doing so. Except maybe for Alan Rickman, the cast gives really awful performances (especially Rod Steiger), not helped by a number of instances of some really terrible dialogue. You can sense director Pat O'Connor's lack of assurance with this project, not just that he couldn't steer the cast properly, but with a screenplay that has a number of elements that feel half baked or unfinished. (Actually, there are signs that the original cut of the movie was more coherent, but got edited down to a shorter running time before being released.)

However, I have to admit that the movie remains weirdly watchable. It's so odd in its changing tone, next to incoherent at times with its story, and packed with really bad performances by a normally talented cast, that you can't help but keep watching in order to see what next miscalculation will be displayed on the screen. It certainly doesn't make the big mistake of being boring. If you have an interest in major studio movies that go wrong in just about every way you can think of, this does deliver.

One of Kevin Kline's better films. An interesting thriller of a flic with a very good supporting cast. So good in fact that Danny Aiello as the highly agitated police administrator & Alan Rickman as "Ed" nearly steal the show. The movie has an interesting plot and some reasonably good humor to go along with the suspense of the story line. If you're looking for a good suspense movie, a few laughs or if you're just a Kevin Kline fan who wants to catch up on his back catalog give January Man a play. You definitely won't regret it.

First things first, this film has a few problems with trying to work out what it wants to be. Some of the scenes are a bit ridiculous and unrealistic, and sometimes it gets a bit slow. But that could be said about some hugely successful blockbuster films as well.

Underneath this is a good little crime thriller with some likable characters who are trying to work out the clues to catch a killer with a taste for strangling women in their city apartments.

Kevin Kline is enjoyable, Susan Sarandon and Mary Elizabeth Mastrantonio are classy, Harvey Keitel doesn't really do much and Alan Rickman kind of floats around to help loosen up the mood of the film. Some of the dialog sounds like it was lifted from an adapted play or is better for an older, more mature generation.

But, the stand out star of this film is Danny Aiello, who plays Captain Vincent Alcoa. He has a filthy mouth, loves yelling and putting people down all the time and has to deal with a Kline as a difficult police detective who returns to the job.

The film alone is worth seeing for his performance.

One of the most insane mainstream movies I've seen. An absurd mix of thriller, comedy, romance, and other things; the manic behaviour, strange dialogues, and weird/inconsistent mood-changes make this a very silly movie but also an enjoyable one. As flawed as it might be, I dare anyone to say that it's dull. Star-studded, as film-critics love to say, but in a good sense. Kline is entertaining as the detective-turned-fireman-turned-detective, Steiger - sporting silly blond hair - overacts like a lunatic in the role of the city's emotional mayor, Aiello plays the classic ever-angry cliché police boss, Keitel stands around looking rather bored, Mastrantonio shows that she's got terrific breasts, the model for the painting shows she's got even better breasts, and it's always good to have Susan Sarandon in a movie - though quite ironically of all actresses she doesn't show her terrific chest! The serial-killer in the story must be the most absurd serial-killer either on film or in reality: the method that he uses to select his victims, and the time and the place, has to be seen to be believed. The film has most of the elements to make it a camp classic.