Guerreiras do Universo

Cirio H. Santiago managed to churn out one B-flick I actually enjoyed, 1981's Firecracker with martial artist who wasn't afraid to go nude, Jillian Kesner. She knew EXACTLY what kind of film she was in and committed to it, not to mention she could act as well as fight.

Were it only The Sisterhood even 1/10th as good. Poor acting, directing and dialogue requires at least some sort of offset such as convincing action, dazzling pyro, generous nudity/sex or some actual drama. Nearly everything felt so contrived or phoned-in that it had no impact.

The Sisterhood (1988) is a movie that I recently watched on Amazon Prime. The storyline takes place in a world trying to survive after a nuclear holocaust. Men have enslaved women to do their bidding in most civilizations. However, in the outlands women have formed a tribe of sorts that survive on their own. The only hope for women in civilizations may be for this tribe to rescue them and set them free from their oppressors.

This movie is directed by Cirio H. Santiago (Firecracker) and stars Rebecca Holden (Knight Rider), Chuck Wagner (America 3000), Lynn-Holly Johnson (For Your Eyes Only), Robert Dryer (Savage Streets) and Barbara Patrick (Lord of the Illusions).

This movie had some promise but doesn't live up to its potential. The attire, settings and props were all perfect for the storyline. This also has the classic 80s nudity you'd expect. Unfortunately the writing, especially the dialogue, was a bit stale and Wagner's acting was very mediocre and holds the film back. I did like the "goddess" depiction and introduction towards the end. The conclusion was very mediocre and a bit disappointing.

Overall, this is a below average addition to the apocalyptic genre that I would score a 4/10 but still recommend seeing once.

With a hundred films under his belt, I doubt very much that The Sisterhood is the worst film directed by Filipino hack Cirio H. Santiago, but it can't be far off. Part sword and sorcery flick, and part Mad Max rip-off, but ALL awful, the film takes place in a post-apocalyptic future (the far-flung year of 2021) where warlords rule the three kingdoms, and a band of women, The Sisterhood, roam the outlands in an attempt to restore peace and equality.

Bond girl Lynn-Holly Johnson plays 18-year-old Marya, who joins female freedom-fighters Alee (Rebecca Holden) and Vera (Barbara Patrick) on their quest to rescue their sisters, who have been imprisoned by Lord Kragg (Kenneth Peerless) in Calcara. On their journey, Marya learns more about her special gift - her ability to talk to hawk Lady Shri - and, being a quick learner, picks up some nifty fight moves, handy for when she finally comes face to face with Mikal (Chuck Wagner), the warrior who killed her brother.

After Vera is abducted by Mikal and his men, and taken to Calcara, Alee and Marya narrowly escape being killed by mutants (men in rags with mud on their faces), stumble upon a cave full of automatic weapons and an armoured vehicle, and proceed to lay waste to the enemy despite no prior knowledge of firearms and zero experience behind the wheel.

Packed full of badly choreographed fight scenes, dreadful dialogue and tepid escapades for our heroines, The Sisterhood might have been a lot of cheesy fun if only the direction wasn't so uninspired and the budget clearly lacking. Sadly, the whole thing looks and feels extremely cheap, from the really naff Mad Max reject vehicles, to the crappy costumes and props, to the awful music, which sounds like a drunk is bashing random keys on a Bontempi organ.

The fun stuff: a modicum of gore (a couple of sword slashings and a severed hand), a reasonable amount of topless nudity (I counted nine breasts), and one of the chicks can fire lasers from her eyes. The rest of the film is dull grade-Z trash.

2.5/10, rounded up to 3 for IMDb (although it doesn't deserve to be).

In this goofy, female empowerment, post-holocaust tale from director Cirio H. Santiago ("Equalizer 2000"), it's the future year of 2021. In the deserts of Earth, men hold all the power and have enslaved many women. It's up to the nomadic ladies known as "The Sisterhood" to restore some sense of equality. Two such Sisters that we meet are Alee (Rebecca Holden) and Vera (Barbara Patrick, the wife of Robert P.). They take under their wing a teen aged girl named Marya (Lynn-Holly Johnson of "Ice Castles" and "For Your Eyes Only"), whose kid brother (Tom McNeeley) was killed by one of the male antagonists, a warrior named Mikal (Chuck Wagner, "America 3000").

"The Sisterhood" is good, light entertainment for sci-fi lovers who favor the cheesy and silly side of post-holocaust cinema. It does earn some points for portraying its women as strong and independent, but not invulnerable. It also gives Alee and Vera special powers - Vera is telekinetic and Alee has healing abilities. Our three heroines generate sufficient rooting interest, and all of our grunting pig villains are appropriately odious. Mikal is an exception, proving to be more than one-dimensional.

Fine use is made of locations. The sets, costumes, and vehicles look decent enough for whatever minimal budget "The Sisterhood" had. The music score by Jun Latonio is variable: sometimes it's passable, and at other times it is just *awful*. It's all pleasantly cheesy, with a little bit of gore (there's a few close ups of sword wounds) and a fair amount of action. The performances are actually not too bad - Robert Dryer, the main baddie in "Savage Streets", as the creepy Lord Barak, Anthony East as Lord Jak. The female cast is very attractive, and there are adequate doses of bare flesh throughout.

Watching this one is a harmless enough way to kill a little over an hour and a half.

Seven out of 10.

Quite a few folks have belly-aching to me about why these so-called "femme fatale" flicks don't stack up to sheer greatness. Well, this is one of those movies, and it sure comes darn close at being good! Some cool costumes, a futuristic setting, and an original idea were the bright spots, making this one to drool over. But now, the screaming starts. What we have here is a movie based on a horribly bad scripting job, causing everything else lacking throughout the entire program. The end result is another cheesy exploitation movie that tries too hard to pump enough blood. Acting, plot, and everything else that breathes vitality! Is this why they're called "B" movies? I think so. I'll keep trying to search for more of these films, but you and I may be better off disappointed than satisfied with them! Don't lose your mind over seductive artwork on tape boxes!