Durante a Guerra do Vietnã, um soldado se vê como forasteiro de seu próprio esquadrão quando raptam sem necessidade uma mulher da aldeia.Durante a Guerra do Vietnã, um soldado se vê como forasteiro de seu próprio esquadrão quando raptam sem necessidade uma mulher da aldeia.Durante a Guerra do Vietnã, um soldado se vê como forasteiro de seu próprio esquadrão quando raptam sem necessidade uma mulher da aldeia.
- Prêmios
- 1 vitória e 5 indicações no total
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
"Casualties of War" (1989) separates itself from other Vietnam War movies by focusing on the incident at hand, including the build-up and aftermath. Its uniqueness is augmented by Brian De Palma's slightly off-kilter style. The picture balances the beauty of the location and the artistry of Brian De Palma's filmmaking with the horror and ugliness of war & rape.
It's also realistic and compelling while simultaneously being mundane, which is why some viewers might find it boring. In other words, this is more of a gut-wrenching war drama with some action than a typical war flick with explosions and action thrills galore. It fairly closely follows the real story; Google Incident on Hill 192 for details.
The movie runs 1 hour, 59 minutes, with the original Theatrical Cut being 6 minutes shorter. It was shot in Phang Nga, Kanchanaburi & Phuket, Thailand, and Dolores Park, San Francisco, California.
GRADE: A-/B+
Films like this can hardly be enjoyed, but CASUALTIES OF WAR proves to be unmissable entertainment and one of the harshest war stories out there; also, one of the best. It's a bit like watching a film of a train wreck, where you can't tear yourself away from what's happening and what you know is going to happen. The tragic, soul-searing story is one of the most moving I've ever seen.
A film like this needs a great director to tell it, and de Palma is that director. He wisely lets the story tell itself for the most part, but he can't resist incorporating a couple of flourishes (like the POV sequence) that remind us of his skill as an auteur. The cast is great, too, particularly the newbie actors (John C. Reilly and John Leguizano) playing soldiers and Sean Penn as the hateful sergeant. Understandably, Thuy Thu Le has the toughest role, and it's one she walks away from with her head held high; if ever an actress deserved an Oscar nod, it's her.
Aspect ratio: 2.39:1 (Panavision)
Sound format: 6-track Dolby Stereo
(35mm and 70mm release prints)
During a routine field trip at the height of the Vietnam War, a young soldier (Michael J. Fox) rebels against his commanding officer (Sean Penn) and other members of his patrol when they kidnap a defenceless Vietnamese girl (Thuy Thu Le) and subject her to a terrifying physical ordeal.
Unfairly overshadowed by the simultaneous theatrical release of Oliver Stone's pompous - but still impressive - BORN ON THE FOURTH OF JULY (1989), Brian DePalma's CASUALTIES OF WAR recreates a harrowing incident from the Vietnam conflict - first reported in 'New Yorker' magazine in 1969 - in which a group of otherwise decent men succumbed to their own worst impulses and committed a terrible crime. Filmed with typical cinematic bravado by master craftsman DePalma, the movie uses every inch of the scope frame to convey both the duality of the landscape (vast swathes of breathtaking countryside, where sudden death lurks around every corner) and the moral vacuum which stretches the two central characters (Fox and Penn) to breaking point. Crafted with blistering simplicity by screenwriter David Rabe (himself a Vietnam veteran and author of the acclaimed stageplay 'Streamers'), the soldiers are depicted as brave individuals whose principles are shattered by their traumatic combat experiences, leaving Fox to essay the role of peacemaker in a world where all the rules have been turned upside down. Thuy - a model with no prior acting experience - is truly heartbreaking as the soldiers' terrified prisoner, and her ultimate fate is so horrific (arguably the most disturbing set-piece of this director's entire career), many viewers will be too appalled to see the film through to its inevitable conclusion. All in all, this uncompromising drama emerges as one of DePalma's strongest films to date.
Fox is excellent as the naive but ethical young man exposed to a "Nobody cares" atmosphere in the midst of war. The film not only shows what can happen to human beings when they let go of any sense of conscience, but it is also a metaphor of the amoral mentality that was behind the Viet Nam conflict and its aftermath.
The struggle depicted here is between going along with the group or maintaining one's own integrity. Are there rules of war? Are there rules of living? These are the profound questions which underlie the action in this disturbing film.
The good. Excellent score. Once past the intro, powerful mood. Riveting story. Well built scenario, very logical and nicely paced. Emotionally disturbing.
The actors. Michael J. Fox and Sean Penn are just perfect as antagonist. Don Harvey fits his crazy role very well. John C. Reilly plays the simpleton with convincing clarity. And I'll just mention in passing a good performance by Ving Rhames.
The bad. The initial jungle scenes lack realism, as well as some over-acting by the black guy in the first part.
The ugly. Nothing.
The result. An emotional and brutal movie. Not for the faint of heart.
Você sabia?
- CuriosidadesFor Michael J. Fox's shots, Sean Penn would be telling him that he was just a little television actor and nothing more, to get genuine reactions for director Brian De Palma.
- Erros de gravaçãoDuring the firefight on the bridge, after intense firing, one soldier reaches over to pull another soldier to get started down the bridge by grabbing the muzzle of his gun. That act would create severe burns on his palm.
- Citações
Eriksson: This goddamn thing is turning us on our heads, Rowan. We're getting it backwards, man.
Rowan: 'Cause it's a day in, day out dose of bullshit, man, is what it is!
Eriksson: I mean just because each of us might at any second, be blown away, everybody's acting like we can do anything, man. And it don't matter what we do. But I think it's the other way 'round. Maybe the main thing is just the opposite. Because we might be dead in the next split second, maybe we gotta be extra careful what we do. Because maybe it matters more - Jesus, maybe it matters more than we even know.
- Cenas durante ou pós-créditosA mid-credits update is presented on Hatcher, explaining that his conviction was overturned.
- Versões alternativasThe Extended Cut is 6 minutes longer than the original and contains 2 extra scenes.
- Trilhas sonorasEverybody Loves Somebody
Written by Irving Taylor & Ken Lane
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idiomas
- Também conhecido como
- Casualties of War
- Locações de filme
- Dolores Park, San Francisco, Califórnia, EUA(where Eriksson gets off the train at the end)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 22.500.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 18.671.317
- Fim de semana de estreia nos EUA e Canadá
- US$ 5.201.261
- 20 de ago. de 1989
- Faturamento bruto mundial
- US$ 18.671.317
- Tempo de duração
- 1 h 53 min(113 min)
- Cor
- Proporção
- 2.39 : 1