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5,9/10
4,1 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA bookshop clerk and wannabe actress starts seeing the disfigured killer from her 1950s pulp novels come to life and start killing people around her. She tries to convince her cop boyfriend,... Ler tudoA bookshop clerk and wannabe actress starts seeing the disfigured killer from her 1950s pulp novels come to life and start killing people around her. She tries to convince her cop boyfriend, but to no avail.A bookshop clerk and wannabe actress starts seeing the disfigured killer from her 1950s pulp novels come to life and start killing people around her. She tries to convince her cop boyfriend, but to no avail.
- Prêmios
- 1 vitória e 1 indicação no total
Michelle Fozounmayeh
- Colette
- (as Michelle Jordan)
Raf Nazario
- Lyle, Hotel Clerk
- (as Rafael Nazario)
Avaliações em destaque
For fans of horror flicks, this movie might be a nice little surprise if you haven't yet seen it. Jenny Wright plays a woman who finds that the pair of obscure pulp novels she has been reading are beginning to cause very real events to happen in her own life, as the crazed doctor at the center of the stories begins to enter the real world with the intention of mutilating Virginia's friends in order to replenish his own missing facial features.
The gory premise allows for some great physical horror, while the actual story is interesting enough to keep you watching for more than just the shocks. There's even some interesting stop-motion animation for one of the weirder monsters in movie history, "Jackal boy".
On the downside, the film runs out of steam after the first two thirds, delivering a disappointing final act that does not live up to everything that came before it. Specifically, the character played by Jenny Wright suddenly goes flat. She starts out really interesting and seems intelligent, but toward the end of the movie she's whimpering and starts acting really dumb. For instance, why does it take her so long to figure out that the killer will target people she knows? One scene where the madman corners Virginia in an elevator is particularly laughable because of the botched delivery of the lines. Considering how strong her early scenes are, I suspect Jenny Wright was directed to act this way, and the film suffers for it.
Still, this movie has a great look. The sets are memorable, even if they're a little unrealistic (how could Virginia afford such a great apartment if she's a book clerk? Geez!). There's a great establishing aerial view of Virginia's noir-ish neighborhood, and the acting isn't that bad (except as mentioned above). The graphic violence is also memorable, reminiscent of "Dawn of the Dead" in the way that the gore comes off as cartoonish instead of realistic. Recommended, although be prepared for the film's third-act fumble.
The gory premise allows for some great physical horror, while the actual story is interesting enough to keep you watching for more than just the shocks. There's even some interesting stop-motion animation for one of the weirder monsters in movie history, "Jackal boy".
On the downside, the film runs out of steam after the first two thirds, delivering a disappointing final act that does not live up to everything that came before it. Specifically, the character played by Jenny Wright suddenly goes flat. She starts out really interesting and seems intelligent, but toward the end of the movie she's whimpering and starts acting really dumb. For instance, why does it take her so long to figure out that the killer will target people she knows? One scene where the madman corners Virginia in an elevator is particularly laughable because of the botched delivery of the lines. Considering how strong her early scenes are, I suspect Jenny Wright was directed to act this way, and the film suffers for it.
Still, this movie has a great look. The sets are memorable, even if they're a little unrealistic (how could Virginia afford such a great apartment if she's a book clerk? Geez!). There's a great establishing aerial view of Virginia's noir-ish neighborhood, and the acting isn't that bad (except as mentioned above). The graphic violence is also memorable, reminiscent of "Dawn of the Dead" in the way that the gore comes off as cartoonish instead of realistic. Recommended, although be prepared for the film's third-act fumble.
I'm shocked - SHOCKED that this is not a more popular cult horror movie.
Yes, the performances are not Oscar Caliber. They aren't even regional playhouse award caliber.
But! There is definitely a very strong atmospheric feel and some fantastic makeup and set decoration. How many avid readers in your life would be in absolute heaven getting lost in the bookstore that's in the movie? Spoiler: all of them.
The books on which the plot hinges truly feels like a book that's as used and battered as the main villain.
The biggest weak point is, unfortunately, the main actress, Jenny Wright. I just watched her in Near Dark and she was fantastic. This movie came out later. So, perhaps it lies in the directions she was given?
Additionally, the police in this movie act like what I believe real police would act like. They work on what few clues they have and aren't treating the main girl as a looney.
Again, not the best horror, and it is a tad goofy, but as a cult movie? You could do a lot worse.
Yes, the performances are not Oscar Caliber. They aren't even regional playhouse award caliber.
But! There is definitely a very strong atmospheric feel and some fantastic makeup and set decoration. How many avid readers in your life would be in absolute heaven getting lost in the bookstore that's in the movie? Spoiler: all of them.
The books on which the plot hinges truly feels like a book that's as used and battered as the main villain.
The biggest weak point is, unfortunately, the main actress, Jenny Wright. I just watched her in Near Dark and she was fantastic. This movie came out later. So, perhaps it lies in the directions she was given?
Additionally, the police in this movie act like what I believe real police would act like. They work on what few clues they have and aren't treating the main girl as a looney.
Again, not the best horror, and it is a tad goofy, but as a cult movie? You could do a lot worse.
I fully agree with my pal WoodyAnders' review above. This is a nice, old-fashioned Retro style Horror Thriller with great creepy atmosphere and mood. The film uses an effective style with old-fashioned makeup and effects. YES, the stop-motion is a little rough, but if you are into films like this, you won't mind :)
You DO need a good imagination and ability to suspend disbelief to enjoy this film, since this has an almost Dark Fairy Tale type feel to it at times. I frigg'n LOVE how she comments that the book she is reading makes Stephen King look like Girl Scout stories (or something like that...)
