Atração Mortal

Ahhh... the late 80's. When shoulder pads were still in fashion, Winona Ryder hadn't yet been arrested for shoplifting and teen movies didn't solely feature recycled actors.

When teen genius Veronica Sawyer (Ryder) gets bored with the shallow and cliquey lifestyle of the three Heathers; her new-found high school chums, she wishes them dead. She never expects it to happen, but this all changes when she meets Jason 'JD' Dean (Christian Slater), a cool, darkly-dressed rebel who moves around the US randomly with his distant tycoon father.

From the iconic opening sequence to the explosive ending, every scene is darkly comic and dripping with irony. It almost looks over-rehearsed as nearly every actor's performance is flawless. Ryder in particular shines with her angst-ridden 'Dear Diary' entries, and Slater I don't believe has ever again encapsulated such a perfect role in his career to date.

The queen Heather (Kim Walker) really deserved more screen-time. She perfectly represents the bitchy, sneering, self-obsessed High School teen. She even manages to convey vulnerability after uttering the immortal line 'Well f/ck me gently with a chainsaw.' Shannen Doherty starts off with what seems a minor part which gradually builds and lets her have fun with the role. The only disappointing Heather is Lisanne Falk, with whom we don't really connect or care about.

It's hard to find anything to pick on with this movie, but it could have used some smoother editing. The scenes cut to actors in different lighting and obvious passages of time to deliver major lines, and correct me if I'm wrong but I don't think corpses should breathe.

The humour is dark and the plot unbelievable at times, but this only adds to the surreal atmosphere and unforgettable lines. A sexy cast, a great script and director Michael Lehmann's vision makes this a must-see film and a worthy addition to any DVD collection. If you haven't yet witnessed the brilliance of Heathers, rectify this now.

I can recall only a few times that movies have genuinely shocked me, not with a plot twist in a mystery or thriller, but with pure audacious, in-your-face moments. Those moments make an impact. They don't bruise; they scar. They brand an image or a quote into my memory that rests there forever. Heathers delivers a handful of these moments within its first 20 minutes. You can attempt to describe this movie anyway that you like, be it satirical, provocative, hilarious, wild, etc. One thing is certain about Heathers, you will not forget it.

Heathers is a disturbingly dark comedy dripping with hyperbolic satire about high school life. Every character is exaggerated. The kids are either sadistic or secretly psychotic or both. All the adults are clueless, so of course they handle each conflict with incompetence. Yet somehow the plot makes the characters appear by comparison, which is say that things get pretty crazy.

This drastically sensationalized world of high school (littered with great quotes) makes Heathers a genre-defying classic.

Boldly exploring the world of teen social life in a way for more daring and original than "16 Candles" or "The Breakfast Club" (oh, these kids are more than just their stereotypes? I never knew), Heathers takes us behind the scenes of the most popular clique in school, called the Heathers. The three founding members, all named Heather, insist on referring to each other by first name only which creates some cute confusion in the opening minutes. The film takes an abrupt dark turn shortly afterward.

The leader, Heather Chandler, needs only to utter a few sentences to reveal herself as one of the most shockingly cruel and timelessly quotable teen characters in cinema history. So shocking are her lines that they still drop jaws in 2016. I wouldn't dare spoil the great quotes from Heather or the ones from Heather or any quotes for that matter, but suffice it to say that you will never think about mineral water, brain tumors or chainsaws the same way again.

As we witness the appalling ways of Heather as she mentally mutilates the less popular, we also observe the apathy with which her actions are met. Only Veronica seems phased by how her best friend (who she hates) treats people. Since she's the only sensible character in the movie, Veronica comes up with the only sensible way to solve the Heather problem: kill her. "Accidents" ensue leading to a perceived suicide epidemic throughout the city. In death, the tormentors become martyrs celebrated for the giving lives they did not actually lead. Despite the phony praise passed onto the dead, virtually everyone's reactions to the suicides are laughably deadpan or selfish. Some seek attention by accepting blame. Others worry only about canceling school. The school's lower class students notice the glorification of suicide and view it as their best chance at popularity.

