Brinquedo de Lata

Although some of their features/short films are better than others, anything by Pixar by my standards is worth watching. Tin Toy is one of their early efforts, and while not one of their best short films like Geri's Game or Presto it is definitely worth watching. The animation is not terrible, but their more later efforts had a more sophisticated look. There are some nice colours, and Tinny is beautifully done with dead-on facial expressions, but fluidity is lacking at times and the baby is more scary than cute. The music is beautiful though, there are a few amusing moments amidst the more compassionate tone and the characters are engaging with Tinny being one of the Pixar title characters I identify most with. Overall, definitely worthwhile, but Pixar have done better in my view. 8/10 Bethany Cox

This animated short is about the constantly changing interaction between a toy marching band figure and a baby.

The story is simple but engaging. The marching figure has a mind of its own, first avoiding the terrible baby who terrorises toys (and even the boxes of the toys). When the baby cries, the marching figure decides that he has sympathy and compassion, and bravely goes back out to cheer the baby up. I got alarmed when the baby puts a bag on his head, and I was lifted up by the bravery of the marching figure.

The animation looks sub standard in modern day standards, but when I look back twenty years ago, the 2D animations I watched when I was a child were nowhere as good as this.

Lasseter as director, anthropomorphic toys and a nightmarishly destructive baby. Yes, Tin Toy was what Disney desired after it won Pixar's first Oscar and acted as the primary inspiration for the much beloved 'Toy Story'. Again, much like with 'Red's Dream', there are several aspects which are admirable and others that proved too challenging at the time. The star of the short, Tinny the one-man band player, is the crowning glory. Beautifully rendered with fluid computer animation where a layer of gloss acts as a reflective surface, allowing another level of aesthetic detail. The environmental scenery, that of a lounge, is full of texture and vibrancy (given the limitations of technology back in 1988). The story is short, sharp and sweet, profoundly more optimistic and fun in comparison to the melancholic 'Red's Dream'. The difficult challenge was animating a human baby, relying on several facial muscle movements to express emotion. Alas, it's aged incredibly badly. The body movement was jagged and unnatural, the skin looked plastic and overall is enough to give anyone nightmares. Indicating that technology and time were factors that became a detriment to this particular model. And as always, these shorts are nearly instantly forgettable, acting as a proof of concept as opposed to an endearing narrative. However, Tin Toy established computer animation as a legitimate art, and so for that I am thankful for Lasseter and his team of animators.

The third notable short from everyone's favourite 3D animation studio (or fourth, if you're generous to 'Andre and Wally B'), 'Tin Toy' came about when Pixar were clearly gaining more confidence and expertise in their technical field, following 'Luxo Jr' and 'Red's Dream', two very simple but effective shorts revolving around inanimate object characters. Usually credited as the forerunner to the excellent 'Toy Story', 'Tin Toy' is a worthy predecessor even if it has long since been surpassed by the likes of Woody, Buzz and Mr Potato Head, and very enjoyable as a stand-alone film.

Unlike the following year's 'Knick Knack' (made famous once again by its recent theatrical coupling with 'Finding Nemo'), the animation isn't quite so timeless in all regards that it could easily pass as an animated short made in this day and age, but it's not too far off. There are many aspects which sport real flair and improvement over their previous efforts, but others which are only too telling of the limitations the studio was currently facing.

No complaints with Tinny, the 'tin toy' of the title - he's a very charismatic creation indeed, and extremely well-animated. This being a non-dialogue film, it's up to his facial expressions to do the talking, and they do it well – awe, confusion, pleasure, terror, empathy – rendering him another very memorable and sympathetic character in Pixar's canon, and at the same time setting the ball rolling for the wider range of emotions that would later immortalise the heroes of 'Toy Story'. The human baby, on the other hand, is the short's biggest visual weakness - a bold attempt to combine 3D animation with real human mannerisms, something which it isn't entirely successful in (compared to the vivid realism of all his inorganic co-stars, this chunky little infant can't help but stick out like a sore thumb). Some of his actions are nicely rendered, particularly the drooling and sneezing (pure gold), but on the whole he does look and move rather awkwardly - so, while a good effort, the end result there is a little patchy.

Once again, it's the original and surprisingly powerful story that we can really thank for still making this short such stellar viewing today - proving very thoroughly that plot and character are always the wisest investments. 'Tin Toy' presents us with a toy's eye-view of a curious new world that initially seems very inviting, but soon reveals a much more unsettling reality that all local toys live in fear of. Even something as benign and innocent as a human baby from our usual POV can seem positively terrifying from the perspective of a small toy, as this short deftly captures. Its overall air, however, is very sweet, gentle and endearing, and has enough basic charm to be a real winner in the feel-good field.

And I got the message well enough too - sometimes there better solutions to our problems than just running and hiding from them.

Grade: A-

Prequel or spiritual Predecessor to Toy Story.

Seriously, it's all right there. The nightmare fuel baby, first time the very dated CG in one of these early Pixar shorts feels completely appropriate to what tone they're going for, could easily be Sid as a toddler, with how much he terrifies the living toys.

This is the first of these in chronological order that actually got a chuckle out of me. The idea that the titular character literally struggles to move without playing his instruments, which attracts the unwanted attention of the monstrous, drooling, destructive creature, is genuinely funny. I appreciate a shot near the end of this that greatly increases the scope, without adding an inhumane load to the animator's work. This is found on Disney Plus for no additional fee after subscription payment.

I recommend this to completists. 7/10.