Os médicos, enfermeiros e pacientes do frenético departamento de Acidentes e Emergências do fictício Holby City Hospital, localizado no condado fictício de Wyvern, no sudoeste da Inglaterra.Os médicos, enfermeiros e pacientes do frenético departamento de Acidentes e Emergências do fictício Holby City Hospital, localizado no condado fictício de Wyvern, no sudoeste da Inglaterra.Os médicos, enfermeiros e pacientes do frenético departamento de Acidentes e Emergências do fictício Holby City Hospital, localizado no condado fictício de Wyvern, no sudoeste da Inglaterra.
- Ganhou 7 prêmios BAFTA
- 22 vitórias e 56 indicações no total
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When this show first began I was still a schoolboy and I loved it because my dream was to be a nurse in a casualty unit. Since that time I have realised that dream, and also realised what utter tripe this show has become. True to BBC drama form these days it seems that everything must be miserable or depressing to be considered good drama. Over the years I have seen the show deteriorate into the realms of nothing more than a political hobby horse. Bearing little resemblance to reality in any way all this show does for me is ensure I turn over stat!
I started watching the show in 2001 and i was hooked from the first episode i saw, I love the show and make sure i never miss an episode (even though i am on the casual+y website every Sunday morning looking at the preview clip). The show never fails to impress me, the story lines are great, very creative and make you want to watch more!!
It is a sort of drama but i think it is a bit different to all the others they all have that sort of seriousness about them and i find this boring so i don't watch them. But Casual+y is different, you don't just see the Staff at work, you get to see them out of their working life and into their home life, this helps you understand their personalities and why they act like they do. Understanding the background of a character makes it more interesting and helps you understand them a bit more making you feel closer to them, i think you need this to make a successful show and the crew on Casual+y have mastered this unique quality!!!!!!!!
Keep up the good work!!!
It is a sort of drama but i think it is a bit different to all the others they all have that sort of seriousness about them and i find this boring so i don't watch them. But Casual+y is different, you don't just see the Staff at work, you get to see them out of their working life and into their home life, this helps you understand their personalities and why they act like they do. Understanding the background of a character makes it more interesting and helps you understand them a bit more making you feel closer to them, i think you need this to make a successful show and the crew on Casual+y have mastered this unique quality!!!!!!!!
Keep up the good work!!!
Casualty started in 1986 and was a brilliant show about the working lives of Holby City Accident & Emergency Department doctors and nurses. In my opinion, from 1986 to about 1999 it was consistently good drama. It was very realistic at times and showed us the bad side of Britain's National Health Service and the politics that governed it.
Casualty always provided entertainment. The main problem is, how do you continually top things? How do you push that envelope? Casualty has had plane crashes, train crashes, diseases, NHS cutbacks etc. In a way, the current series of Casualty are not as good. They have become victims of their own success. Perhaps they should have saved the bangs for later.
One criticism I do have of Casualty's later years is the focus on the staff's private lives. I do like to get a little glimpse of the doctors and nurses private lives but sometimes they overdo it (The Bill does the same and London's Burning too). If Casualty is to keep me as a viewer, then it will have to tone back on the private lives of the staff and focus more on the job itself. And it needs to stop axing popular characters. All characters run their course eventually but these last few years, Casualty has had a habit of axing characters before they've even been given a chance.
If it can try to focus more on the job and think before axing characters, then Casualty has a great future.
Casualty always provided entertainment. The main problem is, how do you continually top things? How do you push that envelope? Casualty has had plane crashes, train crashes, diseases, NHS cutbacks etc. In a way, the current series of Casualty are not as good. They have become victims of their own success. Perhaps they should have saved the bangs for later.
One criticism I do have of Casualty's later years is the focus on the staff's private lives. I do like to get a little glimpse of the doctors and nurses private lives but sometimes they overdo it (The Bill does the same and London's Burning too). If Casualty is to keep me as a viewer, then it will have to tone back on the private lives of the staff and focus more on the job itself. And it needs to stop axing popular characters. All characters run their course eventually but these last few years, Casualty has had a habit of axing characters before they've even been given a chance.
