Para sair da gangue que está destruindo sua reputação como uma boa menina, um adolescente inteligente se junta a um sociopata em um plano para matar os garotos.Para sair da gangue que está destruindo sua reputação como uma boa menina, um adolescente inteligente se junta a um sociopata em um plano para matar os garotos.Para sair da gangue que está destruindo sua reputação como uma boa menina, um adolescente inteligente se junta a um sociopata em um plano para matar os garotos.
- Prêmios
- 3 vitórias e 11 indicações no total
Renée Estevez
- Betty Finn
- (as Reneé Estevez)
Andrew Benne
- Fat Cynic
- (as Andy David)
Avaliações em destaque
10nick-848
Daniel Waters wrote one of the best satires ever in "Heathers", a dark comedy that ranks right up there with "Dr. Strangelove" and "Network". Certainly it's the best teen comedy ever made. Why? Because in spite of its highly stylized depiction of teenagers, it caught the truest essence of what high school is actually like in America. Not only that, it trashed the entire genre and-- in a feat of sheer genius-- even the *reaction* to the genre by outside observers (namely parents). Terry Southern could have done no better.
"Westerburg high school self-destructed not *because* of society but because Westerburg High School *was* society" was restated, to near-universal praise, by Michael Moore in "Bowling For Columbine", but Waters said it before him, said it better, and frankly he's got a lot more credibility ("Hudson Hawk" notwithstanding). The cast is brilliant, even if, strangely, some of them don't seem to get what the whole movie was about. You half expect that most of the cast and crew, like the kids who sign a petition to bring Big Fun to the school for a gig, made a movie they didn't know they were making. But the key figures nailed it-- Ryder and Slater were never better.
"Heathers" is one of the best films of the Eighties-- put the lid on the Eighties, as it were. It has suffered criminal neglect, probably because it may have required an "indie auteur" to really knock the cinematic elements out of the park. The direction is competent but unspectacular. Still, the star is the writing, and Waters deserved an Oscar for this script. Unsentimental, vicious, and above all hilariously funny, he drove a stake through the heart of those oh-so-precious John Hughes films and, at the same time, set the stage for Kevin Williamson and all the rest. He did it with a perfect ear for dialogue combined with a Swiftian vision of social structures, and did it all as an argument *against* ironic detachment, for which this film and its messages needs to be revisited now more than ever. Simply incredible.
"Westerburg high school self-destructed not *because* of society but because Westerburg High School *was* society" was restated, to near-universal praise, by Michael Moore in "Bowling For Columbine", but Waters said it before him, said it better, and frankly he's got a lot more credibility ("Hudson Hawk" notwithstanding). The cast is brilliant, even if, strangely, some of them don't seem to get what the whole movie was about. You half expect that most of the cast and crew, like the kids who sign a petition to bring Big Fun to the school for a gig, made a movie they didn't know they were making. But the key figures nailed it-- Ryder and Slater were never better.
"Heathers" is one of the best films of the Eighties-- put the lid on the Eighties, as it were. It has suffered criminal neglect, probably because it may have required an "indie auteur" to really knock the cinematic elements out of the park. The direction is competent but unspectacular. Still, the star is the writing, and Waters deserved an Oscar for this script. Unsentimental, vicious, and above all hilariously funny, he drove a stake through the heart of those oh-so-precious John Hughes films and, at the same time, set the stage for Kevin Williamson and all the rest. He did it with a perfect ear for dialogue combined with a Swiftian vision of social structures, and did it all as an argument *against* ironic detachment, for which this film and its messages needs to be revisited now more than ever. Simply incredible.
In Ohio, Veronica Sawyer (Winona Ryder) is a teenager trying to participate in the clique at the Westerburg High School of her schoolmates Heathers: Duke (Shannon Doherty), McNamara (Lisanne Falk) and Chandler (Kim Walker). She supports their nasty and shallow behavior just aiming to be a popular student. One day, the newcomer in town Jason Dean (Christian Slater) starts dating Veronica and he questions her relationship with the Heathers. When they accidentally kill one of the Heathers, they forge a suicide note and even dead, she becomes more popular among the students. Other students become also tempted to commit suicide while Veronica learns that Jason Dean is a psychopath.
