A Arena da Morte

This is much better that I thought would be. Whats more Lou Ferrigno is actually pretty good in this, not just at flexing his pecs but he puts in quite a touching performance as Billy. Billy saved his friends life and in that process took a gunshot wound to the head. Subsequantly he became mentally challenged and has the mind of a boy his friend who he saved now looks after Billy and they are the best of mates. The scene near the beginning set in the hospital as the two war heros recouperate is slightly on the homosexual side with so almost loving looks between the two guys, some holding of the hands and a vomitously sappy love song playing over the opening credits, this made me worry that the film would be cheesy than a truck load of stilton but it sorted itself out after that scene. These tournement based films were very common around this time with the likes of Van Damme breaking through to the likes of Don the Dragon, Billy Blanks and Gary Daniels also coming in further down the market. This is one of the better ones, with a good central relationship and also a good standard of fights although the direction from Lang Elliot is strictly routine. Anyway overall this is surprisingly worth a watch with Lou doing a surprisingly efficient acting job. Although why he sported such a dodgy hair cut throughout the 80's only Lou will know.

Cage is an entertaining action pic from the 80's.

The plot: Billy (Ferrigno) is a 'Nam vet who tragically gets shot in the head on a mission. He survives but now is mentally challenged. He goes through a lot of grueling physical therapy and eventually becomes a productive member of society. He only has one friend, fellow vet Scott Monroe (Brown). Then slimy gangsters show up. They kidnap and brainwash Billy to go into the dangerous world of cage fighting. Scott must rescue his friend by going into the ring himself.

Cage is the only movie that delves deep into the idea of "Retard Strength". This politically incorrect idea would never be made today. The fight sequences are brutal and predate UFC by decades. Cage was ahead of its time. Another movie of this ilk is called "Shootfighter" it stars Bolo Yeoung. Lou Ferrigno puts in a sensitive performance as exemplified in his first fight scene when he jovially introduces himself to his mean opponent, with the now-immortal line "Hi!, I'm Billy!" Billy doesn't want to fight and he is a sweet-natured man. But the gangsters attempt to corrupt him to be a fighting machine. Let's not forget about Reb Brown and his classic yell. (e.g. "Strike Commando" and every movie Brown has been in.) "Cage" apparently had so many fans clamoring for more "Cagey" goodness a sequel was thankfully released 5 years later! Comeuppance Review by: Ty & Brett For more insanity, check out: comeuppancereviews.com

Lou Ferrigno has done it all. He was The Hulk in the 70's, Hercules in the 80's, and a hulking cage fighter in "Cage". Put in a coma after Vietnam, Billy Thomas(Ferrigno) and his buddy, Scott Thomas(Reb Brown) are about to help run a bar in California. If you thought that war was traumatic, try an arson attack that killed the owner. The associates behind the attack gets Billy and have him trained to be a fighter against the reigning champion. Scott goes on every end to find Billy. Not only did he dethrone the champion, they would end up with the money to rebuild the bar. Lou Ferrigno did well with the research on behalf of the veterans who experience the trauma of war and recouping. But I do know that Ferrigno is deaf. Most people don't know that. A very good movie. A keeper! 4.5 out of 5 stars!

Lou Ferrigno at his BEST!

Cage was a movie that I have wanted to see for many years. Since I was 10 I have seen it at the video shop with its brutal looking cover. Last night I took the plunge back into the world of low budget video violent nastys.

Cage, however must rank as one of the most original movies I have ever seen. Film Snobs and pretentious Surrealists would never see it. Drama Buffs would avoid it like the plague and it will probably never be screened anywhere but the cheapest cable channel. That, however is the shame of the film world. This film has movie moments equal to any film (save Tarkovsky), It has some moments of totally original drama, brutal violence, extreme surrealism and a performance by Lou Ferrigno that renders him completely unrecognisable from all his other films and from himself in particular.

How is a film like this made. Who knows, who really knows. The only thing that I could think of is that the director and writer were trying to say certain things for themselves through a film genre which is completely alien to those types of sentiments.

The plot is a relatively simple one to pitch. Two friends are seperated by gangsters and one is forced to fight in an underground human cockfighting type of tournament. The other friend penetrates the underground world of gangs and violence to rescue him. Sounds familiar doesnt it, SOUNDS VERY FAMILIAR in fact. However from conception to filming a miracle of independent vision has taken place. From the use of music and lighting, to the acting and story devices and emphasis given to different motives in certain scenes. Cage has all the conviction of independent filmaking woithout any of the posturing and pretensions that "Label" independent movies have.

If you have any interest in where films can go. Watch "Cage". It is a sad, sad thought that in this age of independent filmaking we have become less imginative in where we go with the filsm we make. The more inventive the editing techniques, the more sophisticated the lighting and post production, the less original and full on films are becoming.

For not being like any movie I've seen before and taking me completely by suprise. I give Cage a 10.

Underground Idealism has another champion.