Vice-Versa

Vice Versa, despite the trite plot, distinguishes itself from other 80s body-switching comedies, because of the age and personality difference between the two characters. To watch Judge Reinhold act like a wild ten year-old trapped in an adults body and Fred Savage to act like a short-tempered middle aged man trapped in a child's body, it makes fine family fun and hilarious comedy. I think, in fact, it is Judge Reinhold in one of his finest moments, being allowed to act like a wild kid, curiously handling adult responsibilities with a child's touch.

Marshall (Judge Reinhold) and his girlfriend take a business trip to Southeast Asia to order some cheap vases for their company's Christmas stock. The shipments get mixed up, and Marshall gets his hands on a strange looking sacred golden skull with mysterious powers that was supposed to be given to some bumbling theives who were going to sell it for a hefty price.

Meanwhile, Marshall's son, Charlie (Fred Savage) is miserable, having to spend the holidays with his dad, an uptight work-a-holic who never seems to have time for Charlie, and usually scoffs at Charlie's suggestions for a little adventure. Charlie was optimistic about the vacation, but it seems that the two just can't get along at all. During an argument about how the other doesn't understand what it's like to be a kid/adult, they get their hands on the skull, and one...two...switcheroo. Charlie becomes Marshall and Marshall becomes Charlie.

Like I said, the thing that makes this movie better than say, 'Like Father, Like Son' which is essentially the same deal (father and son switch), is the contrasting personalities and age differences of the two characters. Judge Reinhold goes from uptight middle-aged guy to a kid who's perpetually stoked about everything. He really turns things around in Marshall's life. And Charlie goes from regular little kid, to something of an arrogant smart-ass. Like 18 Again!, the characters are perfect for a story like this.

This movie is not the one people think of when talking about those "body switching" comedies that came out between '87 and '89. Big always gets the attention, but for my money Vice Versa is funnier, smarter and more memorable. Judge Reinhold didn't get the Oscar nomination that Tom Hanks scored, and more or less dropped off the face of the earth after making this movie (except, of course, for "Daddy's Dyin'...Who's Got the Will"). He was in several '80s blockbusters and stole many scenes in them (Fast Times at Ridgemont High, Beverly Hills Cop and its sequel, Ruthless People....) But this movie is his shining hour, where he is believable and funny as both the uptight adult and the 11-year old kid. Fred Savage is equally good--very convincing when he becomes his dad. The movie builds up its jokes nicely, and has a Capra-esque quality to it. It also makes terrific use of character actors Swoosie Kurtz and David Proval, who is light years away from his Sopranos character. The fact that this movie is lumped in with lesser films like 18 Again and Like Father Like Son baffles me. This one is definitely in the league with Big.

While this one came out around the same time as other 'Body Swap' movies, and is usually blown off by most people as an inferior product. I just want to defend this flick for a bit.

Yes, it's a bit predictable, the script isn't the best out there, and it will never be considered a great classic, but the performances of Messrs. Reinhold and Savage are completely believable. In fact, I thought Reinhold's work in this one got overlooked. I'm not complaining about Tom Hanks' job in 'Big,' but I thought that since Hanks was playing an adolescent boy in a man's body, he played it a bit young. Reinhold, on the other hand, was playing a 9 or 10 year old boy, therefore his portrayal was easier to buy into.

Fred Savage does a very good job as the thirty-something man trapped in the body of a boy. The real selling points of these portrayals is in the details. Watch as Savage gives his 'son' encouragement, or Reinhold's uncertainty in dealing with the world.

As I said, a classic? Nah, but a fun afternoon of family entertainment? You bet!

Separated from his wife and son, Charlie, Marshall Seymour has made himself into successful buyer for a big chain department store. Unfortunately his workaholic ethic leaves little time for him to spend with Charlie. When Charlie comes to stay with Marshall for a break, the pair row and wish they were in each others shoes. A wish that comes true on account of a mystical skull that Marshall mistakenly brought back from his last buying trip.

You got to ask yourself one thing if you are interested in watching Vice Versa for the first time; "are you tired of body swap movies" If the answer is yes then this really isn't the film for you. The fourth adaptation of F. Anstey's novel, Vice Versa is funny, pleasant and not suffering by way of trying to be clever with the format. And rest assured that in spite of its pretty low internet rating, it has a bit more to offer than the likes of The Hot Chick. But it is rigid to the formula of such films, so expecting anything fresh will prove to be a futile exercise. Judge Reinhold & Fred Savage play father and son respectively and both do considerably well with the material to hand. With both proving to have a nice line in comic timing. Sure it's not genre defining or exceptionally hard, but the tidy writing throws up amusing scenarios that both of them utilise to the maximum. Winning scenes come by way of the school and the workplace of the respective individuals, while the involvement of the ex-wife/mother and Sam {Corinne Bohrer} the girlfriend create some nice light hearted touches.

Entertaining fluff for the undemanding viewer. 6/10

Footnote: UK viewers should note that the TV showings of Vice Versa contain many annoying cuts that dull the impact of some scenes. Moderate swearing and obscene finger gestures are the most telling cuts. So if one is interested in catching it, be advised that a pre watershed showing will not be of full comedic value.

I saw Vice Versa for the first time in 1991 when I was seven years old. The film was that realistic that I believed it. My favourite scene is where Marshall and Charlie switch bodies. The special effects are so good that it's totally realistic.

How they managed to make it look like Marshall was shrinking (making his clothes baggy) and Charlie was growing (and ripping his clothes to shreds at the same time-always a fave bit for me) I'll never know, but it was amazing.