O Filho da Máfia

I grew up in Brooklyn. I knew Spike and his friends. Their names and faces were different, but their lives were the same. If you treat this movie as a political statement you will be offended. If you treat this movie as entertainment you'll suffer. But if you treat this movie as a sociological exercise, you will be enlightened. No movie made before or since, has captured the essence of Brooklyn so effectively. Story, plot progression, and emotive content are deliberately sacrificed to the end of painting a realistic portrait of both the subjects and their neighborhood. At the film's conclusion, the characters, like their environs, develop little. Such is Brooklyn.

Those of you who (Italians) are taking this movie seriously need to ease up. I truly believe this was a comedy. Satire has to be exaggerated. Since all you Brooklynites seem to be taking offense, have you ever watched Saturday Night Live? Do you understand the concept of satire? Borgnine's performance was over the top and Sylvia Miles as the coke-sniffing Congresswoman was a laugh riot.

Sasha was charming and his mother was comical. Sorry guys, this was light comedy that poked fun at Italians/Puerto Ricans/Jews. Give it a rest, there are plenty of better movies that put Italians in a bad light. I bet you all watch The Sopranos every Sunday huh?

Alan Bowne, sadly, will not be around to enjoy SPIKE's reemergence (assuming that Image gets off its ass and publishes a long-awaited anamorphic DVD release); but the film's many fans will rejoice. Image published a pan-and-scan transfer on LaserDisc in 1989.

In other reviews of the film on this site, some (perhaps myopic?) individuals skewer SPIKE for its depiction of certain Italian characters - failing to notice that the foibles of women, Jews, gays, Puerto Ricans and W.A.S.P.s share equal billing. Morrissey & Bowne's targets were hypocrisy and bigotry. The score - a double bullseye.

Viva Spike Of Bensonhurst. While we're asking, may we have an official DVD release of Andy Warhol's BAD, another classic of the period?

This is an odd movie. The script and acting are toned-down John Waters, the plot structure is no more than it has to be (and sometimes not even that), but the look of the film, especially the composition of shots, is beautiful, careful, and coldly objective. Morrissey has a unique eye, demonstrated on the cheap in "Trash" and displayed here in surreal, over-saturated color.

Spike of Bensonhurst is a lot of fun. It's an only slightly idealized look at life in Brooklyn's ethnic enclaves in the 1980s, by former Warhol co-conspirator Paul Morrissey. With amusing and well deployed performances by Mitchell and by Borgnine as the neighborhood Mob boss he runs afoul of, it's one of the few Brooklyn- or New York-set movies from that era that actually looks like it was filmed there, not on a set. (Even Martin Scorcese's films of the period - although not his 1970s movies, of course - look slick by comparison.)

Maybe people don't like the fact that Spike implies strongly that life goes on even amidst crack, ethnic violence, and corruption and doesn't preach about these things - just presents them as facts of the local situation, without letting them get in the way of humor? Somehow, the movie leaves you amused and feeling good in spite or even because of some of the more graphic stuff it shows you.