A Vida é um Longo Rio Tranqüilo

Unlike the feel good, "everything turns out for the best," "innate human goodness" fluff comedies that we see in the US, this film is based on the proposition that, under pressure, everyone falls to the level of the lowest common denominator.

Years in the past a scorned nurse/lover switched newborns to spite the doctor who was the subject of her ire. When it was revealed, in the present, that these families from opposite sides of the track had each raised the other's son to his early teens, they set about to make it right. After all, there was enough success to go around. Right?

Rather than bringing everyone up to the level of the wealthy politician's family, however, the children (siblings included) become a lot of foul mouthed, cigarette smoking, truants who enjoy their delinquent lives to the fullest. Naturally, the parents follow suit.

No one is immune. The film is a keeper, though the humor is decidedly French and some subtleties are likely lost in the translation.

At last, this little gem of a film is available on DVD (only in French, no subtitles, but it is, in any case, a difficult film to enjoy other than in French), together with 2 hours of additional interviews.

This film is a wicked little satire on the differences (and, below the surface, the similarities) between the bourgeois LeQuesnoy family and the wastrel Groseille family. The artifice used is the switching of two children at birth by the unhappy mistress of the gynaecologist.

For many of the actors and the director, this was their first film, providing a stepping stone for greater things. But "La Vie est un Long Fleuve Tranquille" should not be missed. Many of its little jokes became catchphrases in the France of the eighties and early nineties, so cruelly apt were they.

And do not miss Etienne Chatiliez's later films, particularly "Tatie Danielle" et "Le Bonheur est dans le Pre".

You might not enjoy this film - some people clearly haven't. But I recommend you make the effort to decide for yourself. It will be worth it.

The subject of two children being switched at birth could have easily been the canvas for a melodramatic movie. Instead of that, this work presents a playfull comedy where the clichés of society classes are scrutinized. The laughs are in the details, some dialogs are just memorable. And if the ending might seem a little unsettled, it has the intelligence of leaving questions and conclusions to the spectator about wealth and happiness.

This film is perhaps my favorite French comic film. I have seen it over and over through the years, perhaps 50 times. Having lived in France, I relish it's send-up of two stereotypical French families and their attitudes and interactions with each other as well as with institutions: the church, schools, the medical profession, foreigners among them, etc. As I see it over and over, it is my delight to concentrate on one character or another as they delineate a stereotypical trait. The subtleties are hilarious, yet I can imagine those who have never lived among the French might be bewildered, even turned off.

I was quite surprised that many commenters didn't appreciate this film at all. I think you have to understand class differences in French society and the film's kind of satire in order to be able to enjoy the film. I personally loved it though I would have expected a real 'catastrophe' at the end. But I nevertheless liked the story and the characters, especially this very ridiculous, 'perfect' bourgeois family. I loved the scene where the father looks at the crying, completely desperate mother and the only thing that comes to his mind is to tell her: "Comme vous êtes belle ce soir!" (How beautiful you are this evening!)

Probably Americans are not so familiar with this kind of black, but also at times subtle humor and this is why the reactions were so bad.