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IMDbPro

Como Fazer Carreira em Publicidade

Título original: How to Get Ahead in Advertising
  • 1989
  • R
  • 1 h 30 min
AVALIAÇÃO DA IMDb
6,8/10
6,9 mil
SUA AVALIAÇÃO
Richard E. Grant in Como Fazer Carreira em Publicidade (1989)
Trailer for How To Get Ahead In Advertising
Reproduzir trailer1:52
2 vídeos
16 fotos
SátiraComédiaFantasia

Adicionar um enredo no seu idiomaA cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.A cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.A cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.

  • Direção
    • Bruce Robinson
  • Roteirista
    • Bruce Robinson
  • Artistas
    • Richard E. Grant
    • Rachel Ward
    • Richard Wilson
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    6,9 mil
    SUA AVALIAÇÃO
    • Direção
      • Bruce Robinson
    • Roteirista
      • Bruce Robinson
    • Artistas
      • Richard E. Grant
      • Rachel Ward
      • Richard Wilson
    • 43Avaliações de usuários
    • 46Avaliações da crítica
    • 63Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 1 indicação no total

    Vídeos2

    How to Get Ahead in Advertising
    Trailer 1:52
    How to Get Ahead in Advertising
    How to Get Ahead in Advertising
    Trailer 2:16
    How to Get Ahead in Advertising
    How to Get Ahead in Advertising
    Trailer 2:16
    How to Get Ahead in Advertising

    Fotos16

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    + 9
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    Elenco principal31

    Editar
    Richard E. Grant
    Richard E. Grant
    • Bagley
    Rachel Ward
    Rachel Ward
    • Julia
    Richard Wilson
    Richard Wilson
    • Bristol
    Jacqueline Tong
    Jacqueline Tong
    • Penny Wheelstock
    John Shrapnel
    John Shrapnel
    • Psychiatrist
    Susan Wooldridge
    Susan Wooldridge
    • Monica
    Hugh Armstrong
    • Harry Wax
    Mick Ford
    Mick Ford
    • Richard
    Jacqueline Pearce
    Jacqueline Pearce
    • Maud
    Christopher Simon
    Christopher Simon
    • Waiter
    Gino Melvazzi
    Gino Melvazzi
    • Waiter
    Victor Lucas
    Victor Lucas
    • Tweedy Man
    Dawn Keeler
    • Tweedy Woman
    Kerryann White
    • Girl in Elevator
    Vivienne McKone
    • Sullivan Bristol Receptionist
    Donald Hoath
    • Businessman
    John Levitt
    • Businessman
    Gordon Gostelow
    • Priest
    • Direção
      • Bruce Robinson
    • Roteirista
      • Bruce Robinson
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários43

    6,86.9K
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    10

    Avaliações em destaque

    10David Sticher

    Awesome premise, writing, and acting; good direction

    This is a severely underrated film. Richard Grant's more-than-capable slimeball antics are put to a very worthy test in this bitter little polemic about consumerism. It's very British, and very 80's, but its message is still as universal as ever, and the execution is wickedly original, affecting, and cough-out-loud funny.

    The only negative point about the movie is the occasionally lax direction towards the end, but that's just a quibble.

    Overall, this is definitely very cool, and highly recommended to fans of Withnail and I, Network, and Fight Club who want something nice and bitter at the end of the day.

    This would make an awesome play...
    7SnoopyStyle

    British dark satire

    Denis Dimbleby Bagley (Richard E. Grant) is an amoral British ad executive. He's willing to sell anything to anyone. His next product pimple cream makes him obsessed with boils. His wife Julia Bagley (Rachel Ward) is concerned. He starts breaking down and growing a boil on his left shoulder. He's in the hospital to have it removed when it starts growing into a new head. His real head is lanced and the boil takes over his life as the new head.

    Bruce Robinson's previous directing/writing effort 'Withnail and I' is a British indie darling. Richard E. Grant returns with brilliant effect. It is a dark rant on the ills of consumerism and a little obvious. It would be great to have more plot rather than a diatribe. This would have been a great Twilight Zone episode. A story is needed around the zit cream. Otherwise, it's a good surreal effective satire.
    outsider-2

    Deep, dark truthful mirror

    Its a brave, scathingly funny film that might be an acquired taste. This one definitely needs a memorable quotes section!! For a film made so long ago, its quite an accurate and eerie depiction of what the PR industry has mutated into...
    capone666

    The Vidiot Reviews...

    How to Get Ahead in Advertising

    The best way to get ahead in advertising is to know the devil.

    Unfortunately, since the frazzled ad man in this comedy isn't acquitted with Lucifer, he will have to get a head literally.

