AVALIAÇÃO DA IMDb
6,3/10
2,9 mil
SUA AVALIAÇÃO
Quando um garotinho testemunha um assassinato da máfia, ele é sequestrado por dois assassinos profissionais que não são o que parecem.Quando um garotinho testemunha um assassinato da máfia, ele é sequestrado por dois assassinos profissionais que não são o que parecem.Quando um garotinho testemunha um assassinato da máfia, ele é sequestrado por dois assassinos profissionais que não são o que parecem.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 indicação no total
Avaliações em destaque
This was the film that first marked out for me the name Eric Red as one to watch.Not only a tense,character-driven thriller,but a wonderful ensemble piece to boot,with Alec Baldwin (not a name I knew,but one I've looked out for since) and Roy Scheider (working for that rarity:A filmmaker who understands his strengths and plays to them) providing perfect foils to one another-slipping from comedy to edgy tension and back again without breaking sweat. Don't bother with it if you're after cheap thrills n' spills-give it a try and think of the road movie Hitchcock might have made...
Harley Cross does fine work here as Travis Knight. Travis and his family were living out in the middle of nowhere in the witness protection program until their temporary hideout is infiltrated by gangsters. Travis is not only the sole survivor of the massacre, but also the only one who can identify the perpetrators. Two hit men known only as Cohen (Roy Scheider) and Tate (Adam Baldwin) are hired to kidnap the boy and drive him to their boss.
But, they're not dealing with just some kid. Travis actually turns out to be rather clever in what may seem like a helpless situation, figuring out Cohen and Tate's psychological weaknesses (Cohen is a by-the-book-no-questions-asked hit men while Tate takes pride in tormenting the smart-mouthed kid) and using it against them to protect himself.
It is a very simple film done quite well because it entirely character-driven. Surprisingly, it is quite a good thriller, despite the usual story of the hired hand and the mafia witnesses with great performances all around.
But, they're not dealing with just some kid. Travis actually turns out to be rather clever in what may seem like a helpless situation, figuring out Cohen and Tate's psychological weaknesses (Cohen is a by-the-book-no-questions-asked hit men while Tate takes pride in tormenting the smart-mouthed kid) and using it against them to protect himself.
It is a very simple film done quite well because it entirely character-driven. Surprisingly, it is quite a good thriller, despite the usual story of the hired hand and the mafia witnesses with great performances all around.
10davidddt
I cannot understand why this movie has not been given better reviews. One of those films which surprises you with its originality and which having seen it you cannot understand why it has not been given more screen time.
Brilliant professional acting between Baldwin and Scheider keeps you guessing till the end as to who is going to win the battle of wills between the two men and the boy. A terrific black comedy of errors which makes you feel almost sorry for the two hit men. It would be a mistake not to watch this movie simply because you have read the bad reviews of it on this site.
It deserves to be released worldwide on DVD.
Brilliant professional acting between Baldwin and Scheider keeps you guessing till the end as to who is going to win the battle of wills between the two men and the boy. A terrific black comedy of errors which makes you feel almost sorry for the two hit men. It would be a mistake not to watch this movie simply because you have read the bad reviews of it on this site.
It deserves to be released worldwide on DVD.
This is a little known thriller from the guy who wrote the screenplay for The Hitcher. Like that film, this one is a road movie.
Plot: two hit men rub out some mob witnesses but have to contend with a survivor, a plucky little kid.
Roy Scheider's performance as Cohen, the sleek professional hit-man is wonderful. When he slips on what looks like a pair of black rubber gloves at the start of the film, it somehow says almost all you need to know about him.
Adam Baldwin is equally impressive as the less slick and much less professional killer, the ominously psychopathic Tate, who likes to run over small animals while he drives...
This film is extremely tense in spots. And if you're a fan of films that end with a bang, you should enjoy the climactic confrontation between the cops, the killers, and that damned little kid! This might be Roy Scheider's last great role.
Plot: two hit men rub out some mob witnesses but have to contend with a survivor, a plucky little kid.
Roy Scheider's performance as Cohen, the sleek professional hit-man is wonderful. When he slips on what looks like a pair of black rubber gloves at the start of the film, it somehow says almost all you need to know about him.
Adam Baldwin is equally impressive as the less slick and much less professional killer, the ominously psychopathic Tate, who likes to run over small animals while he drives...
This film is extremely tense in spots. And if you're a fan of films that end with a bang, you should enjoy the climactic confrontation between the cops, the killers, and that damned little kid! This might be Roy Scheider's last great role.
I don't know what it is I liked about this movie but I found it to be one of the movies that I laugh at for unknown reasons, I thought it was great and have seen it at least 10 times, probably more, it is most certainly worth watching at least once.
Você sabia?
- CuriosidadesThe police cruisers seen during the finale were real Houston Police squad cars. Ford LTD Crown Victorias were used by HPD from 1983 - 1987; the last use of these squads was in 1993.
- Erros de gravaçãoDuring the nighttime driving scenes, many round white glares from freeway lights are visible through the side windows of Cohen and Tate's car. However, even though the vehicle is traveling at freeway speeds, these lights barely move.
- Versões alternativasSome versions of the film feature an opening crawl after the opening credits that offers some exposition before the first scene begins. It reads: "On November 1st, 1988, Travis Knight witnessed the murder of a Texas mobster. The FBI has his family in protective custody. The mob wants to talk to Travis and find out for themselves who did the shooting. They want to talk to him right now. Travis Knight is 9 years old." This crawl is missing from some television airings, as well as the recent on-demand DVD released by MGM. In its place are several (somewhat awkward) seconds of black screen where it would usually be before the first scene begins.
- ConexõesFeatured in A Look Back at 'Cohen & Tate' (2013)
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
- How long is Cohen and Tate?Fornecido pela Alexa
- What are the differences between the US TV Version and the Uncut Version?
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 64.227
- Fim de semana de estreia nos EUA e Canadá
- US$ 45.586
- 29 de jan. de 1989
- Faturamento bruto mundial
- US$ 64.227
- Tempo de duração1 hora 26 minutos
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
Principal brecha
By what name was Uma Criança por Testemunha (1988) officially released in India in English?
Responda