AVALIAÇÃO DA IMDb
6,1/10
15 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaA wax museum owner uses his horror exhibits to unleash evil on the world.A wax museum owner uses his horror exhibits to unleash evil on the world.A wax museum owner uses his horror exhibits to unleash evil on the world.
- Prêmios
- 2 vitórias e 4 indicações no total
Mihaly 'Michu' Meszaros
- Hans
- (as Mihaly 'Michu' Mesza)
Jack David Walker
- Junior
- (as Jack David Warner)
Tom MacGreevey
- Charles
- (as Thomas MacGreevey)
Avaliações em destaque
I was quite impressed with this movie, which I have just watched for the first time. It pays tribute to a lot of the old Universal and Hammer movies from the 1930's to the 1970's. It is very similar to House of Wax, which starred Vincent Price.
A group of students are invited to a 'showing' at the local wax museum, little knowing the owner wants them killed for his display. Each display contains monsters from the classic horror films, including the Wolf Man, the Mummy, Dracula and other vampires, the Phantom of the Opera, Jack the Ripper and some zombies and walking dead. This movie also includes a dwarf to complete the picture. When the owner has all his victims, fighting starts between all sorts of monsters and ghouls and local OAP's! This is probably the best part of the movie. The museum burns down at the end, but the two main characters survive.
The movie has a good cast, which includes Zach Galligan from the Gremlins movies and a trio of well known British stars: David Warner (Time Bandits, Titanic), Patrick Macnee (The Avengers, A View To A Kill) and John Rhys-Davies (Raiders Of The Lost Ark). Warner plays a great part as the owner of the wax museum.
If you are a fan of the old Universal and Hammer horror movies, you will enjoy this.
Rating: 3 stars out of 5.
A group of students are invited to a 'showing' at the local wax museum, little knowing the owner wants them killed for his display. Each display contains monsters from the classic horror films, including the Wolf Man, the Mummy, Dracula and other vampires, the Phantom of the Opera, Jack the Ripper and some zombies and walking dead. This movie also includes a dwarf to complete the picture. When the owner has all his victims, fighting starts between all sorts of monsters and ghouls and local OAP's! This is probably the best part of the movie. The museum burns down at the end, but the two main characters survive.
The movie has a good cast, which includes Zach Galligan from the Gremlins movies and a trio of well known British stars: David Warner (Time Bandits, Titanic), Patrick Macnee (The Avengers, A View To A Kill) and John Rhys-Davies (Raiders Of The Lost Ark). Warner plays a great part as the owner of the wax museum.
If you are a fan of the old Universal and Hammer horror movies, you will enjoy this.
Rating: 3 stars out of 5.
Not exactly an Academy Award winner here, but this film is just fun. Director Anthony Hickox set out to make a fun horror spoof and he succeeds very well at it. Zach Gallagan once again stars as the almost nerdy unlikely hero. The film pays homage, firmly tongue in cheek, to the classic horror movies of long ago, and David Warner shines as the demented owner/creator of this wax palace of horrors.
Yes the plot is predictable, but who cares? This is a film meant to be fun and it is fun. Patrick MacNee is delightful as always. Johyn Rhys-Davies is sort of wasted in the small role they give him, but is good as ever. Dana Ashbrook could have used a little more screen time but he is at his smart-ass best in this film. All in all just a fun evening. Anyone looking for something more needs to see the original "House of Wax(1953)" with Vincent Price.
Yes the plot is predictable, but who cares? This is a film meant to be fun and it is fun. Patrick MacNee is delightful as always. Johyn Rhys-Davies is sort of wasted in the small role they give him, but is good as ever. Dana Ashbrook could have used a little more screen time but he is at his smart-ass best in this film. All in all just a fun evening. Anyone looking for something more needs to see the original "House of Wax(1953)" with Vincent Price.