The comical take on murder/suicide is dicey. But viewers should understand it as an attempt to mock the allure some bestow on suicide. Even if this bold effort ruffles some feathers, the film presents a moral statement: all people should be treated with decency.

I first saw "Heathers" when it was first released in 1989 and to this day I remember most of the lines and scenes which cause me to laugh at all the wrong times.

I went to see the film because the hot actor of the time was Winona Ryder and I was in love with her after seeing her in "Lucas" and "Beetlejuice" and "1969". In each movie she played a version of a Goth chick - very smart, very pretty, but with a monotone delivery and moody attitude.

I also wanted to catch Christian Slater. I remembered him from his role as Binx in "The Legend of Billie Jean" and in the film "Tucker: The Man and His Dream"

"Heathers" is great satire of teen life back in the 1980's. It picks apart every teen angst and cliche and spins it in a goofy plot of rebellion and revenge gone amuck.

Ryder, playing Veronica, is on the fringe of the popular clic run by 3 girls names Heather. Each Heather is abusive, dumb, and pretty. For any teen who wanted to fit in the popular crowd but couldn't make it completely will identify with Veronica.

She meets a new student, J.D., played by Slater who is the complete opposite of the popular crowd. He wants nothing to do with them or the school. Veronica finds this interesting and soon she falls under the expert manipulation of J.D. Due to what starts as an accidental death, the two start a chain of events that looks like a teen suicide epidemic that was the common fear of adults back then.

Slater steals the movie from Ryder with his sly Jack Nicholson line delivery and James Dean attitude. Ryder is good but she can't stop Slater from chewing up the scenes.

The adults in the movie are classic clueless parental units that teen movies seem to always need. The best one is the guidance counselor that says "Whether or not a teenager decides to kill themselves is the biggest decision of their life. "

Watching this movie I kept saying to myself "They just did not do that?" or "They just did not say that?" I never laughed so hard in my life at that time.

A special treat was the Heather played by Shannen Doherty. Besides Ryder and Slater, she was the only other actor that I knew (except for Patrick Labyorteaux, who played the jock "Ram" who can now be seen on JAG as Ens. Roberts). Before Heathers, Shannen had played good girl roles and had just ended a series called "Our House" where she wanted to become a pilot. Her role became more interesting after finding out she turned out like her "Heather" character in real life.

The only thing that bothers me about this film today is that it could never be made today. The suicide epidemics (that still happen from time to time) has been replaced by killing one's classmates at school. I just don't think the studios would have the guts to film a satire like "Heathers" today.

As a side note: I read some of the previous comments from users who have only seen this movie on TV. All I can say is see the uncut version either on a movie channel or rent the DVD. The language and satire will only work in its uncensored format.

from the moment it begins with the three heathers playing croquet, you know that you will be in for an odd, cruel, and un-john hughes alike teen film. It's black as coal, and as sour as lemons. Although Christian Slater is jack nicholson with a facelift, it's still the most memorable performance in the movie. And winona ryder is also appealing as the lost and complex veronica. Some fantastically witty lines, humurously sick set pieces, and some truly great/cack 80's music make this a classic, more of a classic cult movie.

With Heathers, director Lehmann has done more than create a movie. He has successfully created an escape for any student not deemed popular by their local school scene. Although the clothes and hair can be linked to a certain era in history, the truths explored within 'Heathers' are universal, and transcend time. A film that treats high school students as capable, intelligent beings who recognize a copy of 'The Bell Jar' lying on the ground in the same breath it treats them as moronic jocks who think with their . well not their brains, is destined for controversy. If controversy was what Lehmann and writer Daniel Waters were looking for, they found it in spades. Not only was it unconventional, showing the demise of the 'popular' kids, but it dealt with teen suicide in a comical way. Not something America was ready for at the time of release, causing many problems initially with simply getting the film shown in theaters. Luckily it has found its niche market now, and is now starting to be recognized as the powerful film that it is. Almost any store rents this movie, so there's no excuse for you to not watch it. Next time you're at the store pick this one off the shelf and give it a spin, even if you don't understand it fully you will be treated to a fantasy that almost every 'unpopular' kid has had at one time. Rating: 33/40