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6,9/10
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Adicionar um enredo no seu idiomaA drunken Sherlock Holmes is really just a cover for the real detective, Dr. Watson.A drunken Sherlock Holmes is really just a cover for the real detective, Dr. Watson.A drunken Sherlock Holmes is really just a cover for the real detective, Dr. Watson.
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WITHOUT A CLUE
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
'Sherlock Holmes' turns out to be a ham actor (Michael Caine), hired by brilliant detective Dr. John Watson (Ben Kingsley) to play a character whose adventures are dramatized by Watson and published in a popular weekly magazine. But the two men are forced to set aside their differences when Prof. Moriarty (Paul Freeman) hatches a fiendish plot to destabilize the British Empire.
An unexpected gem. Thom Eberhardt's clever revision of Holmesian lore foregoes puns and sight gags for character-based comedy, and a wonderful cast of experienced British thesps plays it with just the right degree of reverence and mockery (Caine and Kingsley, in particular, make a formidable comic team). However, the script - by Gary Murphy and Larry Strawther - is entirely faithful to the spirit of Arthur Conan Doyle's most famous creation: Despite Holmes' incompetence and Watson's escalating outrage, the central mystery is genuinely skillful and engrossing, the clues are delightfully outlandish, and the Victorian atmosphere is conveyed with elegant simplicity, thanks to stylish art direction (by Brian Ackland-Snow) and costume design (by Judy Moorcroft). However, the writers aren't afraid to poke gentle fun at the established conventions, particularly Holmes'/Watson's uncanny ability to draw conclusions from even the most obscure scraps of evidence, and the climax manages to combine warm-hearted comedy and genuine thrills during a final showdown with Moriarty in an abandoned theatre. Highly recommended.
Aspect ratio: 1.85:1
Sound format: Dolby Stereo
'Sherlock Holmes' turns out to be a ham actor (Michael Caine), hired by brilliant detective Dr. John Watson (Ben Kingsley) to play a character whose adventures are dramatized by Watson and published in a popular weekly magazine. But the two men are forced to set aside their differences when Prof. Moriarty (Paul Freeman) hatches a fiendish plot to destabilize the British Empire.
An unexpected gem. Thom Eberhardt's clever revision of Holmesian lore foregoes puns and sight gags for character-based comedy, and a wonderful cast of experienced British thesps plays it with just the right degree of reverence and mockery (Caine and Kingsley, in particular, make a formidable comic team). However, the script - by Gary Murphy and Larry Strawther - is entirely faithful to the spirit of Arthur Conan Doyle's most famous creation: Despite Holmes' incompetence and Watson's escalating outrage, the central mystery is genuinely skillful and engrossing, the clues are delightfully outlandish, and the Victorian atmosphere is conveyed with elegant simplicity, thanks to stylish art direction (by Brian Ackland-Snow) and costume design (by Judy Moorcroft). However, the writers aren't afraid to poke gentle fun at the established conventions, particularly Holmes'/Watson's uncanny ability to draw conclusions from even the most obscure scraps of evidence, and the climax manages to combine warm-hearted comedy and genuine thrills during a final showdown with Moriarty in an abandoned theatre. Highly recommended.
A much overlooked film of comic perfection, Without a Clue is a hidden gem of a movie that shows beyond doubt the true talents of its main actors, Michael Caine and Ben Kingsley.
While not the funniest movie of all time, it is in its entirety both heart-warmingly humorous and adorable in its simplicity. The relationship between The two main characters is stunningly portrayed, and the gentle humour throughout is speckled with enough laugh out loud moments, touching character interactions and great supporting roles, as to leave the viewer with nothing but love for the movie and it's stars.
Both Caine and Kingsley are great actors, but in pairing the two together, this movie shows their skill in a completely new light. The comic timing is flawless, and while neither men have had too much experience of comedy, you would never know it from their portrayal of the bumbling Sherlock Holmes and the genius Dr.Watson in this turnabout story of the traditional sleuthing pair.
Where so many other movies have failed to put a worthy spin on Sir Arthur Conan Doyle's legacy, the chemistry of it's actors and the sharp but not too wieldy script, make this a must see for any fan of Sherlock Holmes, or any student of comedy.