There is something about episodic horror movies that I love. Maybe it harkens back to my youth, when I devoured the EC Horror Comics reprints. Something about each individual character having his or her own interesting death always has been a kick ass idea to me. This movie is great. Each character faces his/her own nasty (extremely gory) death scene in different "exhibits" in the wax museum. A darn good time and some seriously great gore FX! Loved it. 8/10
The Eighties...what a great, fertile, inventive time that was for horror. When the major studios discovered back in the late Seventies that indie horror flicks were cheap to make or just buy outright and distribute, they started crankin' 'em out...by the DOZENS. Way back when, THE EXORCIST turned the faucet on. The movies that would launch long-term franchises filled the tub. HALLOWEEN. Friday THE 13th. A NIGHTMARE ON ELM STREET. And then the tub started spilling over. CHILD'S PLAY. THE HITCHER. THE LOST BOYS. NEAR DARK. FRIGHT NIGHT.
Every company, great and small, started looking for the next EXORCIST, ALIEN, JAWS...the next big thing that would make millions. Enter Vestron Video. Vestron had started out doing some of the first direct-to-video pictures ever made, discovering that the market was HUGE. So big, in fact, that they started a movie division, Vestron Pictures. Their strategy was simple: make good (if not great) genre pics that would put asses in the seats, that they could then distribute through the video arm later on.
One of Vestron Pictures' first releases was a little number called WAXWORK. The plot of the old horror classic MYSTERY IN THE WAX MUSEUM was such a tried and true staple, the studios kept falling back on it again and again, finding fresh ways to retell the story.
WAXWORK took a little different approach from the straight-ahead versions, with a cast and a sensibility for horror that still screams "Me Decade" even today. Check out the victim's list: Zach Galligan (GREMLINS.) Michelle Johnson (BLAME IT ON RIO.) Deborah Foreman (VALLEY GIRL). Dana Ashbrook (TWIN PEAKS). Miles O' Keefe (TARZAN THE APE MAN). Then you throw in vets like David Warner, Patrick McNee, J. Kenneth Campbell, John Rhys-Davies, tap Bob Keen (HELLRAISER) to do make up effects, and you have yourself an Eighties' classic!
Like most films of the period, it starts off with a group of bored, young slacker-types looking for thrills, something...ANYTHING that would be a little more exciting than getting high, getting drunk, getting laid (well, ALMOST more exciting than that), and definitely more of a kick than going to college classes!
They find it, alright - in the form of an invitation to a brand new kind of museum. And this one is not your garden-variety, Madame Tussaud's-wannabe. The wax figurines are so lifelike that the displays seem to draw you in...
Well, okay, they DO draw you in. Here's the kicker: the displays are dedicated to some of the most well-known figures in the history of horror: Dracula. The Wolfman. The Mummy. The Marquis de Sade. Reenactments of their most horrible deeds as they drained blood, hacked and tore off limbs or crushed their helpless victims to death. Seeing the scenes gives patrons the feeling of being in the moment...but if they give in to the compulsion of stepping across the velvet rope around each display, they will find themselves living in that moment...FOR REAL.
And here's the REALLY bad news...if the monsters in each display kill you in the 'waxwork dimension', you become a permanent part of the display...FOREVER. So once that happens, the situation couldn't get worse...could it?
Oh, yeah! The proprietor of the museum has a darker agenda than just dispatching troublesome teens, as our heroes and victims discover with each person who 'disappears' into the museum. And seeing how that plan gets foiled is only part of the giggly, gory fun.
Remember that I mentioned that Bob Keen was the effects guy on this? He got his start as a modeler for movies like STAR WARS, SUPERMAN and ALIEN, cutting his teeth as he worked up to projects like HELLRAISER and THE UNHOLY. But he really served up his calling card with HELLRAISER and with this movie. Gore-wise, this is where the retelling of the Wax Museum story gets more interesting...because thanks to Bob, the visuals go where they never had before.
In a manner that would've made the suits at Universal flinch back in the Thirties, Keen and writer/director Anthony Hickox do away with the "quaint violence" that Famous Monsters used to wreak upon their poor victims. No camera pull-aways here, folks. Where somebody might only threaten to "rip off your head and crap down your neck", these boogeymen take that threat to its most intense extremes. No CGI fakery, either. This was back-in-the-day where almost all the effects were practical, live and in-ya-face...the way we like it!
Okay, so the clothes, the music, the casting and even the acting squarely establish this as what could be considered a "period piece" for horror, I guess. But like his colleagues David Schmoeller, Ted Nicolaou, Stuart Gordon and on occasion Charles Band himself, Hickox knows how to get the action going and keep it that way.
