A Casa dos Relógios

Fulci made this for Italian television, however, it still has fair amounts of gore for tv. This one doesn't need gore though because it has a great story. It's about three "seedy" criminals who decide to knock off an old couple in a home invasion. Suddenly the clocks start to go backwards, so does the time, and sooner or later we see them back again... only the couple wasn't a nice old couple to begin with, they were pretty seedy also.

Come on, you can't really say this movie is lame. It has an original story and a surreal atmosphere for a start that give the movie an unsettling feel.

The story goes like this: 3 wannabe burglars break into an isolated villa and kill the occupants. The 2 elderly occupants are really sadistic killers and have quite a shock in store for the burglars. The old man with his collection of clocks turn back time and soon the burglars are running for their lives.

The acting isn't quite up to scratch and there is a cruel scene involving a cat that in my opinion makes the lead teens truly unlikeable.

Apart from that then you can look forward to a great setting and location. (The villa is lovely but appears dark and unsettling as soon as night falls.) Also on show is Fulci style gore. A maid is literally gutted when the elderly folks find out about her snooping around. You can give a hand to the poor teen thats just had hers stabbed! And, about a dozen shotgun blasts end up hitting everyone. I couldn't believe this was made for cable!

The movie doesn't intend to be amazing, yet the surreal story and the twisted ending notches it up considerably. Just give it a watch. You may be pleasantly surprised. 3 out of 5.

The only reason why this film is getting excellent review in most books is the fact that Lucio Fulci made it. If his name wasn't on it, everyone will hate it. The film is boring, flat, and low on any suspense. Don't get me wrong, I love his films, but this one is just plain dull. Two guys and a girl (one of them kills a cat) drives to a old couples home (the couple has their son & wife dead in the basement). The 2 guys and a girl kills the boring couple and their gardener (Al Cliver, who looks very ill in this film). Suddenly, the clock goes backwards and they are terrorized for an hour (more like the audience is terrorized!). Some gore might make some die hard fans happy, but this film is just flat. The photography is dark, and I could see why this film never got U.S. sales. I had to buy a Japanese video print just to see it, and it really wasn't worth the effort. Go and rent ZOMBIE (aka ZOMBIE 2) again!

After The New York Ripper in 1982, the quality of Fulci's efforts as a filmmaker drastically declined. The impenetrable dark atmosphere and genuine artistry of his previous films was definitely on the way out, as is evidenced by such unremarkable video fodder as "Daemonia", "The Ghosts of Sodom", and "The New Gladiators".

Not everything the man did after "Ripper" is entirely forgettable, however - 1983's "Conquest" retains a lot of Fulci's hyper-gory, atmospheric sensibilities, and is demented fun in it's own right. "The House of Clocks" is also a fairly accomplished piece of work, and is probably the best of his post-1982 films.

Originally made for Italian television as part of a horror series (ala Tales from the Crypt), but deemed to gory for release, "The House of Clocks" really works fairly well. It has moments of genuine creepiness; hints of the strong, evil atmosphere Fulci was so adept at creating pop up here and there. The film is quite interestingly lit (many of his later pictures have a similar, glowing-like look to them), and contains a few memorable characters - not the least of which being the demented, wizened old couple, who seem kind and hospitable one moment, and are disemboweling you with a large metal spike the next. Also, there are several moments of the kind of gut-spilling gore we've come to expect from Mr. Fulci, which is more than welcome. One of the reasons that many of his films succeed are the over-the-top, positively nightmarish gore scenes. Save for "Cat in the Brain" and "Touch of Death", many of Fulci's later-career efforts shy away from the excessive gore, which turns many of them into colossal bores. This is not the case with "House of Clocks" - while not nearly up to the violence level of "The Beyond" or "New York Ripper", there are enough violent murders and scattered entrails to please the average Fulci fan, and nauseate anyone else.

While many Fulci fans will simply overlook "The House of Clocks", being that not only was it made in Fulci's autumn years but also for television, this would be a mistake - "The House of Clocks" is well-worth seeing for any admirer of the work of Lucio Fulci. Others might wanna beware, though.

More engaging than I expected after watching the earlier Sodoma's Ghost but the whole thing is still a bit ridiculous. It was also made-for-tv and so that's not surprising. I really enjoyed the beginning where the rich, lavish lifestyle of the mansion owners was juxtaposed with the lives of the thieves. However, it began and to drag somewhere in the middle, and the ending just started to go over the top and became ridiculous. Overall not bad as long as you know what Fulci's 80s output is like.