Columbo Vai para a Guilhotina

This is not the first time Columbo has entered the world of magic and illusion in the course of his investigations; it is an ideal setting for murder, with its built-in "things are not what they seem to be" theme. This movie, however, goes into greater detail exploring the mechanics of trickery, and adds in the richer theme of (supposed) paranormal phenomena to make things more confusing. A renowned magician and debunker of fake mystics (perhaps modelled somewhat on James Randi) declares that a celebrated young psychic is the genuine article, and has actually succeeded in passing rigorous laboratory tests to prove his psychic ability. In fact, the psychic is a fake, as the magician is fully aware, but a combination of guilt and sentiment over some shared history between the two men leads him to cover up for the young man, who takes advantage of this weakness to kill him. Columbo must not only work his way through the tricky surfaces presented by professional magicians, he has to also deal with a murderer who has been authoritatively declared a genuine psychic by the victim. The most useful advice he gets comes from a rather snotty little boy who is a magic buff and tells him "It's a trick. You start out knowing it's a trick, and then you figure out how to do it." Watching Columbo learn how to duplicate the apparently mystical feats of his opponent is highly enjoyable.