This is one of those gems that might've slipped under your radar, but definitely worth seeking out, hunting down and dragging back home to mount in your DVD library.
Every company, great and small, started looking for the next EXORCIST, ALIEN, JAWS...the next big thing that would make millions. Enter Vestron Video. Vestron had started out doing some of the first direct-to-video pictures ever made, discovering that the market was HUGE. So big, in fact, that they started a movie division, Vestron Pictures. Their strategy was simple: make good (if not great) genre pics that would put asses in the seats, that they could then distribute through the video arm later on.
One of Vestron Pictures' first releases was a little number called WAXWORK. The plot of the old horror classic MYSTERY IN THE WAX MUSEUM was such a tried and true staple, the studios kept falling back on it again and again, finding fresh ways to retell the story.
WAXWORK took a little different approach from the straight-ahead versions, with a cast and a sensibility for horror that still screams "Me Decade" even today. Check out the victim's list: Zach Galligan (GREMLINS.) Michelle Johnson (BLAME IT ON RIO.) Deborah Foreman (VALLEY GIRL). Dana Ashbrook (TWIN PEAKS). Miles O' Keefe (TARZAN THE APE MAN). Then you throw in vets like David Warner, Patrick McNee, J. Kenneth Campbell, John Rhys-Davies, tap Bob Keen (HELLRAISER) to do make up effects, and you have yourself an Eighties' classic!
Like most films of the period, it starts off with a group of bored, young slacker-types looking for thrills, something...ANYTHING that would be a little more exciting than getting high, getting drunk, getting laid (well, ALMOST more exciting than that), and definitely more of a kick than going to college classes!
They find it, alright - in the form of an invitation to a brand new kind of museum. And this one is not your garden-variety, Madame Tussaud's-wannabe. The wax figurines are so lifelike that the displays seem to draw you in...
Well, okay, they DO draw you in. Here's the kicker: the displays are dedicated to some of the most well-known figures in the history of horror: Dracula. The Wolfman. The Mummy. The Marquis de Sade. Reenactments of their most horrible deeds as they drained blood, hacked and tore off limbs or crushed their helpless victims to death. Seeing the scenes gives patrons the feeling of being in the moment...but if they give in to the compulsion of stepping across the velvet rope around each display, they will find themselves living in that moment...FOR REAL.
And here's the REALLY bad news...if the monsters in each display kill you in the 'waxwork dimension', you become a permanent part of the display...FOREVER. So once that happens, the situation couldn't get worse...could it?
Oh, yeah! The proprietor of the museum has a darker agenda than just dispatching troublesome teens, as our heroes and victims discover with each person who 'disappears' into the museum. And seeing how that plan gets foiled is only part of the giggly, gory fun.
Remember that I mentioned that Bob Keen was the effects guy on this? He got his start as a modeler for movies like STAR WARS, SUPERMAN and ALIEN, cutting his teeth as he worked up to projects like HELLRAISER and THE UNHOLY. But he really served up his calling card with HELLRAISER and with this movie. Gore-wise, this is where the retelling of the Wax Museum story gets more interesting...because thanks to Bob, the visuals go where they never had before.
In a manner that would've made the suits at Universal flinch back in the Thirties, Keen and writer/director Anthony Hickox do away with the "quaint violence" that Famous Monsters used to wreak upon their poor victims. No camera pull-aways here, folks. Where somebody might only threaten to "rip off your head and crap down your neck", these boogeymen take that threat to its most intense extremes. No CGI fakery, either. This was back-in-the-day where almost all the effects were practical, live and in-ya-face...the way we like it!
Okay, so the clothes, the music, the casting and even the acting squarely establish this as what could be considered a "period piece" for horror, I guess. But like his colleagues David Schmoeller, Ted Nicolaou, Stuart Gordon and on occasion Charles Band himself, Hickox knows how to get the action going and keep it that way.
This is one of those gems that might've slipped under your radar, but definitely worth seeking out, hunting down and dragging back home to mount in your DVD library.
