Tapeheads: Uma Dupla Muito Louca

More than just a few similarities between these two 80's cult films. Both have punk rock elements. Both have major settings in downtown LA's industrial area in the 1980's, well before the arrival of loft buildings and gentrification (post 2000). At that time, only misfits, hard core artist types and homeless were living there. Both parody media of the times, including music videos. (Repo Man specifically skewering televangelists and Tapeheads specifically roasting self-help types like Tony Robbins, or more likely Don LaPre.)

Both have goofball government agents chasing after the protagonists. Repo Man has The Circle Jerks doing bad lounge music in a dive bar. Tapeheads has Fishbone doing bad country music in a dive bar. Both have authority figures with "perverted" sex secrets (Tapeheads' Norman Mart with his spanking games, and Repo Man mentioning that John Wayne was gay.) Both films were produced by Michael Nesmith. (Sure The Nez must have been on familiar ground here with Fishman's script, just coming off Repo Man a few years prior.)

As others mentioned, director Bill Fishman employed a number of Cox's previous collaborators, including Zander Schloss, Xander Berkely and Courtney Love. So, was Fishman intentionally, slavishly copying Alex Cox with Tapeheads?

Honestly, I don't care, but the similarities are just so striking that I could not write a review of this film without mentioning them. If Repo Man is a 10, then Tapeheads, a similar take on LA in the 80's is an 8, the film's rating elevated largely by the game, appropriately goofy performances of Cusack and Robbins as the two leads. Cusack is really great in both comedy and drama, especially considering he would go on to a heavily dramatic (and successful)role in Stephen Frears' The Grifters only a couple years after this film.

It's not for everyone, and people use the term "quirky" far too much for my tastes. But this movie really is a quirkfest of the highest order and one of my personal fave pet movies.

(I should also note the similar plot point from Christopher Guest's movie The Big Picture, released about a year later, where the protagonist leaps from obscurity to fame after directing a no-budget, goofy music video which gets his name mentioned on MTV, by Richard Belzer of all people. Yet another element for me to confuse in my addled brain...wait, wasn't Richard Belzer in this movie? Oh no, that was The Big Picture!)

If you haven't stumbled across the movie, and you like Repo Man, early MTV or goofy 1980's comedies, you should check this out. And be on the watch for super brief cameos from Michael Nesmith, Weird Al Yankovic, Bobcat Goldthwait, Courtney Love and Jello Biafra. There's a cast list for ya, film fans.

Now, if you will excuse me, I'm really hungry and could do well right now with a Scoe's Special from Roscoe's Chicken and Waffles.

starting with the opening credits with the song "bet your bottom dollar on me" and the line "dad put his fingers in it!" i knew this was a cult classic in the making. this film should not only be awarded posthumous awards for sheer, naked drop dead funny lines ("work time's over, drinkin' times begun") to obnoxiously funny music video parodies (can anyone forget the feathers in "my baby doll"?) to bobcat goldthwait as a pre-tony robbins influential speaker (cash-flow, cash-flow, cash-flow). my best friend and i watched this movie for years, and now a dvd release...to hell with extras, this is TAPEHEADS... btw, if anyone has the soundtrack....

I can't explain why but I've watched this a hundred times and I keep laughing, alongside Cusack's Better Off Dead. John Cusack and Tim Robbins were still playing losers and became good friends off camera when they made Tapeheads, as they play bumbling would-be music video makers. In order to get their boyhood heroes The Swanky Modes (played by real-life singers Sam Moore and Junior Walker) the gig of all gigs, they scam and plug their way through unpaid work, Roscoe's chicken and waffles, relentless hitmen and a vengeful politician. Great character acting by Jessica Walter, Don Cornelius and Clu Gulager. Cameos by a ton of folks, including executive producer Michael Nesmith (from the Monkees), Jello Biafra, Fishbone and the Nuge. Along the way are all kinds of catchy little jokes that you either like and remember forever or. just don't like. "We love Menudo." "On spec." The mounting parking tickets. At least watch it for Cusack and Robbins passing the Brothers Against Drunk Driving (BADD) alcohol test: going through the alphabet backwards with your eyes closed, skipping all the vowels and giving the hand sign for each letter.

The DVD is letterboxed and has a strong analog track with Nesmith, director Bill Fishman and production designer Catherine Hardwicke. Much of the time it is as light-hearted as the movie and interesting. Unfortunately, Fishman brings up tons of scenes that were deleted from the film but aren't included on the DVD. I'm sure there's some reason for this, maybe they just weren't available, but it's kind of frustrating - they actually sound funny instead of the usual deleted scene that deserved to be cut out and forgotten. I was surprised that so much stuff was actually cut out, and that Cusack and Robbins wanted to play the opposite roles when they auditioned. But, this ain't the high theater either. At times the analog track has some of those "Remember when that happened" stories, that only work if you really really like the film. But then, why else would you watch the whole thing with the analog track on?

Ivan Alexeev (John Cusack) and Josh Tager (Tim Robbins) try to break into the L.A. music scene in the late 1980s. Quirky Samantha Gregory (Mary Crosby) tries to help.

I caught this back in the late 1980s at a small art house. The audience loved it and it was held over for a few weeks. Back then I thought it was just great. Seeing it now, 20 years later, its charms have faded. It is very energetic and Cusack, Robbins and Crosby are just great. There's also a large cast of character actors in small roles that help. The commercial parodies and music videos are funny and inventive. BUT the film gets repetitious real quick--the same jokes are made over and over. It's also very dated (you have to laugh when a character says "Video is the future"), has plenty of bad jokes and some real mediocre songs. Still this has enough good moments to give it a 7 and the closing song/video during the closing credits is lots of fun! Ex MTV DJ Martha Quinn appears as a--music TV DJ! This might work better with an audience.

Looking back at 'Tapeheads' all these years later is a strange trip! John Cusack is now a respected leading man and Tim Robbins is Mr. Credibility. Back in the day they were two zany dorks up for just about anything. This movie is sometimes surreal, sometimes silly. Very uneven with some segments just falling flat on their face. But there is more than enough unhinged invention on show to make it something unique.

It might on the surface seem like the precursor to Bill and Ted and Wayne and Garth et al, but there is an underlying subversive, almost punk attitude, that puts it closer in spirit to 'Roadside Prophets' (which also featured Cusack) or even some of the movies of Alex Cox. Cox has no direct involvement with 'Tapeheads', but like his 80s cult classic 'Repo Man' it was produced by ex-Monkee Mike Nesmith, and several Cox regulars appear - Sy Richardson, Zander Schloss, Xander Berkeley, Bobcat Goldthwait, and even (an uncredited) Courtney Love.

The plot doesn't matter all that much, at times it's just an excuse for music video parodies, pop culture in-jokes, and cameos by an almost endless parade of musicians, familiar TV faces, and other oddballs, everyone from Jello Biafra to Connie Stevens. It's like channel surfing while tripping and listening to oldies radio. Just the sight of seeing 'The Killers' Clu Gulager being spanked by Courtney Love while cult favourite Susan Tyrrell urges her on (blink and you WILL miss it!!), is almost worth watching this alone for. 'Tapeheads' may not be THE great lost 80s cult movie, but it does deserve to be rediscovered. There's no other movie QUITE like it! And it will put a smile on your face, guaranteed.