This movie is living proof that funny doesn't have to slap you in the face in order to grab your attention, and where many other films deemed as comedy classics may find their place in the your memory, this one will find a place in your heart.
While not the funniest movie of all time, it is in its entirety both heart-warmingly humorous and adorable in its simplicity. The relationship between The two main characters is stunningly portrayed, and the gentle humour throughout is speckled with enough laugh out loud moments, touching character interactions and great supporting roles, as to leave the viewer with nothing but love for the movie and it's stars.
Both Caine and Kingsley are great actors, but in pairing the two together, this movie shows their skill in a completely new light. The comic timing is flawless, and while neither men have had too much experience of comedy, you would never know it from their portrayal of the bumbling Sherlock Holmes and the genius Dr.Watson in this turnabout story of the traditional sleuthing pair.
Where so many other movies have failed to put a worthy spin on Sir Arthur Conan Doyle's legacy, the chemistry of it's actors and the sharp but not too wieldy script, make this a must see for any fan of Sherlock Holmes, or any student of comedy.
This movie is living proof that funny doesn't have to slap you in the face in order to grab your attention, and where many other films deemed as comedy classics may find their place in the your memory, this one will find a place in your heart.
This movie is probably the finest parody of Sherlock Holmes I've ever seen . Yes , I like Wilder's "Private life of Sherlock Holmes " . Yes , Levinson's "Young Sherlock Holmes " was fun . "Without the clue" in my opinion easily beats them all . The idea here is simple , but brilliant (like the most of ideas) – what if Watson was the smart one and Holmes was an idiot ? This little movie is a great character comedy.
The movie actually really feels like a SERIOUS Sherlock Holmes movie . The music , the mood , the costumes and the art-direction – everything that is needed to bring the world of Holmes from the books on the screen alive is top-notch . Look at the beginning of the movie . Until the moment when Watson begins to shout at Holmes you could be easily fooled that this is just another adaptation of Conan Doyle's books. Hell , the whole plot is done well . If they would keep the original characterizations of the characters this would be a really good "normal" Holmes movie . This is something I feel that was lost by both Wilder and Levinson – the soul of Sherlock Holmes world .
The jokes here are simple , sometimes predictable . There are some more subtle jokes that you might miss , if you're not watching closely ( joke with the disappearing watch , joke with the violin ) . The true strength of this movie lies in the performances of Michael Caine and Ben Kingsley . I was especially surprised by Kingsley . I've never seen him in comedy before . He usually plays a rather evil and menacing characters . I've seen Caine in comedy before , so I knew he was perfectly capable to give a fine performance.
Kingsley and Caine have a wonderful chemistry together that is rarely seen on screen . They can make even the simplest line of dialogue hilarious and the interaction between them is a pleasure to watch . I seriously think that without them , the whole movie wouldn't have work . The other actors give them a good support , especially Jeffrey Jones . He's perfect for the role of Lestrade . He's got one hilarious scene when he's trying to figure out what Holmes said to him – he's facial expression is worth Academy Award . Great performance.
As I mentioned earlier the movie is very attractive visually and the orchestral music by Henry Mancini (famous for "Pink panther theme ") fits the story very well .
Overlooked and unappreciated , even now . Too bad . I give it 7/10.
The movie actually really feels like a SERIOUS Sherlock Holmes movie . The music , the mood , the costumes and the art-direction – everything that is needed to bring the world of Holmes from the books on the screen alive is top-notch . Look at the beginning of the movie . Until the moment when Watson begins to shout at Holmes you could be easily fooled that this is just another adaptation of Conan Doyle's books. Hell , the whole plot is done well . If they would keep the original characterizations of the characters this would be a really good "normal" Holmes movie . This is something I feel that was lost by both Wilder and Levinson – the soul of Sherlock Holmes world .
The jokes here are simple , sometimes predictable . There are some more subtle jokes that you might miss , if you're not watching closely ( joke with the disappearing watch , joke with the violin ) . The true strength of this movie lies in the performances of Michael Caine and Ben Kingsley . I was especially surprised by Kingsley . I've never seen him in comedy before . He usually plays a rather evil and menacing characters . I've seen Caine in comedy before , so I knew he was perfectly capable to give a fine performance.
