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Adicionar um enredo no seu idiomaA paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to ja... Ler tudoA paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to jail him.A paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to jail him.
Benjamin Rayson
- Henry Solomon
- (as Ben Rayson)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The usual suspects support Peter Falk and Emily Lloyd in Susan Seidelman's mob comedy. He's coming out of prison after thirteen years and wants his money from Michael Gazzo. She's his illegitimate daughter by Dianne Wiest, a street kid and "famous screwup" who winds up driving for him. Gazzo has no intention of paying him, of course. In fact, Falk is so annoying that Gazzo wants him dead, and with guys like these, the wish is usually father to the deed.
After all ll the Mafia movies of the 1970s came the inevitable reaction in the late 1980s of mob comedies, and this is one of the best of them. Sociologically, these films marked the middle of the Mafia's decline. It seemed every mook flipped for witness protection and a book deal. Newer, more violent gangs were taking over the drug trade, Off Track Betting gutted the bookies, and Waste Management took over garbage collection. Organized Crime was still feared, and the legend persists, but the grandsons of capos now largely run legitimate businesses; they've assimilated.
Jerry Lewis has a sizable role, and Lionel Stander is on view as an aging capo di tutto capi, as are Brenda Vacarro, Adrian Pasdar, and lots of shots of grungy outer boroughs and Atlantic City.
After all ll the Mafia movies of the 1970s came the inevitable reaction in the late 1980s of mob comedies, and this is one of the best of them. Sociologically, these films marked the middle of the Mafia's decline. It seemed every mook flipped for witness protection and a book deal. Newer, more violent gangs were taking over the drug trade, Off Track Betting gutted the bookies, and Waste Management took over garbage collection. Organized Crime was still feared, and the legend persists, but the grandsons of capos now largely run legitimate businesses; they've assimilated.
Jerry Lewis has a sizable role, and Lionel Stander is on view as an aging capo di tutto capi, as are Brenda Vacarro, Adrian Pasdar, and lots of shots of grungy outer boroughs and Atlantic City.
It was planned as a feel good movie like 'Desperately Seeking Susan' but in fact it is unfortunately only goofy and boring. I don't know why such a accomplished writer like Nora Ephron had written such a bad screenplay and the poor actors and actresses like Ricki Lake, Dianne Wiest, Peter Falk, Brenda Vaccaro, Lionel Stander or Jerry Lewis have had no chance to show their talents. And poor Emily Lloyd. I think it costs her a lot of sympathy in Hollywood and have had prevented to become such a big star like Gwyneth Paltrow or Winona Ryder in the USA.
The movie starts with Carmela 'Cookie' Voltecki (Emily Lloyd) mourning at the funeral of Dominick Capisco (Peter Falk) and then it flashbacks a few months earlier. Cookie is a wild rebellious teen. Her mother Lenore (Dianne Wiest) is the secret mistress of imprisoned gangster and her father Dominick Capisco. He's getting paroled and forces Cookie to get a mob job. She eventually becomes his driver. Bunny (Brenda Vaccaro) is his unhappily mob-marriage wife. He wants his money and get out of the business but his partner Carmine (Michael V. Gazzo) has squeezed him out. U.S. Attorney Richie Segretto (Bob Gunton) has set his sights on Dominick mistakenly assumes him to have returned as a mob boss.
This is directed by Susan Seidelman and written by Nora Ephron and Alice Arlen. This female group has created a mob movie with a few quirks, little tension and even fewer surprises. It's led by two mannered performances from rebellious Emily Lloyd and old tough guy Peter Falk. I like both actors but the movie is rather forgettable. It's not as quirky or funny as it thinks it is. The writing really doesn't have an edge. It has a few action scenes but the intensity is not terribly high. There are better mob comedies elsewhere.
This is directed by Susan Seidelman and written by Nora Ephron and Alice Arlen. This female group has created a mob movie with a few quirks, little tension and even fewer surprises. It's led by two mannered performances from rebellious Emily Lloyd and old tough guy Peter Falk. I like both actors but the movie is rather forgettable. It's not as quirky or funny as it thinks it is. The writing really doesn't have an edge. It has a few action scenes but the intensity is not terribly high. There are better mob comedies elsewhere.
I just Today Saw This movie on Sunday Matanee. It Was as Previously stated Funny, It had some great humor and was not as boring as The previous review I read said it was.I actually Enjoyed this movie. Please If ya have a chance Watch it and give it a chance it is NOT THAT BAD
I saw this movie in its original theatrical release in 1989.
The US Attorney, 'Richie Sembretto', was played by Bob Gunton, who was just fresh from his Broadway success as Juan Peron in Evita.
In the movie, I noticed Gunton's hairstyle - a really bad combover (which I noticed because Gunton had a full of hair, then as now).
Being a regular reader and watcher of news, I recognized the real-life basis for this character: the then-US Attorney for the Southern District of New York, Rudolph Giuliani, who had funny hair even then.
Also, "Sembretti" was a full-out publicity hound, as was his prototype Giuliani - it was unmistakable.
In '89, this went unnoticed by most critics (at least those outside NYC).
I was just wondering whether anybody who sees this in 2020 might pick up on what I'm talking about here ...
By the bye - I kinda liked the movie ...
By the bye - I kinda liked the movie ...
Você sabia?
- CuriosidadesLenore's apartment scenes were filmed in Sunnyside, NY. The apartment was converted from a existing dental office. The dentist was paid a hefty price for the use of his office for a one month period. When the filming was over the distraught dentist claimed damages and said it wasn't worth the price to close his practice for the filming.
- Erros de gravaçãoThe briefcase Cookie is to deliver to Atlantic City is supposed to contain $2,000,000. That would require 20,000 $100 bills that would weigh 20,000 grams, or just over 44 pounds (~20 kg). It is clearly lighter than that and is too small to contain 200 packs of 100 x $100 bills.
- Citações
Dominick 'Dino' Capisco: Take the gum out of your mouth when you're talking to me. You look like a hooker.
- Cenas durante ou pós-créditosMajor sections of the closing credits are each headed by graphic icons for the respective departments.
- Trilhas sonorasVesti la giubba
(from opera "Pagliacci")
Performed by Mario Del Monaco
Composed by Ruggero Leoncavallo (uncredited)
Courtesy of London Records
(A Division of PylyGram Classics, Inc.)
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- How long is Cookie?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.869.417
- Fim de semana de estreia nos EUA e Canadá
- US$ 292.483
- 27 de ago. de 1989
- Faturamento bruto mundial
- US$ 1.869.417
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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