Noites macabras de Nova York 2

The vampire from the original film returns. The disappearance of the leading man from a low budget vampire flick forces the makers to recast. They ending up casting the fiend from part one, never realizing he is a vampire until it is too late and has transformed the leading lady into a vamp. Good premise, poor execution. Nowhere near as original or smart as the first film, but still a nice try. Rated R; Violence, Nudity, and Sexual Situations.

The first Graveyard Shift film was a bit more erotic than this one. And this one is tame. The same actor who played a vampire, gets to play one again, but he's a different character. He is like Dracula in a sense, but as a modern day version of him. He gets be an actor of a vampire movie being made. He kills the actor in the movie being made, and the people are unaware that the actor is a real vampire. He has set his sights on the leading lady. The actor he killed was difficult to work with. So when he replaced him, the others fall prey. When some of the actors and crew members become victims of the vampire, they would take action. The pool table scenes are amazing. That's where all bets are off.

Not as gruesome as the first, but just as horror as usual. It was also not as erotic as the first one.

This one went to the jugular.

2 out of 5 stars.

A pretentious, but at the same time interesting and innovative punk-Goth vampire story under a moonlight sky that's probably a little too sullen and clever for its own good. 'The Understudy' is a sequel to the 1987 vampire film 'The Graveyard Shift', which I have not seen but from what I've read is unrelated even though it has Silvio Oliviero returning as the lead vamp.

Camilla is an aspiring actress starring in a low-cost vampire movie, and she's captures the eyes of a drifter vampire Baisez who's being secretly hanging around the sets. He eventually casts a spell over Camilla, which sees her fall for him with a bite. After the disappearance of the leading man playing the vampire, Baisez with some help auditions for the part and everyone is in awe of his convincing performance, except for Camilla's soon to be husband Matthew.

The idea behind the concept involving a movie within a movie set-up inviting the feeling that life is intimating art in a self-knowing and manipulative manner became a little baffling and loose, despite the straight-forward narrative structure. At times it gets hard to tell what reality is, or what's for simply the camera… cut! These novelties couldn't hide the fact it's a melancholy love story, as the vampire is the desirable temptation and obsessive fixation that drives the Camilla character. The offbeat script is reasonably talky and very ambiguous on Baisez's intentions and past. It heavily relies on Silvio Oliviero's brooding appearance and erotic allurement. It's a serious turn of conviction. Across from him is the beautifully confident and very engaging Wendy Gazelle as Camilla. Mark Soper is solid. Lesley Kelly, Timothy Kelleher and Carl Alacchi are also sound additions.

Director / writer Gerard Ciccoritti's competent steering keeps to the low-budget's strengths, highlighting moody and smoky atmospherics. It's considerably slow-moving, keeping the lurid camera-work within muggy confined sets with bleary lighting and limited FX work to distract. Philip Stern's bluesy music score is sensually sombre, but alluring in its transition to the on-screen action.

A haunting, if overdone low-budget vampire feature.

My review was written in July 1989 after watching the film on Virgin Vision video cassette.

This sequel to the 1987 vampire pic dwells on the behind-the-scenes aspects of horror filmmaking. Direct-to-video release should scare up some genre fan interest.

Silvio Oliviero encores as the real-life vampire who appears on a movie set and replaces the missing leading man (who's actually been killed by one of Oliviero's minions). He causes no end of trouble until the director (Mark Soper) finally figures out he's the real thing. Rather silly plot twist lets Sop4er and Oliviero shooting a game ol 9-ball to determine the heroine's fate.

Canadian helmer Gerard Ciccoritti generally eschews humor here, going for a fragmented structure as well as a dark and dour mood. Cast is effective, especially sexy heroine Wendy Gazelle.

I believe this is the first review I've done of a movie I couldn't stand. This seems appropriate since this is the only vampire movie I can EVER remember seeing that I didn't at least remotely enjoy. (Heck, I even rented "A Polish Vampire in Burbank" more than once!)

"The Understudy" had to be the most boring horror film I've ever seen. In fact, I honestly can't recall now, whether I made it all the way to the end or not. I hate movies in which you cannot ever really tell whether you are seeing fantasy or reality. That's fine for a short dream sequence -- but not the bulk of a movie!

The one and only highlight for me was the film editor (or whoever he was) looking at a strip of film & inexplicably getting the willies -- then seeing one frame on which the vampire had revealed its fangs. Quite a highlight for a full-length film, no?

This film might be useful for breaking a child of his/her fear of vampires. The only thing scary about this one was the fear of going to sleep and falling off the sofa. The only "Children of the Night" you hear in the background are the turkeys gobbling over this clucker!