Kingsley and Caine have a wonderful chemistry together that is rarely seen on screen . They can make even the simplest line of dialogue hilarious and the interaction between them is a pleasure to watch . I seriously think that without them , the whole movie wouldn't have work . The other actors give them a good support , especially Jeffrey Jones . He's perfect for the role of Lestrade . He's got one hilarious scene when he's trying to figure out what Holmes said to him – he's facial expression is worth Academy Award . Great performance.
As I mentioned earlier the movie is very attractive visually and the orchestral music by Henry Mancini (famous for "Pink panther theme ") fits the story very well .
Overlooked and unappreciated , even now . Too bad . I give it 7/10.
"Without A Clue" might be called "Without A Trace," as it sunk upon its 1988 release much like a set of five-pound-note engravings at the bottom of Lake Windemere. Hopefully the new DVD release, albeit pan-and-scan, will give people another chance to catch this terrific send-up of fiction's most celebrated detective.
This is the film that dares reveal Sherlock Holmes is a fraud, an out-of-work actor named Reginald Kincaid (Michael Caine) pulled out of the gutter by a desperate crime-solving doctor named Watson (Ben Kingsley) who needed to produce someone to play the part of this invention of his. Dr. Watson, you see, didn't want the initial notoriety of his sleuthing successes. He desired admission to a medical college that would frown on such things. Now he wishes he wasn't so successful in playing Kincaid off as Holmes; Kincaid's a drunken womanizing blaggard grown too big for his britches, whining that Watson doesn't treat him at all times with the respect his borrowed robes command.
"I am the one the public really cares about," Kincaid/Holmes sniffs.
"Are we talking of the same man who once declared the late Colonel Howard had been bludgeoned to death by a blunt EXCREMENT?"
"Is it my fault if you have such poor handwriting?"
The lines aren't all polished gems, but they complement a pair of nice comic performances by Caine and Kingsley that keep spirits merry as the game goes afoot.
Also well-done is the understated late Victorian period detail and some strategic nods to the Holmes canon like the presence of Mrs. Hudson the housekeeper and the Baker Street Irregulars, all of whom are in on the Kincaid/Holmes secret. There's choice digs at Holmes' notoriety throughout, like a fellow who gives some meaningless eyewitness testimony to Holmes before a rapt hometown crowd who break into applause when Holmes tells Watson: "Make a note of it." Watson's slow burns here and elsewhere reward repeat viewings.
With Henry Mancini doing the score and director Thom Eberhardt effectively working in a light Ealing tone, this film plays like some great lost Peter Sellers comedy, except Sellers would never share the screen so easily with another as Caine and Kingsley do here. Eberhardt also did good work in another film that went past too many people, "Year Of The Comet;" it's a shame we didn't see more of him.
This would be a classic if the mystery at the heart of the story was more developed, and there are a pair of unnecessary killings that distract momentarily from the light tone. I'm not wild about all the supporting performances, but Jeffrey Jones is a very funny Lestrade as he chases Holmes around an abandoned house on his hands and knees, Watson having told his partner first to do his usual sleuthing routine so Watson himself can root around unobserved. Lysette Anthony is sexy and effective as the potential romantic interest, inspiring Holmes to try and solve the case without Watson, as well as look in keyholes when he's not supposed to.
He's less successful attempting elementary deduction when he spies a man he takes for a reporter just back from the subcontinent.
"I'm a barrister and I've never been to India in my life," the man answers.
"But you do read the Times."
"Of course."
"Aha!"
You don't need to be an Arthur Conan Doyle fan to enjoy "Without A Clue," though it helps. This is the best kind of parody, no less riotous and cutting from being a work of true love.
This is the film that dares reveal Sherlock Holmes is a fraud, an out-of-work actor named Reginald Kincaid (Michael Caine) pulled out of the gutter by a desperate crime-solving doctor named Watson (Ben Kingsley) who needed to produce someone to play the part of this invention of his. Dr. Watson, you see, didn't want the initial notoriety of his sleuthing successes. He desired admission to a medical college that would frown on such things. Now he wishes he wasn't so successful in playing Kincaid off as Holmes; Kincaid's a drunken womanizing blaggard grown too big for his britches, whining that Watson doesn't treat him at all times with the respect his borrowed robes command.
