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IMDbPro

Um Tira Implacável

Título original: Shakedown
  • 1988
  • R
  • 1 h 52 min
AVALIAÇÃO DA IMDb
6,0/10
4,2 mil
SUA AVALIAÇÃO
Sam Elliott and Peter Weller in Um Tira Implacável (1988)
Theatrical Trailer from Universal Pictures
Reproduzir trailer1:56
1 vídeo
99+ fotos
AçãoCrimeDramaMistérioSuspense

Um advogado e um policial renegado se unem para parar um policial corrupto.Um advogado e um policial renegado se unem para parar um policial corrupto.Um advogado e um policial renegado se unem para parar um policial corrupto.

  • Direção
    • James Glickenhaus
  • Roteiristas
    • James Glickenhaus
    • James Borrelli
  • Artistas
    • Peter Weller
    • Sam Elliott
    • Richard Brooks
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,0/10
    4,2 mil
    SUA AVALIAÇÃO
    • Direção
      • James Glickenhaus
    • Roteiristas
      • James Glickenhaus
      • James Borrelli
    • Artistas
      • Peter Weller
      • Sam Elliott
      • Richard Brooks
    • 41Avaliações de usuários
    • 29Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Vídeos1

    Shakedown
    Trailer 1:56
    Shakedown

    Fotos161

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    Elenco principal65

    Editar
    Peter Weller
    Peter Weller
    • Roland Dalton
    Sam Elliott
    Sam Elliott
    • Richie Marks
    Richard Brooks
    Richard Brooks
    • Michael Jones
    Jude Ciccolella
    Jude Ciccolella
    • Patrick O'Leary
    George Loros
    George Loros
    • Officer Varelli
    Thomas G. Waites
    Thomas G. Waites
    • Officer Kelly
    • (as Tom Waites)
    Daryl Edwards
    Daryl Edwards
    • Dr. Watson
    Jos Laniado
    Jos Laniado
    • Ruben
    Blanche Baker
    Blanche Baker
    • Gail Feinberger
    John C. McGinley
    John C. McGinley
    • Sean Phillips
    • (as John McGinley)
    Patricia Charbonneau
    Patricia Charbonneau
    • Susan Cantrell
    Shirley Stoler
    Shirley Stoler
    • Irma
    Walter Flanagan
    • Prison Guard
    Walter Bobbie
    Walter Bobbie
    • Dean Howland
    Henry Judd Baker
    Henry Judd Baker
    • Big Leroy
    • (as Judd Henry Baker)
    Andrew Johns
    • Billy
    Roy Milton Davis
    Roy Milton Davis
    • Preacher
    Kathryn Rossetter
    Kathryn Rossetter
    • Margaret O'Leary
    • Direção
      • James Glickenhaus
    • Roteiristas
      • James Glickenhaus
      • James Borrelli
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários41

    6,04.2K
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    Avaliações em destaque

    Wizard-8

    Both good and bad things here

    Since its theatrical release, "Shakedown" has all but been forgotten by the public. Having just watched it again after more than twenty five years since I first saw it, I think I know why it has faded into obscurity. Don't get me wrong, it's not a terrible movie. For starters, it looks great, with expert cinematography and lighting despite being made with a somewhat conservative budget. And director James Glickenhaus, like in his other movies, definitely shows he can direct action - the action scenes in this movie are very well done.

    But a closer look at the movie soon reveals some big flaws. While Sam Elliot shows his trademark weary charm and makes his character appealing, his co-star Peter Weller doesn't fare so well. Weller is kind of stiff, maybe because his character is eventually made to be not so likable despite being in a lead protagonist position. The screenplay (also by Glickenhaus) is also kind of a mess, with important characters disappearing for long periods of time, as well as the central story moving extremely slowly (or not at all) for equally long periods of time.

    Is the movie worth seeing? In some circumstances, yes. If you actively seek it out and/or pay good money to see it, chances are you'll be disappointed. But if it crosses your path during a slow day for free, you'll probably find it helps pass the time in an acceptable manner.
    ChoiBaby

    Action packed tale benefits from the three dimensional characters.

    Director James Glickenhaus (The Soldiers, The Exterminator, McBain) has composed a reasonably well constructed thriller with the usual spectacular action sequences and an interesting plot. This time though, the strong performances from the lead stars help propel Shakedown above the usual mundane low budget films. Peter Weller (Robocop, Screamers) is excellent as Roland Dalton, a frustrated attorney who must help defend a troubled youth who has been accused of murdering a police officer. However, there is more to the scene of the crime than meets the eye...

    Sam Elliot (Road House) is grand as Richie Marks, a rogue police officer who is always at the wrong place at the right time. Marks and Dalton happen to form a "buddy-buddy" type bonding, and their investigation eventually leads knee deep into a conspiracy of corruption, deceit, and murder...

    Shakedown is a decent action flick with an intriguing plot with enthralling plot twists and top notch action sequences. The fist fight aboard a moving roller coaster is a highlight and the extended vehicle chase through the streets of Manhattan is another highlight.

    What makes Shakedown an exceptional thriller though, is the three dimensional performances. Peter Weller is definitely the performer worth watching in Shakedown. His convincing portrayal as a tough lawyer adds an extra depth of integrity to an otherwise standard "kill or be killed" actioner. Sam Elliot has his moments too as a cynical renegade cop who helps Weller expose corruption in the police department.

    Shakedown is worth watching just for the high caliber performances from both Weller and Elliot. The action scenes are worthwhile as well. The only setback though is these action sequences are used a little too sparesly. The lack of a breathtaking pace destroys an almost superior thriller. Otherwise, Shakedown is an adequate film. This movie would benefit greatly with a faster pace, but the acting from stars Weller and Elliot make Shakedown a film worth a look.

