Contos da Cripta

It is without exception the greatest series of all time. The acting by everyone was great and the Cryptkeepers's puns were hilarious (Just goes to show you kiddies, Be very careful what you Axe For Christmas, You Just Might Get it!) (I Call tonight's Putrid Piece "What's Cookin". This series will beat hands down any of the crap out there today. It was kind of like the Twilight Zone of the 90's. All the big and Upcoming stars were in the episodes. You had Lou Diamond Phillips, Priscillia Presley, Larry Drake, Ed Begley Jr, Judd Nelson, Christopher Reeve, Joe Pesci, Jeffrey Jones, Alan Ruck, Cheech Marin, Martin Sheen, Billy Zane, Anthong Michael Hall, Brooke Shields, and many others. The episodes were true to the comics and didn't try to change anything. The Best thing by far was John Kassir doing the Cryptkeeper's voice. That was fantastic and timeless.

OK, the Cryptkeeper, I remember him fondly, as I knew whenever I say him I knew he'd be preceded by a great tale of horror. OK maybe in the first short season, it wasn't as apparent as the superb later seasons would be, but this did lay the groundwork (side note: none of the tales in the first 6 episodes of this series actually came from the "Tales From the Crypt" comic series technically). Not to say this season wasn't good, quite the opposite as the maniac Santa story of "And all through the House" and the black comedic "Collection Completed" are classic episodes, even if the other 4 are not really up to snuff. Even the second season would get so much better by leaps and bounds.

My Season one grade: B

Season 1 Extras: New introduction from a now heavily bandaged Cryptkeeper; the cool "Tales from the Crypt: From Comic Books to Television" documentary and the not nearly as cool 5 and a half minute "Crypt Keeper's History Of Season 1"

I saw a few episodes on video, and while I am not a particular fan of the genre, I was quite impressed. It was like the Twilight Zone, but with a strong horror theme (although not all the time), and without the pretentious feel. What really impressed me was the cheesy lines the crypt keeper had. They were so bad that the writers had to have tried for that effect. It was like listening to the worst spook alley script you've ever seen. That's the heart and soul of campy TV. It goes a long way toward helping you appreciate the carefully crafted tales that are being introduced.

The other stand out thing about the show is the actors they get. They don't just dredge up whatever they can get from the local playhouses. They get some top names. On top of that, you get the feeling that these big stars are having a lot of fun telling a ghost story (not that they're about ghosts, but you get the idea).

So, if you thought Rod Sterling didn't include enough dismemberments, or you just like clever stories with deliberately awful introductions, and you aren't squeamish, then this is the show for you.

I have always been a fan of the series. This is the kind of stuff I grew up on. I loved this show when I was a kid, so much that I even read some of the old comics. There is always a moral to each story. (most of which seem to involve betraying lovers for some odd reason) Although some episodes are so far out there they come off as being lame at times I can't help but love them. Every episode is like it's own little horror movie. I highly recommend the series,especially now that it is coming out on DVD. You get a lot of entertainment for your money. Thats all I have to say about this series and as the crypt keeper would say "Good night boils and ghouls."

Not only was every episode meticulously crafted into thirty minutes of ironic terror, but the forces behind it always remained credible enough to deliver star-studded episodes. Jon Kassir's Crypt Keeper remains one of the more sacred pop culture figures of recent years (when's the last time you saw someone trashing the Keeper? He's an icon for chrissakes), and while some of the stories may not have been on caliber with others (most of the "England" episodes never touched the Demi Moore/"if I can't have you, no one will" one), in the end, when the smoke had cleared and the show was over, you looked at it with a refreshing zing, as if you had embraced being had.

Bringing back the EC stories wasn't a simple task. Speilberg tried it with "Amazing Stories" and gave up after two long years. The "Vault Of Horror" got a limited run in 94, but failed. But Tales always stuck around, on its own terms, and gave up swinging.

NP: The Bobcat Goldthwait episode: only animated Tales ever: takeoff...Three Little Pigs