"I am the one the public really cares about," Kincaid/Holmes sniffs.
"Are we talking of the same man who once declared the late Colonel Howard had been bludgeoned to death by a blunt EXCREMENT?"
"Is it my fault if you have such poor handwriting?"
The lines aren't all polished gems, but they complement a pair of nice comic performances by Caine and Kingsley that keep spirits merry as the game goes afoot.
Also well-done is the understated late Victorian period detail and some strategic nods to the Holmes canon like the presence of Mrs. Hudson the housekeeper and the Baker Street Irregulars, all of whom are in on the Kincaid/Holmes secret. There's choice digs at Holmes' notoriety throughout, like a fellow who gives some meaningless eyewitness testimony to Holmes before a rapt hometown crowd who break into applause when Holmes tells Watson: "Make a note of it." Watson's slow burns here and elsewhere reward repeat viewings.
With Henry Mancini doing the score and director Thom Eberhardt effectively working in a light Ealing tone, this film plays like some great lost Peter Sellers comedy, except Sellers would never share the screen so easily with another as Caine and Kingsley do here. Eberhardt also did good work in another film that went past too many people, "Year Of The Comet;" it's a shame we didn't see more of him.
This would be a classic if the mystery at the heart of the story was more developed, and there are a pair of unnecessary killings that distract momentarily from the light tone. I'm not wild about all the supporting performances, but Jeffrey Jones is a very funny Lestrade as he chases Holmes around an abandoned house on his hands and knees, Watson having told his partner first to do his usual sleuthing routine so Watson himself can root around unobserved. Lysette Anthony is sexy and effective as the potential romantic interest, inspiring Holmes to try and solve the case without Watson, as well as look in keyholes when he's not supposed to.
He's less successful attempting elementary deduction when he spies a man he takes for a reporter just back from the subcontinent.
"I'm a barrister and I've never been to India in my life," the man answers.
"But you do read the Times."
"Of course."
"Aha!"
You don't need to be an Arthur Conan Doyle fan to enjoy "Without A Clue," though it helps. This is the best kind of parody, no less riotous and cutting from being a work of true love.
This is one of Michael Caine's funniest performances and he and Ben Kingsley worked quite well together. The supporting cast is top-notch as well. Jeffry Jones as LeStrade is very good and Peter Cook has a fine supporting turn. As for the premise-that Holmes was a front for Watson, given the fact that Sir Arthur Conan Doyle was himself a physician and that he grew so sick of Holmes he tried to kill him off, I suspect he would have enjoyed the whole thing enormously. Twists and turns throughout, as a good mystery should and enough comedy to keep you laughing. Some interesting twists at the end. Poor LeStrade! Recommended.
Você sabia?
- CuriosidadesThe closing credits offer an apology that states: "With apologies to the late Sir Arthur Conan Doyle, creator of Sherlock Holmes and Dr. Watson."
- Erros de gravaçãoThe postcard from Lesley has a picture of the Eiffel Tower occupying one entire side. Postcards of this type did not exist anywhere until 1901 or 1902, and in France not until 1904.
- Citações
Holmes: It wasn't YOU he tried to kill!
Watson: Think man, think... Who was SUPPOSED to be in that room?
Holmes: That's right! You were!
Watson: Moriarty knows... I'm am the only match for his evil genius.
Holmes: You mean he's not trying to kill me?
Watson: Of course not. He knows you're an idiot.
Holmes: Oh, thank God.
- Cenas durante ou pós-créditosWith apologies to the late Sir Arthur Conan Doyle, creator of Sherlock Holmes and Dr. Watson
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- How long is Without a Clue?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Sherlock e Eu
- Locações de filme
- Gloucester, Gloucestershire, Inglaterra, Reino Unido(on location)
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 8.539.181
- Fim de semana de estreia nos EUA e Canadá
- US$ 1.246.772
- 23 de out. de 1988
- Faturamento bruto mundial
- US$ 8.539.181
- Tempo de duração
- 1 h 47 min(107 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
- 1.66 : 1
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