While walking to the high-school, the teenagers Sarah (Deborah Foreman) and China (Michelle Johnson) are invited by the owner of a wax museum, David Lincoln (David Warner), to a private exhibition at midnight and he tells that they may invite four other friends to come with them. China invites her former boyfriend, the wealth Mark (Zach Galligan), their friend Tony (Dana Ashbrook) and two other schoolmates to come to the museum, but the two last ones give-up.
Mark, China, Sarah and Tony are welcome by a dwarf and they separate in the room during the tour. Soon Tony crosses the security rope of the display and he finds in a cabin trapped with a werewolf. China also crosses the security rope of another display and she finds in a castle with several vampires. Tony and China are killed and become part of the exhibition. Mark and Sarah leave the museum and soon they find that their friends are going missing. Mark goes to the police but Inspector Roberts (Charles McCaughan) does not believe in his words. Mark and Sarah find in the attic of his mansion an old newspaper and they learn a dark secret about David Lincoln. They visit Sir Wilfred (Patrick Macnee), who is a friend of Mark's family, and they learn that David is near to unleash evil on Earth.
"Waxwork" is a funny and gore movie with an absurd story, silly dialogs, but also a cult movie. The Waxwork Museum mysteriously appears in town and soon teenagers, the police inspector and several people disappear in the wax museum, but nobody in the town seems to care. The 80's is a fertile period of horror movies and "Waxwork" is among my favorites. My vote is seven.
Title (Brazil): "A Passagem" ("The Passage")
Note: On 16 February 2021, I saw this film again.
Mark, China, Sarah and Tony are welcome by a dwarf and they separate in the room during the tour. Soon Tony crosses the security rope of the display and he finds in a cabin trapped with a werewolf. China also crosses the security rope of another display and she finds in a castle with several vampires. Tony and China are killed and become part of the exhibition. Mark and Sarah leave the museum and soon they find that their friends are going missing. Mark goes to the police but Inspector Roberts (Charles McCaughan) does not believe in his words. Mark and Sarah find in the attic of his mansion an old newspaper and they learn a dark secret about David Lincoln. They visit Sir Wilfred (Patrick Macnee), who is a friend of Mark's family, and they learn that David is near to unleash evil on Earth.
"Waxwork" is a funny and gore movie with an absurd story, silly dialogs, but also a cult movie. The Waxwork Museum mysteriously appears in town and soon teenagers, the police inspector and several people disappear in the wax museum, but nobody in the town seems to care. The 80's is a fertile period of horror movies and "Waxwork" is among my favorites. My vote is seven.
Title (Brazil): "A Passagem" ("The Passage")
Note: On 16 February 2021, I saw this film again.
Você sabia?
- CuriosidadesThere were three characters that were supposed to be displays in the Waxwork, but left out of the film for legal reasons: Jason Voorhees from the Friday the 13th series, five children from A Aldeia dos Amaldiçoados (1960), and O Enigma de Outro Mundo (1982).
- Erros de gravação(at around 21 mins) In the werewolf scene, when the hunters arrive to kill the werewolf, the young one hands the older one a box containing 3 silver bullets. The older hunter drops the bullets and as he is bending down, we see all 3 on the ground. A few minutes later the older hunter loads a silver bullet and shoots the werewolf. We then see Tony beginning to change. The older hunter kneels down to get another bullet and we see 3 intact bullets on the ground.
- Citações
China: Can't a girl get laid around here without being burned at the stake?
Mark Loftmore: [with an unlit cigarette in his mouth] Anybody got a match?
China: I do what I want when I want. Dig it or fuck off.
- Cenas durante ou pós-créditosDedicated to Hammer, Argento, Romero, Dante, Landis, Spielberg, Wells, Carpenter, Mom and Dad, and many more ...
- Versões alternativasAvailable in both R and unrated versions.
- ConexõesFeatured in The Making of 'Waxwork' (1988)
- Trilhas sonorasIt's My Party
Written by Wally Gold (uncredited), John Gluck (uncredited), Herbert Weiner (as Herb Weiner) (uncredited) and Seymour Gottlieb (uncredited)
Performed by Lesley Gore
Courtesy of PolyGram Special Projects a division of PolyGram Records, Inc
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
Bilheteria
- Orçamento
- US$ 3.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 808.114
- Faturamento bruto mundial
- US$ 808.114
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente