Adicionar um enredo no seu idiomaA cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.A cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.A cynical advertising exec has a block at work leading to a meltdown. He's hilariously out of control. Getting a big, talking boil on his shoulder doesn't help.
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The best way to get ahead in advertising is to know the devil.
Unfortunately, since the frazzled ad man in this comedy isn't acquitted with Lucifer, he will have to get a head literally.
With a growing concern over the ethical nature of his profession, ad executive Bagley (Richard E. Grant) becomes mentally unhinged.
While struggling to come up with a slogan for a zit cream, his mania is compounded by the appearance of a pustule on his shoulder that has begun to speak to him.
In addition to the power of verbalization, over time, the abnormal abscess develops a mouth, eyes and a face, which is strikingly similar to his own, save for the moustache.
A stimulating and surreal British satire, How To Get Ahead in Advertising is a paradigm of the psychological mindset needed to survive in marketing.
Furthermore, having two heads means there's always someone to make-out with. (Green Light)
It would be an understatement to say that having a lippy, ego-centric carbuncle can make one extremely unpopular at any social function.
So you can well-imagine the unpleasant predicament advertising whizz-kid, Dennis Bagley, found himself in when, sure enough, he discovered a sizable, jabbering boil growing out of his shoulder, at the base of his neck.
For the most part, I found 'How To Get Ahead In Advertising' to be quite a novel and entertaining look at the ill-effects of job-related stress, paranoia, and split-personality disorder.
Offensive, insulting, quirky, & bizarre - Actor Richard Grant (and all of his agitated and haywire ranting & raving) delivered a hyperactive, adrenaline-rush performance as Dennis Bagley, the hilariously irritating ass from "Boil Busters".
Even though this 1989, British comedy wouldn't suit everyone's tastes, it still does contain enough genuinely comical moments to make it worth at least one honest viewing.
Yes. This film definitely hit its fair share of bona-fide bum-notes, but, generally speaking, its cynical and sneering look at the advertising business was quite a frank, and, yes, even refreshing one, at times.
The only negative point about the movie is the occasionally lax direction towards the end, but that's just a quibble.
Overall, this is definitely very cool, and highly recommended to fans of Withnail and I, Network, and Fight Club who want something nice and bitter at the end of the day.
This would make an awesome play...
The idea of the talking boil is fun, but the scriptwriter/director didn't know whether to make it surreal, knockabout or farce, in the end sticking to what he perceives as satire. I'd have liked the themes to have been developed more - together with the two differing characters within the same body. We each see thousands of commercials on television, commercialisation is everywhere, referees and umpires have ads on their sleeves, I'm expecting the police to have sponsors' names on their trousers when they finally come to get me.
This needed a little more subtlety, more comedy with the beautiful wife, who seemed discomforted by having sex with the brash alter-ego - that could have produced an amusing scene or three.
It's much better that Robert Altman's unsuccessful parody of fashion, Pret-a-Porter, but uses a sledgehammer to lance a boil.
Você sabia?
- CuriosidadesWriter/director Bruce Robinson provided the voice of the boil.
- Erros de gravaçãoAfter Bagley has lunch with his wife, she drops him back at the advertising firm's office building, but it is a different building to the one used for the interior scenes, which is the tall red building several hundred yards up the street (visible in the crane shot of their car pulling up), right next to the Lambeth bridge, as we can see from the window view in the scenes in Bagley's and Bristol's offices.
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[first lines]
Denis Dimbleby Bagley: Let me try and clarify some of this for you. Best Company Supermarkets are not interested in selling wholesome foods. They are not worried about the nation's health. What is concerning them, is that the nation appears to be getting worried about its health, and that is what's worrying Best Co., because Best Co. wants to go on selling them what it always has, i.e. white breads, baked beans, canned foods, and that suppurating, fat squirting little heart attack traditionally known as the British sausage. So, how can we help them with that? Clearly, we are looking for a label. We need a label brimming with health, and everything from a nosh pot to a white sliced will wear one with pride. And although I'm aware of the difficulties of coming to terms with this, it must be appreciated from the beginning, that even the nosh pot must be low in something, and if it isn't, it must be high in something else, and that is its health-giving ingredient we will sell. Which brings me to my final question: who are we trying to sell this to? Answer: we are trying to sell this to the archetypal average housewife, she who fills her basket. What you have here is a 22 year old pretty girl. What you need is taut slob, something on foot deodorisers in a brassiere.
Larry Frisk: I, uh, I'm not quite sure we can go along with that, Mr. Bagley. I mean, if you look at, like, the market research...
Denis Dimbleby Bagley: I don't need to look at the market research. I've lived with 13 and a half million housewives for 15 years and I know everything about them. She's 37 years old, she has 2.3 children, 1.6 of which will be girls, she uses 16 feet 6 inches of toilet tissue a week and fucks no more than 4.2 times a month. She has 7 radiators and is worried about her weight, which is why we have her on a diet, and because we have her on a diet we also encourage her to reward herself with the little treats. And she deserves them, because anyone existing on 1200 calories of artificial synthetic orange-flavoured waffle a day deserves a little treat. We know it's naughty but you do deserve it, go on, darling, swallow a bun! And she does, and the instant she does, the guilt cuts in. So here we are again with our diet. It's a vicious, but quite wonderful circle, and it adheres to only one rule: whatever it is, sell it. And if you want to stay in advertising, by God, you'd better learn that!
- ConexõesEdited into Video Macumba (1991)
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- How long is How to Get Ahead in Advertising?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- How to Get Ahead in Advertising
- Locações de filme
- Datchet Railway Station, Datchet, Berkshire, Inglaterra, Reino Unido(scene where train pulls into station)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 418.053
- Faturamento bruto mundial
- US$ 418.053
- Tempo de duração
- 1 h 30 min(90 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1