Identidade de Nós Mesmos

Título original: Aufzeichnungen zu Kleidern und Städten

1989
Livre
1 h 21 min

AVALIAÇÃO DA IMDb

6,4/10

1,2 mil

SUA AVALIAÇÃO

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Assistir a Notebook on Cities and Clothes

1 vídeo

11 fotos

Documentary

Wim Wenders conversa com o estilista japonês Yohji Yamamoto sobre o processo criativo e reflete sobre a relação entre cidades, identidade e cinema na era digital.Wim Wenders conversa com o estilista japonês Yohji Yamamoto sobre o processo criativo e reflete sobre a relação entre cidades, identidade e cinema na era digital.Wim Wenders conversa com o estilista japonês Yohji Yamamoto sobre o processo criativo e reflete sobre a relação entre cidades, identidade e cinema na era digital.

Direção
- Wim Wenders
Roteiristas
- Francois Burkhardt
- Wim Wenders
Artistas
- Wim Wenders
- Yohji Yamamoto

Veja as informações de produção no IMDbPro

AVALIAÇÃO DA IMDb

6,4/10

1,2 mil

SUA AVALIAÇÃO

Direção
- Wim Wenders
Roteiristas
- Francois Burkhardt
- Wim Wenders
Artistas
- Wim Wenders
- Yohji Yamamoto

Veja as informações de produção no IMDbPro

Prêmios
- 1 indicação no total

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Citações
Wim Wenders: We have learned to trust the photographic image. Can we trust the electronic image? With painting everything was simple. The original was the original, and each copy was a copy - a forgery. With photography and then film that began to get complicated. The original was a negative. Without a print, it did not exist. Just the opposite, each copy was the original. But now with the electronic, and soon the digital, there is no more negative and no more positive. The very notion of the original is obsolete. Everything is a copy. All distinctions have become arbitrary. No wonder the idea of identity finds itself in such a feeble state. Identity is out of fashion.

Conexões
Featured in Restoring Time (2015)

Trilhas sonoras
Fall In Mid Air
written by Akira Miyoshi
interpreted and performed by Koichi Hamanaka & Kazuko Ninomiya

Avaliações de usuários5

Avaliação em destaque

8/10

an essay

Wenders have succeeded in turning an assignment he got by the Pompidou centre into a work that's actually rather fascinating. It's a really fresh essay film. It doesn't tell so much about it's subject the fashion designer, but reflects on more abstract issues like art and fashion, and time and timelessness, and subjectivity and objectivity.

Although I felt it was very beautiful and fascinating, I thought that it maybe lacked in urgency somewhat - the fashion designer and all the persons in the film remained really distant. But at the same time I found it fresher and not so over-elaborated as some of Wenders movies. For friends of essay-movies and the late movies of Godard it's highly recommended.