Most American high school students are usually presented to the world in comedies as imbecile. "Heathers" makes no exception and goes further and further in the critic, showing them very shallow, trying to be popular at any price and without questioning life. The behavior of their fathers and mothers is also stupid. This original dark comedy has a great potential of a cult movie. Winona Ryder and Christian Slater in the beginning of career shine in the cast performing cynical roles. "Heathers" is one of the best American teen movie and worthwhile watching. My vote is seven.
Title (Brazil): "Atração Mortal" ("Mortal Attraction")
Most American high school students are usually presented to the world in comedies as imbecile. "Heathers" makes no exception and goes further and further in the critic, showing them very shallow, trying to be popular at any price and without questioning life. The behavior of their fathers and mothers is also stupid. This original dark comedy has a great potential of a cult movie. Winona Ryder and Christian Slater in the beginning of career shine in the cast performing cynical roles. "Heathers" is one of the best American teen movie and worthwhile watching. My vote is seven.
Title (Brazil): "Atração Mortal" ("Mortal Attraction")
With Heathers, director Lehmann has done more than create a movie. He has successfully created an escape for any student not deemed popular by their local school scene. Although the clothes and hair can be linked to a certain era in history, the truths explored within 'Heathers' are universal, and transcend time. A film that treats high school students as capable, intelligent beings who recognize a copy of 'The Bell Jar' lying on the ground in the same breath it treats them as moronic jocks who think with their . well not their brains, is destined for controversy. If controversy was what Lehmann and writer Daniel Waters were looking for, they found it in spades. Not only was it unconventional, showing the demise of the 'popular' kids, but it dealt with teen suicide in a comical way. Not something America was ready for at the time of release, causing many problems initially with simply getting the film shown in theaters. Luckily it has found its niche market now, and is now starting to be recognized as the powerful film that it is. Almost any store rents this movie, so there's no excuse for you to not watch it. Next time you're at the store pick this one off the shelf and give it a spin, even if you don't understand it fully you will be treated to a fantasy that almost every 'unpopular' kid has had at one time. Rating: 33/40
Unlike many of the teen movies that have enjoyed enduring appeal, "Heathers" survives not due to nostalgia, but because of its intelligence and searing, midnight-black wit.
Winona Ryder is Veronica, the disillusioned popular girl who falls in with a dangerous loner - Christian Slater as the malefic J.D. The two attempt to right their high school's social wrongs and end up on a killing spree.
Released on the cusp of the 1980s, the film feels strikingly prescient and more disturbing than ever today.
Winona Ryder is Veronica, the disillusioned popular girl who falls in with a dangerous loner - Christian Slater as the malefic J.D. The two attempt to right their high school's social wrongs and end up on a killing spree.
Released on the cusp of the 1980s, the film feels strikingly prescient and more disturbing than ever today.
from the moment it begins with the three heathers playing croquet, you know that you will be in for an odd, cruel, and un-john hughes alike teen film. It's black as coal, and as sour as lemons. Although Christian Slater is jack nicholson with a facelift, it's still the most memorable performance in the movie. And winona ryder is also appealing as the lost and complex veronica. Some fantastically witty lines, humurously sick set pieces, and some truly great/cack 80's music make this a classic, more of a classic cult movie.
Você sabia?
- CuriosidadesOriginally, the book that suicidal students supposedly underline "meaningful" passages from was "The Catcher in the Rye." The producers could not get permission from J.D. Salinger to use the book. It was changed to "Moby Dick" because Herman Melville's works are in the public domain.
- Erros de gravaçãoMoby Dick does not contain the word "Eskimo" in that spelling, but does contain "Esquimaux" which is the French Canadian spelling.
- Citações
Heather Chandler: Well, fuck me gently with a chainsaw. Do I look like Mother Teresa? If I did, I probably wouldn't mind talking to the geek squad!
- ConexõesFeatured in Siskel & Ebert & the Movies: Breakthrough Stars of 1991 (1991)
- Trilhas sonorasQue Sera, Sera
Written by Jay Livingston & Ray Evans
Published by Jay Livingston Music - St. Angelo Music
Performed by Syd Straw
Arranged by Van Dyke Parks
Principais escolhas
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- How long is Heathers?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Jóvenes asesinos: atracción letal
- Locações de filme
- Verdugo Hills High School - 10625 Plainview Avenue, Tujunga, Los Angeles, Califórnia, EUA(Westerburg High School, Sherwood, Ohio)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.108.462
- Fim de semana de estreia nos EUA e Canadá
- US$ 177.247
- 2 de abr. de 1989
- Faturamento bruto mundial
- US$ 1.168.250
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