O Filho da Máfia

Sasha Mitchell stars as Spike Fumo a boxer who want to be a champion but not mess up his pretty looks in the process, Fumo gets along well with the mobster Baldo Cacetti (Ernest Borgnine, in a great performance) however it's when Spike starts eyeing Cacetti's daughter Angel (Maria Pitillo) he's forced out of his neighborhood and forced to live with his Puerto Rican friend Bandanna (Rick Aviles) and there he starts his own boxing circuit, however when Cacetti finds out Spike has gotten Angel pregnant, As well as Bandanna's sister India (Talisa Soto) things heat up to confrontation in this hilarious and sly satire of Rocky and mobster flicks. The best joke is of course that Sasha Mitchell doesn't want to actually earn his title as champion but rather have it fixed by mobsters so he doesn't have to work so hard. Sasha Mitchell displays real acting talent and real sharp comic skills, something that would surprise you if you saw him on that awful TV show he was on. This without a doubt Mitchell's best movie and it's thanks to the humor derived from Mitchell and Borgnine's chemistry which provides the most enjoyable moments. The only complaint is Talisa Soto who comes off like a deer in the headlights. Still it's shocking that the best Mitchell could do after this was Kickboxer 2, 3 and 4.

3.5/5 Matt Bronson

This is one strange movie, and that's why I love it so much. The actors overact, the lead actor is a jerk, his Portuguese sidekick is a riot, and the last scene is strangely touching and uplifting. Oh, and the dialogue has to be heard to be believed. No, this is no Godfather, but I doubt that that was Paul Morrissey's intention. If you don't take it too seriously, you're in for one strange, fun viewing. Oh, and the Spanish pop music soundtrack by Coati Mundi is just great! I'm not joking, either. . . Gus Van Sant should have remade this instead of Psycho.

I grew up in Brooklyn. I knew Spike and his friends. Their names and faces were different, but their lives were the same. If you treat this movie as a political statement you will be offended. If you treat this movie as entertainment you'll suffer. But if you treat this movie as a sociological exercise, you will be enlightened. No movie made before or since, has captured the essence of Brooklyn so effectively. Story, plot progression, and emotive content are deliberately sacrificed to the end of painting a realistic portrait of both the subjects and their neighborhood. At the film's conclusion, the characters, like their environs, develop little. Such is Brooklyn.

I have been an advocate of this movie since it came out. It is charming and endearing. Sasha Mitchell exudes a natural warmth that grabs your attention and leaves you smiling. The movie is well written, well acted and well produced. On its own terms, this is an entertainement that gives much pleasure which lingers long after you've seen it. It is well worth renting.

Alan Bowne, sadly, will not be around to enjoy SPIKE's reemergence (assuming that Image gets off its ass and publishes a long-awaited anamorphic DVD release); but the film's many fans will rejoice. Image published a pan-and-scan transfer on LaserDisc in 1989.

In other reviews of the film on this site, some (perhaps myopic?) individuals skewer SPIKE for its depiction of certain Italian characters - failing to notice that the foibles of women, Jews, gays, Puerto Ricans and W.A.S.P.s share equal billing. Morrissey & Bowne's targets were hypocrisy and bigotry. The score - a double bullseye.

Viva Spike Of Bensonhurst. While we're asking, may we have an official DVD release of Andy Warhol's BAD, another classic of the period?