Action U.S.A.

My review was written in June 1989 after watching the movie on Imperial Entertainment video cassette.

"Action U. S. A.", originally called "A Handful of Trouble", is an above-average chase picture headed direct-to-video in American stores this month.

Thi is an excellent example of the type of escapist fun that packed drive-in theaters as recently as a decade ago but is now without a natural home. Title change to a generic moniker reflects the pic's aim toward foreign audiences.

Unusual heroine Barri Murphy (not afraid to the her hair mussed up in the action) stars as Carmen, on the run from gangsters when her boyfriend (Rod Shaft, a good handle for a car-pic thesp) is rubbed out for stealing diamonds and she's a witness.

Chase format involves topnotch stunts, with cars frequently flying through the air and luxury cars demolished. Solid teaming of Gregory Scott Cummins and William Hubbard Knight as a pair of FBI men protecting Murphy adds flesh to the streamlined Texas-lensed opus.

Stuntman-turned-filmmaker John Stewart created one of the most dangerously high-octane action films of the 80's with "Action U.S.A." A non-stop barrage of daredevil stunts, practical explosions, outlaw gunfights and wild chase sequences. Unfortunately for Stewart, "Action U.S.A." didn't get the appreciation it deserved back when it was released in '89 and slipped under the radar until Vinegar Syndrome rescued it from oblivion. This is a diehard action junkie's wet dream and a real monster truck of a film that has to be seen to be believed.

Opening with "Long After Midnight" by Urban Shocker, a gorgeous blue-coated 1969 Chevrolet Corvette Stingray fires on all cylinders, much like the film is about to. In the first twenty minutes, the audience is treated to a full-on assault to the senses with an insane showcase of vehicular stunt work. The opening chase scene moves from cars to a helicopter and back to cars before inevitably ending in a balls-to-the-wall blaze of glory. "Action U.S.A" may hit its peak in the first twenty minutes but everything that comes after is definitely close enough to matching its level.

With a hackneyed script from David Reskin that's every bit as cliché and forgettable as they come, "Action U.S.A." simply isn't the type of film to watch for the plot. However, considering how much it's lacking in that department, the film bombastically skates by on its pure machismo and action dynamics. The holy trinity of Gregory Scott Cummins, William Hubbard Knight and Barri Murphy are a charming trio to ride this rollercoaster of a film alongside. Ross Hagen, who plays our villainous assassin, steals the show from them as the stoic badass, Drago.

"Action U.S.A." is a violent extravaganza of adrenaline-fueled mayhem, buddy-cop tropes and beefcake heroics. This is a true hidden gem in every sense of the word. It's honestly upsetting that John Stewart didn't have much of a directorial career following this film for his death-defying direction and impeccable focus on stunt work is incredible throughout. The wise will inject "Action U.S.A." directly into their veins with this Texan blend of fun for eternal stimulation. It's recklessness is addictive, endlessly rewatchable and worth the trip every time.

One of the many cheap action movies to come out in the late 1980s and early 1990s. This film is in the territory for MST3K, but despite the hilarious acting, editing, and camerawork, we are treated to a nice series of car chases with over-the-top stunt work. The story-line follows two FBI agents (very Riggs and Murtaugh-esque) assigned to protect a murdered drug dealer's girlfriend from thugs and run into trouble from every direction. With cheesy performances by Cameron Mitchell, Ross Hagen, Hoke Howell, and William Smith (!), you can't go wrong with this.

If there is ever a film that lives up to its title, it is this one. There is lots of action and it is filmed in the U.S.A. (the title on the clapper in the end credits is A HANDFUL OF TROUBLE). Director John Stewart can't go ten minutes without staging some crazy action scene. It is weird though as his film unfolds almost in reverse as the biggest action scenes take place in the opening twenty minutes. Not that the film's finale is a let down, it just doesn't have the huge explosions and insane car jumps that the first 20 minutes display. You know you are in for a good time when the opening credits list Cameron Mitchell (who was obviously shot separately from everyone else), William Smith and Ross Hagan in succession.

Millions of years of evolution have lead to the accidental making of this movie,a vast wet tapestry of human relationships through out history connecting each of us to one another, and also this movie. Does stuff get blown up? Stuff does. Is it possible to film a whole movie along one greasy state road in Texas? Oh yes. With poverty being so rampant through out the world is there enough money to make this movie? Again, yes. No starving child was fed so that this movie might dance before your eyes as some flickering light upon a cave wall. A screenplay was purchased with money, and from those words captured in ink, this movie was born. Yes, there is a car chase and yes there is nudity.