Adicionar um enredo no seu idiomaA wealthy Paris lawyer facing execution finds a poor prisoner willing to trade places with him in exchange for promising his fortune to the man's family. After his release, he returns to his... Ler tudoA wealthy Paris lawyer facing execution finds a poor prisoner willing to trade places with him in exchange for promising his fortune to the man's family. After his release, he returns to his old home but doesn't reveal his true identity.A wealthy Paris lawyer facing execution finds a poor prisoner willing to trade places with him in exchange for promising his fortune to the man's family. After his release, he returns to his old home but doesn't reveal his true identity.
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- Ganhou 1 Primetime Emmy
- 1 vitória e 3 indicações no total
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This means its presentation suffers from a lot of dated clichés, such as a saccharine Hallmark Channel musical score that often detracts from the powerful acting, bright lighting & sets which give it a slightly cheap look, and it also feels a bit rushed in pace, not giving the dramatic moments enough time to sink in. But if you can overlook these small flaws, the story and acting will sweep you away.
Though set during WW2, this is not a war movie, there isn't much violence, and when there is violence it's handled in a safe PG-13 way. This is mostly a sentimental film that focuses on the characters' feelings more than action and plot twists. The plot does get twisty toward the end, bordering on crime thriller, but really this movie is more for people who enjoy slow, nostalgic films with themes of regret, forgiveness, morality and a dash of romance.
I would compare this film to "Somewhere in Time" (1980) though the stories are nothing alike; they both share the same sentimental vibe, a bit syrupy in presentation but with first class acting and a great story.
It's a good distance from the perfection of The Third Man, but this largely-forgotten TV adaptation is still a thoroughly engrossing story, much better than the great majority of cinema releases in a similar vein. It's better early on, and ends a little weakly, but all the turns of the plot keep you watching.
Anthony Hopkins is truly first rate, and the script is fine, even if the camerawork, music, direction and general production values are strictly from a 1980s made-for-TV movie. All the other actors are solid, although the young Kristin Scott-Thomas, not yet fully-formed, is slightly miscast as a working class woman with a continually appearing and disappearing amateur dramatics cockerney accent.
With more money, time and care, this could have been just as much a classic as The Remains of The Day or The English Patient, but even as it is, it still remains one of the better adaptations of Greene's work.
A prisoner makes a deal with another prisoner to save himself from being executed they swap places in exchange for everything the one owns including a secluded mansion.
I won't spoil the story or bore you (if you have seen it) with more of the plot.
It is well done...the acting good...the screen adaptation of the book not ponderous like they sometimes are trying to cram too much in.
Anthony Hopkins like Anthony Perkins before him was type caste by one horror role. This younger version of him makes it easier to forget.
A good watch. RECOMMEND.
Você sabia?
- CuriosidadesGraham Greene wrote this when he joined MGM as a contract scriptwriter in 1944. It sat in their archives until it was discovered in the early 1980s, and was originally intended to be a major cinema release.
- Erros de gravaçãoWhen the deed of gift and will are written in the prison cell, the sister's name is spelled 'Terese'. The French spelling is 'Thérèse'.
- Citações
German Officer: There were outrages committed in the city last night. The second in command to the military Governor was murdered. Also a girl on a bicycle. We do not complain about the girl. Frenchman have our permission to kill French women if they wish to.
- ConexõesEdited into Hallmark Hall of Fame (1951)
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- Hallmark Hall of Fame: The Tenth Man (#38.1)
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