U2: Rattle and Hum

Tens of thousands of feet of film were shot during the making of 'U2: Rattle and hum', Most of it in black and white. Some of this was intentional, but allot of it was due to the fact that director Phil Joanou had a limited budget to work with and black and white film at least at that time was less expensive. Shooting in 16mm as well as 35mm was another reason that this film was shot almost entirely in black and white. About 90% of the footage was done in that format rather than color. From Watching the final cut of the film it would seem to suggest that it was more like 80% of the over all footage, but keep in mind there was allot more black and white footage cut from the film than color. I obtained a great amount of the footage that was never seen in the original version of 'U2: rattle and hum', 480 minutes of it to be exact. When I first saw 'U2: rattle and hum'

In 1988, I was fortunate enough to see it at a 'century theater' complex in San Jose Ca. On the biggest screen they had out of the 2 blocks of 'century theaters' lining one side of Winchester blvd. There in San Jose. They even had a special concert PA system temporarily installed for this special feature. It was truly the best way to see this movie, and the experience has stuck with me ever since. For many years I have felt that this movie could very well be the best film about a band ever made. Maybe even possibly the best music related film ever made with the exception of 'Woodstock' or perhaps 'The last waltz'. The movie has at times a real gritty look to it due to the 16mm footage. It feels earthy, grounded, cultural, important. Especially the portion of the film where U2 put on the 'Free the yuppies' concert at the 'embarcadero center' in San Francisco. This was the portion of the film where the band performs 'All along the watch tower'.

This concert was monumental (no pun intended) for the history of music in many ways. For one this concert was announced 2 hours prior to the performance over San Francisco's 'Live 105' fm alternative station. The concert was not scheduled prior to the two hour announcement. Bono, the edge, larry mullen jr., adam clayton as well as their management decided to put the show on the day before it actually took place. I was living in San Jose at the time and heard the announcement on the radio that day. I didn't have to work that day so I could have easily made it but a problem came up and to my bitter disappointment I was unable to attend the show. The entire show is truly wonderful (I have the entire performance on video). The monumental thing about this performance was of course the point in which Bono paints the Monument erected many years before in the embarcadero square by a french artistic designer.

The now infamous "rock and roll stops the traffic" slogan that bono spray painted on the monument is one of the greatest moments in music history. What most don't know is that bono never left the stage during all along the watch tower, the monument was painted during another song. which one was it? Well you'll have to find out for your self, I'm not telling. I went to see the monument the next day late at night. A friend and I climbed the thing to see the painted area. It was already painted over but you could see where it had been painted from the color shades being off a bit. I did make it to the performance at Oakland Stadium the next day. This was of course the 'Joshua tree' tour. Bono managed to find the french artist who created the monument that bono had spray painted just the day before. After a short 'wave hello' the artist proclaimed "U2 can spray paint anything I create any time they want!". This was in retaliation to the mayor of San Francisco who banned U2 from returning to San Francisco for the deed. Later the ban was lifted. But now back to the footage cut from the final film released through 'Paramount pictures'.

It is anybody's geuss as to why some of the best footage was cut from the film. Most notably 'the voices of freedom' performance at 'madison square garden'-performing 'still haven't found what I'm looking for' with the band. It is truly touching and would have been 'hands down' the best part of the entire movie had it made the final cut. directly after the group of church singers leave the stage U2 kicks into a rare live performance of 'Spanish eyes'. It is really a shame that these performances were left out of the fianl cut. I have 40 minutes of footage of U2 on their van ride to the church where they were to first meet the 'voices of freedom' as well as 40 minutes of footage after they arrive at the church. Also the entire graceland tour was filmed which I also have. I can understand why joanou left most of this out, it can be rather dull to watch, but it was interesting to hear allot of U2's questions and comments as they went along the tour. Hours of other precious moments are also seen in the deleted footage. 'U2: rattle and hum' is a true classic music film, but if phil joanou and U2 wanted to share those precious moments with the rest of the world they might think about releasing the entire thing in a directors cut. I had to pay allot of moola for the footage I have, and I mean allot!, all 480 minutes of it. Having seen it for myself in my opinion it is a crime to hide this footage from the public. U2: 'rattle and hum' is a great movie, a complete directors cut would make it a landmark in the history of the cinema.

