Press Gang

I'm an addict to television, simply put. I have followed more TV series than I can remember, and some of them were actually very good. So trust my authority on this: Press Gang is the best show I have ever seen. I

don't own many TV videotapes, and honestly don't want to, but PG is the one show I would want to own all episodes of. Most of them are

fabulous. Two or three might be a bit off, but still better than

practically anything you can get from any other half-hour show.

The concept is simple: take a bunch of teenagers, put them in a room,

tell them to write a newspaper. Even describing the characters wouldn't explain much. The leads, Spike and Lynda, are one of innumerable

Hepburn/Tracy ripoffs, but unlike practically everybody else, these two nearly exceed the original. The rest of the cast is in no way inferior. A personal favourite of mine is the glamour bitch Sam, only

participating in one season, but impossible to forget.

The plots can be corny, but never unintentionally. "Issue" stories a bit oversentimental sometimes, but that's a breeze compared to how they're handled in American shows.

And oh, the dialogue, with so many good lines it's hard to choose. Since I'm so fond of Sam, let's have one with her and Lynda.

Lynda: A few wrinkles might give your face some character. Sam: You've got enough character for both of our faces. Lynda: Both of ours or just both of yours? ...brilliant...

I am watching 'The Last Word' episode of PG as I write this. My sister has quite a lot of PG's on video, and The Last Word is my fave.

Press Gang has got to be the best young adult TV series that was ever made. The drama is fantastic, and the comic moments are side splitting (Colin is the funniest character!) I wish they'd make them like this now, but lets face it, this kind of excellence only comes once every so often.......

Let me tell you a little story. Once upon a time an old guy had an idea for a TV series. So he submitted it. Even though it was his very first idea it was picked up, at which point the old guy, remembering his son who was just about to follow him into a teaching career had expressed a desire to write for TV, says that they can only use the idea if his son gets to write an episode. Instead of binning him off immediately they decide to give him a shot and the son submits a script. It's amazing, and he subsequently gets to write the entire series and goes on to marry the programme's producer and write full time for TV. Sounds too good to be true? Welcome to Press Gang, the show that just got lucky.

In addition to breaking one of the best new writers of the age, the show also had two young stars whose chemistry could melt your TV. It couldn't fail except... it was doomed to be a kid's TV show shown at kid's TV show times, and there it might have remained had it not been for a programme planner on a rival network who purchased the show for adult viewing.

There are more original ideas in any one season of Press Gang than you'll find in an entire network season these days. Hey, there's probably more than all the networks put together. Any impartial critique is almost impossible because there's just nothing to compare this show with. There'd been nothing like it before, and there's been nothing like it since, so all I can say is, if you've never heard of it but you like a good ensemble laugh-fest with an occasional serious edge to it, chance your arm and try a season of this show. I'm confident you'll be right out there buying the other 4 seasons within a day.

Believe me, or check my other reviews, it's unusual for me to get this enthusiastic about anything, let alone a TV show, but what else can I say? It really is that good.

Oh, God, why did I write that. No-one will read any further; people make similar claims so freely about any old rubbish. -But in this case it's TRUE, dammit.

Hilariously funny in every episode, seriously emotional in some, tautly dramatic in most, with great performances from a very young cast (Julia Sawalha is more famous for other shows, but she has never had a better role)... look, trust me, everyone who has watched this show loves it. It represents the triumph of the script by an individual (Steven Moffat) over the script by committee.

Ah yes - Lynda's classic comeback: the only bad thing she could say about Spike *sigh* And who doesn't remember that eventual declaration: "I vole you."

Oh dear, I'm gushing like everyone else! This, as far as I'm concerned, wasn't a show for "young adults". It could be watched by "young adults", for sure, but the wildly comic and consistently excellent script and acting made it a delight for anyone. I guess I was around 20 when I first caught sight of it. My boyfriend at the time was 32 and he loved it too.

So many of the actors who started off in this, eg Julia, Dexter Fletcher (ok, he was in the Elephant Man as a kiddie, but surely this was his first romantic (!) adult role?), Gabrielle Anwar, Paul Reynolds (I) have gone on to... I can't say greater things necessarily, but many other excellent things at least.

I'm just desperately sad that my videos of PG, incomplete to begin with, have self-destructed over the years. I wish the ABC (Australia) would repeat the whole dang lot of it but knowing them it's gone for good.