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5,4/10
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Adicionar um enredo no seu idiomaA paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to ja... Ler tudoA paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to jail him.A paroled labor racketeer attempts to connect with his rebellious teenage daughter. Meanwhile, his deceitful former partner wants to kill him and a politically ambitious attorney wants to jail him.
Benjamin Rayson
- Henry Solomon
- (as Ben Rayson)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
The title role of Cookie is played by Emily Lloyd and she's showing signs of following in the footsteps of dear old dad Peter Falk who is just finishing a dozen
years in prison for labor racketeering. He's got a parole coming up and hopefully
Lloyd's juvenile antics won't screw up his parole.
Cookie follows the plot premise of Angels With Dirty Faces where Rocky Sullivan takes a fall for the other guys does a stretch and now wants to move back in. And just like that there are an array of people who don't want him back and a US Attorney Bob Gunton who'd like to send Falk back to the joint.
I have to say I didn't find this as funny as I should have given the cast. I would have expected more from a cast that included Michael V. Gazzo, Lionel Stander, and Jerry Lewis. I should exempt Lewis somewhat, he has a straight dramatic role and does well in it. But it was like I was waiting for Jerry's shtick.
The women do well, besides Lloyd, Falk is torn between two women. Mistress Dianne Weist who is Lloyd's mom and his mafia daughter wife Brenda Vaccaro. Brenda's the best one in the film.
Fans of the players should be happy though.
Cookie follows the plot premise of Angels With Dirty Faces where Rocky Sullivan takes a fall for the other guys does a stretch and now wants to move back in. And just like that there are an array of people who don't want him back and a US Attorney Bob Gunton who'd like to send Falk back to the joint.
I have to say I didn't find this as funny as I should have given the cast. I would have expected more from a cast that included Michael V. Gazzo, Lionel Stander, and Jerry Lewis. I should exempt Lewis somewhat, he has a straight dramatic role and does well in it. But it was like I was waiting for Jerry's shtick.
The women do well, besides Lloyd, Falk is torn between two women. Mistress Dianne Weist who is Lloyd's mom and his mafia daughter wife Brenda Vaccaro. Brenda's the best one in the film.
Fans of the players should be happy though.
The usual suspects support Peter Falk and Emily Lloyd in Susan Seidelman's mob comedy. He's coming out of prison after thirteen years and wants his money from Michael Gazzo. She's his illegitimate daughter by Dianne Wiest, a street kid and "famous screwup" who winds up driving for him. Gazzo has no intention of paying him, of course. In fact, Falk is so annoying that Gazzo wants him dead, and with guys like these, the wish is usually father to the deed.
After all ll the Mafia movies of the 1970s came the inevitable reaction in the late 1980s of mob comedies, and this is one of the best of them. Sociologically, these films marked the middle of the Mafia's decline. It seemed every mook flipped for witness protection and a book deal. Newer, more violent gangs were taking over the drug trade, Off Track Betting gutted the bookies, and Waste Management took over garbage collection. Organized Crime was still feared, and the legend persists, but the grandsons of capos now largely run legitimate businesses; they've assimilated.
Jerry Lewis has a sizable role, and Lionel Stander is on view as an aging capo di tutto capi, as are Brenda Vacarro, Adrian Pasdar, and lots of shots of grungy outer boroughs and Atlantic City.
After all ll the Mafia movies of the 1970s came the inevitable reaction in the late 1980s of mob comedies, and this is one of the best of them. Sociologically, these films marked the middle of the Mafia's decline. It seemed every mook flipped for witness protection and a book deal. Newer, more violent gangs were taking over the drug trade, Off Track Betting gutted the bookies, and Waste Management took over garbage collection. Organized Crime was still feared, and the legend persists, but the grandsons of capos now largely run legitimate businesses; they've assimilated.
Jerry Lewis has a sizable role, and Lionel Stander is on view as an aging capo di tutto capi, as are Brenda Vacarro, Adrian Pasdar, and lots of shots of grungy outer boroughs and Atlantic City.
This was about a godfather type mafioso (Peter Falk) that was just released after spending 19 years in prison. He makes up with his daughter (Emily Lloyd) and together they pull a real caper on the other head of the crime family, in addition to doing a con job on the local DA to help him snuff out the other family head. A very funny movie. It was good to see Peter Falk in a part where he was the criminal instead of the detective. Bob Gunton, who played the warden in the Shawshank Redemption is the DA. Also watch for Jerry Lewis.
If you have ever watched any of the dozens of writer/director/producer John Hughes 1980's classic teen Rom/Com films than you will surely notice the failed attempt of this 1986 film title Cookie lackluster production quality and choice of actors in attempting to copy the more successful John Hughes Rom/Com style of film.
The entire cast of the film Cookie failed miserably especially the lead actor Emily Lloyd who was supposed to be playing the troubled teenage illegitimate daughter Carmela 'Cookie' Voltecki of the former mafioso boss Dominick Capisco (Peter Falk) who was just released from prison after serving a thirteen (13) year stint.