    With a growing concern over the ethical nature of his profession, ad executive Bagley (Richard E. Grant) becomes mentally unhinged.

    While struggling to come up with a slogan for a zit cream, his mania is compounded by the appearance of a pustule on his shoulder that has begun to speak to him.

    In addition to the power of verbalization, over time, the abnormal abscess develops a mouth, eyes and a face, which is strikingly similar to his own, save for the moustache.

    A stimulating and surreal British satire, How To Get Ahead in Advertising is a paradigm of the psychological mindset needed to survive in marketing.

    Furthermore, having two heads means there's always someone to make-out with. (Green Light)
    8greengene65

    Advertising exec gets a conscious...leading to challenges on the job.

    This brilliant attack on commodification and the misuse of language to cajole consumerism is a must see. I don't like to give anything away so suffice to say that Grant is excellent as the near-schizophrenic hero (anti-hero) who's copy writer's block leads to his confronting the hegemony he operates within. The film mocks the abuse of semiotics in the media; one particularly hilarious scene has Grant battling his fellow-commuters over a newspaper story designed, per Grant's character, Bagley, to lead readers to directed conclusions. In the exchange about a heroin arrest reported in the paper, police allege that a bag containing heroin "may" have also contained marijuana. Bagley burst out with, "It may have contained a f***ing pork pie!" Hilarity ensues, but not devoid of a moral lesson...you may find the rendering of William Blake's "Jerusalem" at the film's conclusion particularly ironically amusing.

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    Interesses relacionados

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    Fantasia

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Writer/director Bruce Robinson provided the voice of the boil.
    • Erros de gravação
      After Bagley has lunch with his wife, she drops him back at the advertising firm's office building, but it is a different building to the one used for the interior scenes, which is the tall red building several hundred yards up the street (visible in the crane shot of their car pulling up), right next to the Lambeth bridge, as we can see from the window view in the scenes in Bagley's and Bristol's offices.
    • Citações

      [first lines]

      Denis Dimbleby Bagley: Let me try and clarify some of this for you. Best Company Supermarkets are not interested in selling wholesome foods. They are not worried about the nation's health. What is concerning them, is that the nation appears to be getting worried about its health, and that is what's worrying Best Co., because Best Co. wants to go on selling them what it always has, i.e. white breads, baked beans, canned foods, and that suppurating, fat squirting little heart attack traditionally known as the British sausage. So, how can we help them with that? Clearly, we are looking for a label. We need a label brimming with health, and everything from a nosh pot to a white sliced will wear one with pride. And although I'm aware of the difficulties of coming to terms with this, it must be appreciated from the beginning, that even the nosh pot must be low in something, and if it isn't, it must be high in something else, and that is its health-giving ingredient we will sell. Which brings me to my final question: who are we trying to sell this to? Answer: we are trying to sell this to the archetypal average housewife, she who fills her basket. What you have here is a 22 year old pretty girl. What you need is taut slob, something on foot deodorisers in a brassiere.

      Larry Frisk: I, uh, I'm not quite sure we can go along with that, Mr. Bagley. I mean, if you look at, like, the market research...

      Denis Dimbleby Bagley: I don't need to look at the market research. I've lived with 13 and a half million housewives for 15 years and I know everything about them. She's 37 years old, she has 2.3 children, 1.6 of which will be girls, she uses 16 feet 6 inches of toilet tissue a week and fucks no more than 4.2 times a month. She has 7 radiators and is worried about her weight, which is why we have her on a diet, and because we have her on a diet we also encourage her to reward herself with the little treats. And she deserves them, because anyone existing on 1200 calories of artificial synthetic orange-flavoured waffle a day deserves a little treat. We know it's naughty but you do deserve it, go on, darling, swallow a bun! And she does, and the instant she does, the guilt cuts in. So here we are again with our diet. It's a vicious, but quite wonderful circle, and it adheres to only one rule: whatever it is, sell it. And if you want to stay in advertising, by God, you'd better learn that!

    • Conexões
      Edited into Video Macumba (1991)
    • Trilhas sonoras
      Oscillate Wildly
      (uncredited)

      Written by Johnny Marr

      Performed by The Smiths

      Courtesy of Rough Trade

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    Perguntas frequentes17

    • How long is How to Get Ahead in Advertising?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 28 de julho de 1989 (Reino Unido)
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • Handmade Films Website
    • Idioma
      • Inglês
    • Também conhecido como
      • How to Get Ahead in Advertising
    • Locações de filme
      • Datchet Railway Station, Datchet, Berkshire, Inglaterra, Reino Unido(scene where train pulls into station)
    • Empresa de produção
      • HandMade Films
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 418.053
    • Faturamento bruto mundial
      • US$ 418.053
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 30 min(90 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.85 : 1

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