Bangkok Hilton

Granted, the first 20 minutes are somewhat boring, but from there, the film just takes off! A brilliant story (and the basis of films like Breakdown Palace) sets this off from the beginning to the very end.

Nicole Kidman's performance and transformation from a quiet, shy country girl into a tough, cunning prisoner is incredible and so well-done.

Bravo to the actors, producers, directors, to EVERYONE involved in BANGKOK HILTON! Well worth a watch for everybody who likes drama, action, thrillers, romance and for everybody who doesn't!

When I first saw the series, I was 15 years old. Ever since I saw it, the first thing that came to mind whenever I heard the name Nicole Kidman was this series. And it was also something that tended to come up at the dinnertable when we were going back discussing television-shows.

Now, some 17 years later I accidentally stumbled upon the DVD and I was rather reserved about the thought of seeing it again because what else but disappointment was there to gain from seeing something which held a good memory but was surely going to be completely outdated.

Imagine my surprise that although it was rather dated, it had actually aged so well. Another surprise was finding no one less than Hugo Weaving playing a major role in it. An actor I had grown to love ever since I saw him in 'The Interview' and the later classics such as LOTR and the Matrix.

Bangkok Hilton has survived the test of time basically because of the really great acting performances, script, story and ambiance. And apparently this was all that it needed to remain the classic that it has become. And by no means the cinematography, which wouldn't stand a chance against even the average soap opera we see today.

When you compare the story and the screenplay to modern similar tales such as the prison-series OZ, you will find that it is really hopeless out of date. The hell-hole of a jail in which Kidman is kept, is like a Disneyride compared to what the men in Emerald City had to endure in OZ. You will find no 'spooning' practices in Bangkok Hilton if you know what I mean.

Perhaps this is what makes this mini series so great, that it's the story that keeps you on the edge of your seat rather than a form of (graphic) violence which seems to be todays primary ingredient for a success film-wise. Just see Labirinto Del Fauno if you want to check my point. That was a so called 'message movie' with really no message at all but in stead featured a been there done that war-drama and cardboard characters. Nonetheless, that movie was hailed by the public and professional movie critics when all it had to offer was a vapid contrast between fable and really graphic violence replacing what used to be a tale between good and evil and its 'grey zone'.

Bangkok Hilton confirmed what I suspected all along, namely that cinema (although achieving greater technical marvels day by day) is becoming increasingly more banal and formula driven, even in the successful, so called 'art house films'.

I'm sorry for letting this review turn out to be such a rant. Thanks for reading and see Bankok Hilton whenever you get a chance.

cheers!

When it first starts out it is about Katherine, a rather fragile but lovely young woman, always being derided by her mother just so she doesn't forget she is an unlovable homebody of a woman. Think of this segment as a maternal version of "The Heiress".

And then along comes a suitor, an unlikely romantic lead in the person of Denholm Elliot. This mysterious attorney sweeps Katherine off her feet. But then a revelation- Elliot's character is a disgraced WWII soldier who betrayed his fellow soldiers when he was a POW. There are mitigating factors, but nonetheless, mom now has a reason to sweep this guy out of Katharine's life. And then Katherine discovers she is pregnant. K's mom makes K have the baby AND raise it herself mainly so she can never let Katherine forget that she made a fool of herself over a man. Just like she always said she would do. Funny, my grandma made cookies for me and read me stories. But I digress.

And then Katherine dies and leaves her daughter, Katrina (Nicole Kidman) their Australian estate. Katrina has never been off the ranch and wants to find her father, so off this naive young girl goes into the world. She has as poor judgment in men as her mother had been chronically accused of, and so she ends up with a traveling companion that gets her in deep trouble for heroin possession in Thailand. And from there it becomes a nightmare of a film. Not in quality - it is very good - but in the sordid details of the Bangkok Hilton in which Katrina is imprisoned. And then dad pops back into the picture.

Like I said, the film changes tones very starkly during its long running time - it was actually a miniseries. And Nicole Kidman shows what made her a star. Even before Tom Cruise, Nicole had the muse.

It must be the ultimate horror for any backpacker / long distance traveller: you get jailed in a foreign country whose language you do not speak and where you can expect "a fair trial plus a fine hanging", even as an innocent party.

The plot may be somewhat too well constructed. Normally, parents and friends would protest against the arrest of an innocent tourist, especially if the tourist never never had anything to do with drugs.

You bet I look particularly well after my luggage in such countries!

Meanwhile a similar case has taken place in Indonesia: the Australian tourist Schapelle Corby was sentenced to 20 years in jail for drug possession. The scenario was very similar: the defendant insists the drugs were planted, the case is not too solid, but enough for a conviction.

If you're an Aussie you will be well-aware of the recent Bali-based drug cases involving Schapelle Corby and the "Bali 9". The latter are clearly guilty and will pay for their crimes, many will say justifiably.

Schapelle Corby's case is another matter altogether with opinion as to her guilt or otherwise being divided. Her case is very similar to Kidman's in that the drugs are alleged to be someone else's.

If anyone saw Corby's reaction to her conviction on TV last November it is identical to Kidman's in the BH with shortness of breath, deep breathing, shocked look. The resemblance is uncanny: life imitates art which imitates life.

Acting in the BH is superb all round. The story is well-written and harrowing, especially given those recent events. One can accept the Asian countries' reasons for their tough stance against drugs but emotions and sympathy for those jailed are stirred in the BH.

It's amazing that this miniseries was made 20 years ago as it could have happened yesterday. Indeed the only differences are that the barbaric firing squad was replaced by more humane lethal injection (just 3 years ago) and that actors such as Kidman and Weaving have moved on to even greater acclaim and Elliott has unfortunately passed on.... and the callous Ehlers has left an indelible impression, typecast for life by me at least.