Bill & Ted: Uma Aventura Fantástica

Any idiot can sit down and spend four or seven years of his life writing out his "masterpiece." You do some research, you do some hard work, you get a little help from friends and family, and you get it done. But, it takes a true writing genius (or geniuses, in this case) to create something as original as "Bill & Ted's Excellent Adventure." The ingenuity of the movie can even be seen in its delightful tagline: "History is about to be re-written by two guys who can't spell." This tagline is both simple and clever, while being both corny and slightly comical. Like "Real Genius," this film utilizes ideas from both the highest form of screenwriting while still delving into the lowest common denominator, somehow doing both at the same time. For instance, to perfectly grasp the concept of Bill and Ted's "lingo," one would truly have to stoop to the lowest rung of the intelligence level. But, with such ingenius ideas as having Bill and Ted meet each other in the beginning of the film, then later finding themselves, allowing the audience to gain insight on what happened in the past is just a stroke of cinematic brilliance. And the running gag about "when the Mongols conquered China" was one of the many cherries on the cake. Even some of the background comments (after being told he's "too tall, man" making the phone booth even more crowded, Lincoln responds: "That's how I'm built.") Any movie where Genghis Kahn is tempted to come into a phone booth by a Twinkie has to be something special. If only production companies and filmmakers would take a chance on something as original as a time travelling phone booth carrying two idiots on the course to better the future, the public could finally go back to watching movies in theaters again.

If you weren't around in '89, when this became a surprise cultural phenomenon, well, you kinda had to be there. Looking back with critical eyes, it's a rather thin, desperately low-budget production that doesn't probe beyond the superficial layer and constantly winks and nudges the audience to ensure they know when to laugh. Yet, recognizing all that, I found myself wrapped up in its oddly naive warmth and charismatic magnetism. The jokes and gags are hammy and contrived, but I still snickered. The most memorable lines are clumsy and blunt, but I gladly recited them (surprising myself, as I hadn't seen the film in twenty-plus years). Bill and Ted themselves are the narrowest of stereotypes, basically the male equivalent of Frank Zappa's valley girls, yet I felt a rich tingle of satisfaction when they saved their academic careers. It's one of those films that defies logic, succeeding in spite of itself, and there's something of value in that.

Bill and Ted's Excellent Adventure was probably one of the most compelling films I've experienced since I first watched it. It has an idea only an indie director could possibly think of, but it avoids all of the campy expositions which would turn it into some bad "B" film. The story was great, and it was really one of the best depictions of high schools idiots in the history of Hollywood. I mean, you did not see these guys taking tokes or drinking in their spare time, which really vexed some people. They're just stupid for the sake of the story. While the technical aspects weren't special, they worked when they needed it. This film also had one of the best music soundtracks in the history of Hollywood, even if it was from the 1980s. Too many good things to say about this film besides the fact it is a film which doesn't take itself seriously.

Two high school friends must pass their final history assignment or face the end of their dreams of forming a rock band.

I saw this movie aged nine on its original release and thoroughly enjoyed it. I think my mind was blown by how cool it made the subject of history seem and how harmlessly likeable the main protagonists were. Unlike me, my parents, who are Baby-Boomer generation, sat through it with me and did not appreciate Bill and Ted's dumb valleys, surfer dude, stoner-like personalities. Much to their distain I rewatched it more than once.

I watched it yesterday, aged forty with my four yearly daughter and appreciate how it might have come across to my mother at the time. However, the key to enjoying it as an adult is not taking it the slightest bit seriously. The dumbness of the main characters is part of what makes them so charming and the concept that a future of civilisation will be based on a Californian teenage sub-culture is a joke you just have to buy into and enjoy.

The basic plot structure is solid and it uses all its silliness in a clever way with the time-travel sci-fi moments. I love the little details like the stolen car-keys and Ted forgetting to wind his watch.

Some jokes hit the mark more now than they did for me as a child, particularly some of the innuendo involving Bill's stepmom and Bill's confirmation to Sigmund Freud of his 'minor oedipal complex'. Ironically, looking back at this time-travel themed movie is like taking a journey back to the 1980s with it's fashion, music and shopping-mall culture.

Keanu Reeves and Alex Winter are perfect as characters who are essentially two halves of the same brain. George Carlin is to coin a phrase 'excellent' as their guardian angel type friend from the future. Also, the visual effects during the time-travel sequences stand up reasonably well by today's standards.

I took a lot of entertainment from it as child and my daughter stuck with it till the end.

For me it is a 7.5/10 but I round upwards.

It's hard to get upset at two very likable dummies who wouldn't hurt a fly. That's Bill and Ted, two Valley-type teens from back in the late '80s who play two really two guys who wind up going on a time-travel trip while trying to help themselves pass a history presentation.

I've always enjoyed time travel stories but they've all been fairly intelligent......not stupid, like this. However, this was still fun to watch. Any time you get to see Billy the Kid, Abraham Lincoln, Socrates, Beethoven, Napoleon, Joan of Arc and others all in the same movie - especially with these two modern-day airheads - is pretty entertaining.

Keanu Reeves was perfect for the role because he sounds stupid no matter role he plays! Alex Winter, I don't know. George Carlin has been goofy for 50 years so anything stupid he says wouldn't surprise me.

This is comedy at its lightest but it's pretty inoffensive, safe viewing for most anyone and if you need a laugh - even from something dumb - this would fill the bill.