This movie delivers U2 doing what they do best (touring), experimenting with new types of music in America and showing us that they're truly the nice guys they're projected to be. I see nothing disappointing about charismatic interviews, solid musical performances and meaningful reflection. Those who disliked this departure from the band's "usual" style can't recognize the importance of musical growth we see here. Looking back to what The Joshua Tree was and what became Achtung Baby, it's easy to see Rattle and Hum was a necessary expression of their progress at that time, and a humble look at a band celebrating their artistic heroes.

The only concert I have ever attended in my life was the U2 concert held at Murrayfield Stadium in Edinburgh on the first of August 1987 . This was part of the band`s Joshua Tree tour and I was slightly disappointed with the concert possibly down to the fact that The Joshua Tree is the band`s most Americanized album and as a die hard fan I much preferred their first three albums

U2:RATTLE AND HUM is the movie release made to tie in with the album of the same name that when it was released in the Autumn of 1988 became the fastest selling album in British chart history . It consists of interviews , concert footage (and the occasional track being recorded in the studio , nothing groundbreaking or radical and what you make of this documentary all comes down to what you make of late 1980s recordings from Bono and the boys since most of the concert tracks are from The Joshua Tree . In its favour it`s far better directed and edited than the 1983 release UNDER A BLOOD RED SKY but if like me you prefer early 80s U2 then you`ll be disappointed with what`s missing , stuff like Gloria ( Not the Van Morrison song ) , I Will Follow and Electric Co . Bizarrely the best track from the album HawkMoon 269 is conspicious by its absence . I say bizarrely because Bono is on record as saying at the time it was his all time favourite U2 track and is the stand out track from the album . As it stands the movie`s highlight is the rendition of Sunday Bloody Sunday played on the night of Sunday 8th November 1987 hours after an IRA bomb had murdered 11 people and maimed scores more at a remembrance service in the Northern Irish town of Enniskillen where Bono explodes a few myths of " The glory of the revolution "

I got the DVD for my Christmas a couple of years ago ( Thanks Michelle ) and I was very disappointed since it basically contains just the movie and a choice of subtitles with no extras

I knew little about U2 in the 80s. I was still a pre-teen, and I was probably listening to what my parents put on like Michael Jackson, Joe Cocker, John Denver, Janis Joplin, and Willie Nelson. However, little by little, I grew to be a fan of theirs, probably especially after I first heard the song "Bad" on the radio as my parents drove me to college for my first year.

I bought the DVD of this on a total whim and was greatly rewarded. The opening sequence with "Helter Skelter" establishes a somewhat otherworldly yet gritty intensity for the b&w sequences. I agree that the film doesn't do a good job of getting at the personalities of the singers, and besides these guys are so used to the camera that they'd be able to manipulate the coverage anyway.

What Phil Joanou does get wonderfully is the passion for the music in these guys and how they inspire others: those moments when they stop and listen to the Harlem blues man singing "Freedom for My People" or the Gospel choir that takes flight with "Haven't Found what I'm Looking For" are something pure with a hint of magic. This is also well-played in the GORGEOUS transition to color in the Super Bowl-size stadium for "Streets Have No Name." You'd think Jesus himself was about to come on stage.

My only qualm: the music and lyrics themselves have enough social meaning of their own. Bono really doesn't need to interject much more on stage. Their performance of Bullet the Blue Sky gets at the social points with greater force, "Pelting the women and children/Pelting the women and children," than Bono's well-intentioned commentary. I give it four stars though because it hits all the right notes. PHIL, WHY HAVEN'T YOU DONE ANYTHING LIKE THIS IN YEARS?

I have recently watched this DVD again for the countless number of times. It just gets better and better. Rattle And Hum takes you on a journey with U2 as they talk about their music, current tour and thoughts on various subjects.

This Music/Documentary gives a great insight to how U2 emerged into one of the most influential bands of all time. The selected songs, which include some of music's classics like "With Or Without You" and "Pride" are a must to watch. The brief but frank interviews give a somewhat comic and emotional look at the individual band members.

This is simply a must have for all U2 fans and a must see for all others.