If it can try to focus more on the job and think before axing characters, then Casualty has a great future.
This programme started as a superb mould-breaking drama. Each episode was an exciting thrill-ride. Now it is just a silly soap.
What made this prog so special was precisely that it was not a soap. Each week we had a glimpse into the lives of ordinary people who found themselves in the A&E department because of the accidents or illnesses that befell them. Each episode presented a whole series of accidents - from the bizarre to the mundane. As we were introduced to the casualties, we wondered how they had come to be there and how would their lives be affected by its new turn. Would they live, die or be left crippled. Would their infidelities and indiscretions be unveiled. By the end of the episode we had a snapshot of their lives.
In the late '90s Auntie Beeb threatened to turn Casualty into a twice-weekly soap. In the face of an outcry they back-peddled on this and adopted the compromise of starting a new weekday drama set in the same hospital and "Holby City" was born.
Unfortunately the script-writing team seem to have missed the point of the objection: casualty is not a soap. They have turned into a soap anyway.
Now the series simply has an interminable and tedious focus on the increasingly implausible private lives of the permanent staff. Each episode focuses on one character. And now we even have that stalwart of the soap genre - the token gay. Toby does not work in this guise for me! We now seem lucky if a single accident occurs in an episode. Instead it is the hapless staff of the "ED" who have the illness and injuries. It is the department team who have their indiscretions exposed.
It is to be hoped that this programme will return to its roots. Otherwise it needs to be pensioned off.
JDD - 14 December 2008
What made this prog so special was precisely that it was not a soap. Each week we had a glimpse into the lives of ordinary people who found themselves in the A&E department because of the accidents or illnesses that befell them. Each episode presented a whole series of accidents - from the bizarre to the mundane. As we were introduced to the casualties, we wondered how they had come to be there and how would their lives be affected by its new turn. Would they live, die or be left crippled. Would their infidelities and indiscretions be unveiled. By the end of the episode we had a snapshot of their lives.
In the late '90s Auntie Beeb threatened to turn Casualty into a twice-weekly soap. In the face of an outcry they back-peddled on this and adopted the compromise of starting a new weekday drama set in the same hospital and "Holby City" was born.
Unfortunately the script-writing team seem to have missed the point of the objection: casualty is not a soap. They have turned into a soap anyway.
Now the series simply has an interminable and tedious focus on the increasingly implausible private lives of the permanent staff. Each episode focuses on one character. And now we even have that stalwart of the soap genre - the token gay. Toby does not work in this guise for me! We now seem lucky if a single accident occurs in an episode. Instead it is the hapless staff of the "ED" who have the illness and injuries. It is the department team who have their indiscretions exposed.
It is to be hoped that this programme will return to its roots. Otherwise it needs to be pensioned off.
JDD - 14 December 2008
I wish someone would stream this entire series, I have watched clips out you tube but that was just a tease. Brit box and Amazon only have the last couple seasons... Please some nice app be santa this year, pick up the whole series.
Você sabia?
- CuriosidadesMinnie Driver, Orlando Bloom, and Kate Winslet all appeared in the series before they became famous.
- Citações
John 'Abs' Denham: Nina, could you possibly run Ellen into town?
Nina Farr: No. But I can run her over.
- Cenas durante ou pós-créditosDi Botcher (Jan Jenning) was credited as Jan Jennings (with an S) for some episodes.
- ConexõesFeatured in Room 101: Episode #1.8 (1994)
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- How many seasons does Casualty have?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Casual+y
- Locações de filme
- BBC Television Centre, Wood Lane, Shepherd's Bush, Londres, Inglaterra, Reino Unido(Studio, Holby A&E Department: interior - Series 1)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
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