The entire film has a real Retro feel to it and the story is DEFINITELY created along the lines of old-fashioned Horror films. So, if you DO like that type of movie, then you will likely enjoy this one. BUT... If you like your Horror more like the modern films, full of Brutal 'Realism' and sadistic gore, you probably will find this one pretty boring. But, if you DO really like your Horror a bit more old-fashioned, then you might really enjoy this movie...
You DO need a good imagination and ability to suspend disbelief to enjoy this film, since this has an almost Dark Fairy Tale type feel to it at times. I frigg'n LOVE how she comments that the book she is reading makes Stephen King look like Girl Scout stories (or something like that...)
The entire film has a real Retro feel to it and the story is DEFINITELY created along the lines of old-fashioned Horror films. So, if you DO like that type of movie, then you will likely enjoy this one. BUT... If you like your Horror more like the modern films, full of Brutal 'Realism' and sadistic gore, you probably will find this one pretty boring. But, if you DO really like your Horror a bit more old-fashioned, then you might really enjoy this movie...
Virginia (Jenny Wright) works at a used book store and is into horror novels when she discovers an engrossing book from an estate sale. It is called "I, Madman" and it is about an insane doctor (Randy Cook) who cuts off people's noses, ears, and hair and puts them on his face to please a girl he likes.
This film never achieved a wide audience in its day, which is unfortunate, and is not as well remembered as the other film featuring the collaboration of Randy Cook and Tibor Takacs, "The Gate". Heck, writer David Chaskin had previously done "A Nightmare on Elm Street 2: Freddy's Revenge" and "The Curse" (with Wil Wheaton), so he has a good pedigree, as well. Maybe with the new Scream Factory release, this will change.
The movie is a lot of fun, with all the slasher touchstones, plus some excellent cinematography that brings out a variety of lights, darks and vibrant colors (particularly in a flashback scene). Even early on, we have some visual cues to "Nosferatu" which were clearly intended: the mad doctor who looks like Max Schreck, and the hotel employee going up the stairs following his own shadow... not to mention Cook "ripping off Lon Chaney" (his words) in the creation of a villain.
The special features on the Scream disc really show how much work and love went into this. A short (roughly ten minute) behind-the-scenes feature has Randy Cook explaining how he had to act, apply his own makeup, and also be responsible for the animation. So after hours on set, he would still be up until two in the morning working on making the creatures fit the scene just right. It is impressive, especially the Jackal Boy, and shows a real dedication (no wonder the man has three Oscars).
If that alone was not good enough, there is also a full commentary track with Cook and interviews with various people involved with the picture. Scream has taken a better than average slasher film and made it one of the must-own Blu-rays of 2015: any horror fan will delight in seeing (and hearing) how films such as this are made.
This film never achieved a wide audience in its day, which is unfortunate, and is not as well remembered as the other film featuring the collaboration of Randy Cook and Tibor Takacs, "The Gate". Heck, writer David Chaskin had previously done "A Nightmare on Elm Street 2: Freddy's Revenge" and "The Curse" (with Wil Wheaton), so he has a good pedigree, as well. Maybe with the new Scream Factory release, this will change.
The movie is a lot of fun, with all the slasher touchstones, plus some excellent cinematography that brings out a variety of lights, darks and vibrant colors (particularly in a flashback scene). Even early on, we have some visual cues to "Nosferatu" which were clearly intended: the mad doctor who looks like Max Schreck, and the hotel employee going up the stairs following his own shadow... not to mention Cook "ripping off Lon Chaney" (his words) in the creation of a villain.
The special features on the Scream disc really show how much work and love went into this. A short (roughly ten minute) behind-the-scenes feature has Randy Cook explaining how he had to act, apply his own makeup, and also be responsible for the animation. So after hours on set, he would still be up until two in the morning working on making the creatures fit the scene just right. It is impressive, especially the Jackal Boy, and shows a real dedication (no wonder the man has three Oscars).
If that alone was not good enough, there is also a full commentary track with Cook and interviews with various people involved with the picture. Scream has taken a better than average slasher film and made it one of the must-own Blu-rays of 2015: any horror fan will delight in seeing (and hearing) how films such as this are made.
I remember seeing this as a kid in theaters and it just scared the crap out if me. I still find the whole thing quite disturbing but its also, clever, inspired and entertaining. The movie centers on a young woman working at a book store whom picks up an old, pulp novel entitled I, Madman. It scares the crap out of her and begins to manifest itself as it brutally murders the people close to her. The movie is wonderfully creative and to this day there still hasn't been anything like it. Jenny Wright has Virginia leaves much to be desired in the acting department but all these years later everything just works. It's got that really cool 80s retro feel making for an overly entertaining watch.
7.5/10
7.5/10
Você sabia?
- CuriosidadesWas retitled "Hard Cover" for Australia.
- Erros de gravaçãoThe shadows of the crew and equipment can be seen when Virginia enters her apartment carrying her groceries.
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- How long is I, Madman?Fornecido pela Alexa
Detalhes
- Data de lançamento
- Países de origem
- Idioma
- Também conhecido como
- Prefácio da Morte
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto mundial
- US$ 205
- Tempo de duração1 hora 29 minutos
- Cor
- Proporção
- 1.85 : 1
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