    RATING: **1/2 out of ****.
    6a_chinn

    Enjoyable throwback 80s action flick

    Not a classic, but an enjoyable 80s action flick with the always charming Sam Elliott as a gruff NYPD detective and Peter Weller as a quirky lawyer teaming up to take down some dirty cops. From writer/director James Glickenhaus, who brought us the grindhouse classic THE EXTERMINATOR, this is his most polished film, but its major weakness is how conventional it is compared to his rule-breaking grindhouse classic. Still, the leads are great, even if Elliott doesn't get enough screen time, 80s character actors litter the screen everywhere, and the film does a great job of using practical locations on the filthy streets of NYC before Giuliani cleaned it up. Behind the scenes, Weller and Elliot were assigned bodyguards for the night shoots in Times Square, back when it was still populated with peepshows, pimps, and criminals before it became Disneyland. Another strength of the film is all of the practical stunt work. There's no CGI here! Stuntmen really did all the leaping from buildings, crazy car rolls, and hanging off of bridges. Outside of some awful blue screen during the film's finale, the film has a gritty and grounded feel to the action that makes it a must-see for fans of 80s action films.

    4-7-19 Enjoyably cliched 80s buddy cop film with more mullets than you can shake a stick at!

    Shakedown (1988) *** I don't think I'd seen this film since it originally came out in the theater. I remember thinking it was pretty ridiculous then, but it's aged better than I'd expected, mainly thanks to it's cast, the use of actual NYC locations, and 80s action film nostalgia value. Peter Weller plays a groovy lawyer and Sam Elliott plays a renegade narcotics detective. It's a cliche ridden story of Weller and Elliott then face off against drug dealers, corrupt police officers, and other assorted low-lifes. The script by writer/director James Glickenhaus is pretty awful, but his action sequences are serviceable. In the film's favor is the fun pairing of Elliott and Weller and also the use of grimy pre-Giuliani NYC locations, including one action sequence filmed at 42nd Street in Times Square when it was still a den of go-go bars, peep shows, and adult theaters. It was certainly a good thing that Giuliani cleaned up the streets of NYC, but when it comes to movies filmed in The Big Apple, I have a fond affection for films like "The Warriors", "Maniac", "Gloria", "C. H. U. D.", "Black Caesar", "Across 110th Street", "Combat Shock", or even Glickenhaus' own "The Exterminator" which all prominently featured the seedy side of the city that never sleeps. Also in the film's favor is that it featured more mullets than any recent action film I can think of outside of "Roadhouse". Overall, "Shakedown" is a highly routine buddy cop picture to the degree of being a genre stereotype, but it has enough positives to be enjoyed by fans of these sorts of films.
    8jellopuke

    Totally underrated

    There's a weird tonal shift in this movie where the Peter Weller stuff is a well done legal thriller about defending a bad man and the Sam Elliot stuff is a totally over the top action movie with crazy stunts, car chases and shoot outs. But you know what? In a crazy way it works! With a balls out insane ending that makes no sense whatsoever I had a lot of fun. It was very competently made and acted and is well worth tracking down.
    7damianphelps

    Silly Funny Good

    A pretty fun movie to watch, a bit silly in parts and ludicrous in others, its a good entertainer.

    Sam Elliot smooths his way through the film as usual and Weller, though good, is a little Robocop with some of his emotions.

    Has all the elements you want from this kind of film :)

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      We first see Richie Marks (Sam Elliott) while he is inside a movie theater showing O Ultimato (1982), which was also directed by James Glickenhaus.
    • Erros de gravação
      At night time, when Roland gets caught at the precinct stealing the evidence from the locker, the shot moves to an exterior shot which shows the precinct by day - very sunny - then cuts back to an interior shot, again at night.
    • Citações

      Richie Marks: You know what this is?

      Tommie: It's a gun! It's a gun!

      Richie Marks: Yeah, and you're a fuckin' genius! Now listen up. This gun is clean, no serial number. So if I blow out what's left of your brain and chuck it in the East River, your case is closed. The people downtown are gonna file you under DSAF. "Did Society A Favor." Got it?

    • Versões alternativas
      On its first run past the Australian classification board, the film was rated R. To garner a wider audience, Hoyts removed approx. 1 minute of footage so that the film could get an M rating. The footage removed included the "condom" scene with the old jailer, all references to homosexuality and snitches being "turned out", the scene outside the porno theater where the Nicky Carr's right-hand man guns down the bystanders after the cops and the Russian roulette scene in the police station. this footage was never reinstated for the film's VHS or subsequent DVD release.
    • Conexões
      Featured in Siskel & Ebert & the Movies: Shakedown/Stormy Monday/Sunset/Two Moon Junction/White Mischief (1988)
    • Trilhas sonoras
      Subterranean Homesick Blues
      Written by Bob Dylan (uncredited)

      Performed by Red Hot Chili Peppers

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    Perguntas frequentes

    • How long is Shakedown?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 6 de maio de 1988 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Idioma
      • Inglês
    • Também conhecido como
      • Shakedown
    • Locações de filme
      • Astroland Park, Coney Island, Brooklyn, Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Shapiro-Glickenhaus Entertainment
      • Blue Jean Cop
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 6.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 10.068.039
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.017.800
      • 8 de mai. de 1988
    • Faturamento bruto mundial
      • US$ 10.068.039
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 52 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Stereo
    • Proporção
      • 1.85 : 1

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