The combination of Emily Lloyd's being cast as the illegitimate daughter of an Italian mob boss played by Peter Falk neither of which have any Italian heritage but eh the director Susan Seidelman is no Francis Ford Coppola, or Martin Scorsese either, so why expect any casting realism in this cheap knock off of the successful John Hughes filmography.
The music score also reminded me of a John Hughes type film, and after you see the way Emily Lloyd is dressed throughout the film you will surely be reminded of the earlier 1986 film Pretty In Pink starring Molly Ringwald with her funky attire which was more than a minor faux pas and cheap attempt at copying the similar costume effect delivered by John Hughes
In summary, although this 1989 film Cookie was a disappointment for me it was an indirect great tribute to the late great writer/director/producer John Hughes by the failed attempt to copy his film style of a Rom/Com film.....sorry but director Susan Seidelman just isn't cut out for directing major films. Oh wait a minute, that's why she has been focused lately on TV productions.
I give it a 5 out of 10 IMDB rating
The entire cast of the film Cookie failed miserably especially the lead actor Emily Lloyd who was supposed to be playing the troubled teenage illegitimate daughter Carmela 'Cookie' Voltecki of the former mafioso boss Dominick Capisco (Peter Falk) who was just released from prison after serving a thirteen (13) year stint.
The combination of Emily Lloyd's being cast as the illegitimate daughter of an Italian mob boss played by Peter Falk neither of which have any Italian heritage but eh the director Susan Seidelman is no Francis Ford Coppola, or Martin Scorsese either, so why expect any casting realism in this cheap knock off of the successful John Hughes filmography.
The music score also reminded me of a John Hughes type film, and after you see the way Emily Lloyd is dressed throughout the film you will surely be reminded of the earlier 1986 film Pretty In Pink starring Molly Ringwald with her funky attire which was more than a minor faux pas and cheap attempt at copying the similar costume effect delivered by John Hughes
In summary, although this 1989 film Cookie was a disappointment for me it was an indirect great tribute to the late great writer/director/producer John Hughes by the failed attempt to copy his film style of a Rom/Com film.....sorry but director Susan Seidelman just isn't cut out for directing major films. Oh wait a minute, that's why she has been focused lately on TV productions.
I give it a 5 out of 10 IMDB rating
The movie starts with Carmela 'Cookie' Voltecki (Emily Lloyd) mourning at the funeral of Dominick Capisco (Peter Falk) and then it flashbacks a few months earlier. Cookie is a wild rebellious teen. Her mother Lenore (Dianne Wiest) is the secret mistress of imprisoned gangster and her father Dominick Capisco. He's getting paroled and forces Cookie to get a mob job. She eventually becomes his driver. Bunny (Brenda Vaccaro) is his unhappily mob-marriage wife. He wants his money and get out of the business but his partner Carmine (Michael V. Gazzo) has squeezed him out. U.S. Attorney Richie Segretto (Bob Gunton) has set his sights on Dominick mistakenly assumes him to have returned as a mob boss.
This is directed by Susan Seidelman and written by Nora Ephron and Alice Arlen. This female group has created a mob movie with a few quirks, little tension and even fewer surprises. It's led by two mannered performances from rebellious Emily Lloyd and old tough guy Peter Falk. I like both actors but the movie is rather forgettable. It's not as quirky or funny as it thinks it is. The writing really doesn't have an edge. It has a few action scenes but the intensity is not terribly high. There are better mob comedies elsewhere.
This is directed by Susan Seidelman and written by Nora Ephron and Alice Arlen. This female group has created a mob movie with a few quirks, little tension and even fewer surprises. It's led by two mannered performances from rebellious Emily Lloyd and old tough guy Peter Falk. I like both actors but the movie is rather forgettable. It's not as quirky or funny as it thinks it is. The writing really doesn't have an edge. It has a few action scenes but the intensity is not terribly high. There are better mob comedies elsewhere.
Você sabia?
- CuriosidadesLenore's apartment scenes were filmed in Sunnyside, NY. The apartment was converted from a existing dental office. The dentist was paid a hefty price for the use of his office for a one month period. When the filming was over the distraught dentist claimed damages and said it wasn't worth the price to close his practice for the filming.
- Erros de gravaçãoThe briefcase Cookie is to deliver to Atlantic City is supposed to contain $2,000,000. That would require 20,000 $100 bills that would weigh 20,000 grams, or just over 44 pounds (~20 kg). It is clearly lighter than that and is too small to contain 200 packs of 100 x $100 bills.
- Citações
Dominick 'Dino' Capisco: Take the gum out of your mouth when you're talking to me. You look like a hooker.
- Cenas durante ou pós-créditosMajor sections of the closing credits are each headed by graphic icons for the respective departments.
- Trilhas sonorasVesti la giubba
(from opera "Pagliacci")
Performed by Mario Del Monaco
Composed by Ruggero Leoncavallo (uncredited)
Courtesy of London Records
(A Division of PylyGram Classics, Inc.)
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- How long is Cookie?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 1.869.417
- Fim de semana de estreia nos EUA e Canadá
- US$ 292.483
- 27 de ago. de 1989
- Faturamento bruto mundial
- US$ 1.869.417
- Tempo de duração1 hora 34 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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