AVALIAÇÃO DA IMDb
7,0/10
4,3 mil
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaShoe-shiner Gino is hired to take the rap for a mafia murder. Two-bit gangster Jerry watches over Gino and gives him a weekend to remember.Shoe-shiner Gino is hired to take the rap for a mafia murder. Two-bit gangster Jerry watches over Gino and gives him a weekend to remember.Shoe-shiner Gino is hired to take the rap for a mafia murder. Two-bit gangster Jerry watches over Gino and gives him a weekend to remember.
- Prêmios
- 2 vitórias e 2 indicações no total
Willo Hausman
- Miss Bates
- (as Willo Varsi Hausman)
Jack Merrill
- No Pair
- (as Merrill Holtzman)
Charles Stransky
- Scarface
- (as Chuck Stransky)
William H. Macy
- Billy Drake
- (as W.H. Macy)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
While I am not a huge fan of David Mamet I liked most of the movies he directed that I saw and since he directed often one of my favourite actors, I knew that I had to see THINGS CHANGE.
Gino (Don Ameche) is an old Chicago shoe-shiner that one day is approached by mob boss Don Green for taking the blame for a murder committed by another gangster. Gino agrees on the condition that he can have a fishing boat with the money he'll receive after a three year sentence. While preparing for the confession Gino is approached by Jerry (Joe Mantegna), a gangster in trouble because he failed to execute orders properly, and they spend a week of thinking in lake Tahoe. At the casino, Gino is mistaken for a powerful mafia boss by a Sicilian who happened to be there and they are mistaken for vips. After the confession fails Gino risks his death but will be saved by Jerry who then joins him in his shoe-shine store.
The plot looked a bit confusing (and it took me long for understanding it) but the acting was good by all (including Mamet's frequent co-stars) and there were some funny moments. Not exactly a masterpiece but still a decent time passer if you are stuck at home.
Gino (Don Ameche) is an old Chicago shoe-shiner that one day is approached by mob boss Don Green for taking the blame for a murder committed by another gangster. Gino agrees on the condition that he can have a fishing boat with the money he'll receive after a three year sentence. While preparing for the confession Gino is approached by Jerry (Joe Mantegna), a gangster in trouble because he failed to execute orders properly, and they spend a week of thinking in lake Tahoe. At the casino, Gino is mistaken for a powerful mafia boss by a Sicilian who happened to be there and they are mistaken for vips. After the confession fails Gino risks his death but will be saved by Jerry who then joins him in his shoe-shine store.
The plot looked a bit confusing (and it took me long for understanding it) but the acting was good by all (including Mamet's frequent co-stars) and there were some funny moments. Not exactly a masterpiece but still a decent time passer if you are stuck at home.
Mamet is not an unalloyed mastermind in my book. He hits and misses.
Here, he (and Shel Silverstein) crafted a story that explores a few clever plot concepts, such as the vaguely "Inspector General"-style false-identity gimmick. No spoiler, there: It kicks in pretty early on and dominates things for most of the flick. Most of the comedy/tension of the flick revolves about that idea.
The truly touching stuff involves the ensemble work, and it's worth taking the flick in of an evening just for that.
Other than that, the structure/storyline of the flick is about 80% good, but about 20% sprinkled with confusing side-events that don't quite seem to mesh.
Mamet and Silverstein tried to engineer a truly compelling denouement, but it doesn't feel quite whole and organic and... compelling, to me. It's merely adequate, in my book.
But if you want to see truly inspired acting, driven by adequate direction, check it out.
Here, he (and Shel Silverstein) crafted a story that explores a few clever plot concepts, such as the vaguely "Inspector General"-style false-identity gimmick. No spoiler, there: It kicks in pretty early on and dominates things for most of the flick. Most of the comedy/tension of the flick revolves about that idea.
The truly touching stuff involves the ensemble work, and it's worth taking the flick in of an evening just for that.
Other than that, the structure/storyline of the flick is about 80% good, but about 20% sprinkled with confusing side-events that don't quite seem to mesh.
Mamet and Silverstein tried to engineer a truly compelling denouement, but it doesn't feel quite whole and organic and... compelling, to me. It's merely adequate, in my book.
But if you want to see truly inspired acting, driven by adequate direction, check it out.
I loved this picture. Mantegna and Ameche are so opposite and I really can't share the view of other people that Ameche is performing a "Being There." Ameche is much smarter, he realizes from the start something is wrong. First he declines the offer but he knows perfectly well these people will shoot him (remember the scene with the smoking lady). Then, the movie starts, and he's in charge, and he keeps in charge, he accepts a luncheon with a Don in LA., he finds money to get back to Chicago, he uses his coin to call the Las Vegas mob.
Nice, entertaining, two and a half stars. I laughed quite a bit. Must be my Italian roots.
Nice, entertaining, two and a half stars. I laughed quite a bit. Must be my Italian roots.
Shoe-shiner Gino (Don Ameche) is hired to take the rap for a mafia murder. Two-bit gangster Jerry (Joe Mantegna) watches over Gino and gives him a weekend to remember.
"Things Change" was Mamet's directorial follow-up to "House of Games" and also takes place in the world of crime. The two films share many cast members, including Joe Mantegna, Ricky Jay, Mike Nussbaum, William H. Macy, and J. T. Walsh, as well as many production staff members. I love how Mamet seems to have his own "stock company" with Mantegna, Jay and Macy. There is something about an ensemble working together again and again that I enjoy.
This film was great and I appreciate that Mamet went more towards comedy. I love his dense language, but sometimes a little humor is good. And mob humor? The best. I have only recently come to appreciate Don Ameche, and this has to be one of his better, later roles.
"Things Change" was Mamet's directorial follow-up to "House of Games" and also takes place in the world of crime. The two films share many cast members, including Joe Mantegna, Ricky Jay, Mike Nussbaum, William H. Macy, and J. T. Walsh, as well as many production staff members. I love how Mamet seems to have his own "stock company" with Mantegna, Jay and Macy. There is something about an ensemble working together again and again that I enjoy.
This film was great and I appreciate that Mamet went more towards comedy. I love his dense language, but sometimes a little humor is good. And mob humor? The best. I have only recently come to appreciate Don Ameche, and this has to be one of his better, later roles.
6=G=
"Things Changes" is a light-hearted look at what happens to an old Italian shoe shiner (Ameche) who's a naive patsy for the mob when a mafia flunky (Mantegna) takes them two of them to Tahoe for a last blast. This Mamet film has a lot of pluses not the least of which is Mantegna and Ameche together in one of Ameche's last films. The story is a cute comedy with a kind of sentimental "feel" to it. The kind of movie that's hard not to like.
Você sabia?
- CuriosidadesFuture husband and wife Felicity Huffman and William H. Macy appear in this film. They were dating at the time.
- Erros de gravaçãoAfter they leave the airport, Jerry and Gino stop to talk with Billy Drake. Then Gino stays in front of the others, holding the overcoats, with Billy on his left-hand side and Jerry on his right. In the next shot Billy appears holding the overcoats and leading Gino with his right hand to the car. For this to be possible it would be necessary that them both had changed their places.
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- How long is Things Change?Fornecido pela Alexa
Detalhes
Bilheteria
- Faturamento bruto nos EUA e Canadá
- US$ 3.527.886
- Fim de semana de estreia nos EUA e Canadá
- US$ 600.809
- 23 de out. de 1988
- Faturamento bruto mundial
- US$ 3.527.886
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